Malland. Murals. Magnificent.

Seth Malland

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You MUST check out more at Seth Globalpainter’s website at GlobalPainter. (Especially “Walls”).

“Julien Seth Malland’s murals revive crumbling walls with vibrant images of children immersed in galaxies of color. The Paris-based artist, who also goes by the pseudonym Seth Globepainter, adds depth to flat, brick-and-plaster walls with a palette of vibrant hues that seem inspired by a crayon box.” (Source: mymodernmet)


Paris Awakening

Paris Awakening II | GH4 & SLR Magic 10mm T2.1 from emeric on Vimeo.


The essential the spiritual oneness

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“Jacques Bodin is a french hyperrealist painter who lives and works in Paris. Most of his paintings are made in an almost absurd scale and magnification, so the subject becomes a kind of abstraction separating it from ordinary reality and endowing it with a life of its own. The hair, the orange , the herb become a world in itself, a microcosm. He focuses in on the essential the spiritual oneness of his subjects. There is, indeed, a connection between this magnified section of human physiognomy or nature and the universe.”

MICHAEL: When I look at those rear head shots of the women, I do wonder who those women are.  Is that your intention?

JACQUES: The human figure turning one’s back to the viewer suggests some interrogations: Who is this woman? Is she the artist’s wife, his daughter? Could it be my wife, could she be me? So if I answer to your question, I break the mystery.  I have the key, but I don’t give it to the viewer. I only suggest and the viewer builds his own history.

MICHAEL: Your paintings of fruit and especially oranges are fantastic.  Were you hungry for oranges and you decided to paint them instead?  They are so detailed.  I can see the pulp!  What was your inspiration?

JACQUES: Most paintings are made in a large scale so the oranges become a kind of abstraction separating the subject from ordinary reality and endowing it with a life of its own. The orange becomes a world in itself, a microcosm. I focus in on the essential, the spiritual oneness of the fruit; there is, indeed, a connection between this magnified section of vegetal physiognomy and the universe. I try to capture a dynamic form in a static pose while still conveying movement and brightness. This is for the theory. In fact, I really love oranges and particularly orange juice.

MICHAEL: When people look at your work, what do you want them to see or feel?  What is the message behind all of your hard work?

JACQUES: “I have a dream.” In two words, if anyone looking at my works thinks, ”Sense and beauty!” I would be proud of this message.  I don’t paint thinking about viewers’ opinion. I should wish people or customers could live all their life with my paintings and every day bring a brand new emotion or interpretation.

Find his website and gallery here: Jacquesbodin.com.  Find his Oranges and fruits here. Find his Herbes (grass) here.

En dansant sur la terrasse


“En dansant sur la terrace” (Dancing on the Terrace) is performed on a rooftop in Paris. The choreographer is Tarek Aïtmeddour.  You can find the the music titled “Charms” by Abel Korzeniowski from the movie W.E. (co-written and directed by Madonna) on iTunes here: “Charms

Related Post: Evgeni’s Waltz (and background on W.E. and another Korzeniowski composition.)

SMWI*: Saturday Line-Up

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Run? Later.
Mindless web surfing.
Saturday morning papers in bed.
Background music on Pandora.
Shower? Shave? No. Sweatpants.
Breakfast: French Toast with hot maple cream syrup.
Old episodes of “Cheers.”
Words with Friends.
Short walk with Zeke.
Lunch: Piping hot tomato soup and Grilled Cheese.
Curl up on couch in attic. Rain (forecasted) pattering on roof.
Samuel Beckett’s Three Novels: Molloy. Malone. Unnamable.”
Drift into Long nap.
Run? Later.
Gentle foreign film whisking me off to Paris.
Run? Maybe.


In a place like Paris, the air is so thick with dreams they clog the streets and take all the good tables at the cafés. Poets and writers, models and designers, painters and sculptors, actors and directors, lovers and escapists, they flock to the City of Lights. That night at Polly’s, the table spilled over with the rapture of pilgrims who have found their temple. That night, among new friends and safe at Shakespeare and Company, I felt it too. Hope is a most beautiful drug.

— Jeremy Mercer, Time Was Soft There: A Paris Sojourn at Shakespeare & Co.


SMWI* = Saturday Morning Work-out Inspiration. Image Credit. Quote Source: Schonwieder