Read it.

Take a moment for yourself…Every day. A Moment. A moment where YOU are your own priority. Just you… Not your work…not your filthy house, not anything. Just you…. Whatever you need, whatever you want, whatever you seek, reconnect with it in that moment…Then recommit…

On the other hand, wasn’t that the very definition of life? Constant adaptations brought about by a series of never-ending mistakes? ….

And as humans, we’re by-products of our upbringings, victims of our lackluster educational systems, and choosers of our behaviors. In short, the reduction of women to something less than men, and the elevation of men to something more than women, is not biological: it’s cultural. And it starts with two words: pink and blue. Everything skyrockets out of control from there…

Bonnie Garmus, Lessons in Chemistry: A Novel (Doubleday, April 5, 2022)

Monday Morning Wake-Up Call

Compared to the alternate realities that could have happened, how can I want for anything more in this one?

— Gina Frangello, Blow Your House Down: A Story of Family, Feminism, and Treason (Counterpoint, April 6, 2021)

 


Notes: NY Times Editor’s Choice 9 New Books We Recommend This Week (May 13, 2021)

I feel fine, anytime she’s around me now

I always wanted to be the kind of woman James Taylor would sing: I feel fine, anytime she’s around me now to“Something in the Way She Moves.” You know that song.

Don’t you wish someone wanted to sing that song to you?

~ Lidia Yuknavitch, The Chronology of Water: A Memoir 

Truth.

It’s the nuances of desire that hold the truth of who we are at our rawest moments.

~ Lisa Taddeo, Three Women (Simon & Schuster, July 9, 2019)


Notes:

  • And another passage by Lisa Taddeo from her new book: “I think about my mother’s sexuality and how she occasionally used it. The little things, the way she made her face up before she left the house or opened the door. To me, it always seemed a strength or a weakness, but never its own pounding heart. How wrong I was.”
  • From Amazon.com: “It thrills us and torments us. It controls our thoughts, destroys our lives, and it’s all we live for. Yet we almost never speak of it. And as a buried force in our lives, desire remains largely unexplored—until now. Over the past eight years, journalist Lisa Taddeo has driven across the country six times to embed herself with ordinary women from different regions and backgrounds. The result, Three Women, is the deepest nonfiction portrait of desire ever written and one of the most anticipated books of the year.”
  • NY Times Book Review by Toni Bentley
  • (Early Review 50 pages in: Exceptionally well written. Page turner. Raw/Emotional.)

#1, and belongs there.

“Where is it written that a working-class widow’s daughter should to go college?” one of my uncles said to her, drinking coffee at our kitchen table on a Saturday morning in my senior year in high school.

“Here it is written,” she had replied, tapping the table hard with her middle finger. “Right here it is written. The girl goes to college.”

“Why?” he had pursued.

“Because I say so.”

“But why? What do you think will come of it?”

“I don’t know. I only know she’s clever, she deserves an education, and she’s going to get one. This is America. The girls are not cows in the field only waiting for a bull to mate with.”

I stared at her. Where had that come from?

~ Vivian Gornick, Fierce Attachments: A Memoir 


Notes:

Really Red

Humanity’s love affair with red lipstick dates back to 3500 B.C. when Queen Shub-Ad of Ur, one of the Sumerian city-states of ancient Mesopotamia, first wore a red lip made with a base of white lead and crushed red rocks…

For years I wore Really Red to make me look like I felt OK. Six years later my collection of lipsticks has expanded, but every shade is red. It’s the color I wear because when I wear it now I actually believe I’m OK, because it’s still the color that gets me, and because on any given day when I catch myself in the mirror with it on, I see the person I want to be. And therein lies the power of red lipstick: its innate ability to be anything at any time for its wearer…

~ Alison Fishburn, from “When Lips Speak for Themselves

 


Photo: julia leonidovna with self-portrait

when the house is finally quiet

Someone is always home sick: chicken pox, strep throat, another chicken pox, stomach flu…Baby Bliss sits on her hip. It is only later that week, perhaps, when the house is finally quiet, the dishwasher humming in the downstairs dark, her husband not yet home, and upstairs the kids are asleep or at least pretending. When she is finally in the soft light of her own bedroom with her hair brushed and her face clean, sinking into the down pillows with something to read, she arrives in a moment that is her own and not in relation to anything else—not a carpool, a nursing infant, nor a man she loves. She is self-contained, not only a woman but the sole measure of her own life.

~ Sarah McColl, “Joy Enough: A Memoir.” (January, 2019)

 


Notes:

we can smell wood smoke in the air and taste snowflakes on our tongues

We’ve had decades to develop resilience. Many of us have learned that happiness is a skill and a choice. We don’t need to look at our horoscopes to know how our day will go. We know how to create a good day.

We have learned to look every day for humor, love and beauty. We’ve acquired an aptitude for appreciating life. Gratitude is not a virtue but a survival skill, and our capacity for it grows with our suffering. That is why it is the least privileged, not the most, who excel in appreciating the smallest of offerings.

Many women flourish as we learn how to make everything workable. Yes, everything. As we walk out of a friend’s funeral, we can smell wood smoke in the air and taste snowflakes on our tongues.

Our happiness is built by attitude and intention. Attitude is not everything, but it’s almost everything. I visited the jazz great Jane Jarvis when she was old, crippled and living in a tiny apartment with a window facing a brick wall. I asked if she was happy and she replied, “I have everything I need to be happy right between my ears.”…

There is an amazing calculus in old age. As much is taken away, we find more to love and appreciate. We experience bliss on a regular basis. As one friend said: “When I was young I needed sexual ecstasy or a hike to the top of a mountain to experience bliss. Now I can feel it when I look at a caterpillar on my garden path.”

Older women have learned the importance of reasonable expectations. We know that all our desires will not be fulfilled, that the world isn’t organized around pleasing us and that others, especially our children, are not waiting for our opinions and judgments. We know that the joys and sorrows of life are as mixed together as salt and water in the sea. We don’t expect perfection or even relief from suffering. A good book, a piece of homemade pie or a call from a friend can make us happy. As my aunt Grace, who lived in the Ozarks, put it, “I get what I want, but I know what to want.”

We can be kinder to ourselves as well as more honest and authentic. Our people-pleasing selves soften their voices and our true selves speak more loudly and more often. We don’t need to pretend to ourselves and others that we don’t have needs. We can say no to anything we don’t want to do. We can listen to our hearts and act in our own best interest. We are less angst-filled and more content, less driven and more able to live in the moment with all its lovely possibilities…

By the time we are 70, we have all had more tragedy and more bliss in our lives than we could have foreseen. If we are wise, we realize that we are but one drop in the great river we call life and that it has been a miracle and a privilege to be alive.

~ Mary Pipher, excerpts from The Joy of Being a Woman in Her 70s (The New York Times · January 12, 2019). Mary Pipher is a clinical psychologist in Lincoln, Neb., and the author of the forthcoming “Women Rowing North: Navigating Life’s Currents and Flourishing as We Age.”


Photo Credit

Monday Morning Wake-Up Call

Who says Allie Kieffer isn’t thin enough?

Allie Kieffer, one of the best Americans running the New York City Marathon next Sunday, spent a lot of her life feeling as if she didn’t really fit in among the competition. She was good enough to land an athletic scholarship to college and hoped to continue running after graduating. But she wasn’t as thin as the women she raced against. Her coaches suggested she diet. She eventually gave in, and her body broke down…

After a few years, she missed running and started again — but this time was different. There were no goals, no opponents to compare herself with and no times to record. Everything was on her own terms…She began running more miles than ever, she was healthier than ever, and she was happier, too. And then something unexpected happened: She got faster. Much faster.

Last year, Kieffer ran the New York City Marathon and finished, astonishingly, in fifth place. She was the second American woman, and she logged her best time by nearly 15 minutes in one of the world’s most competitive footraces. Barely anyone knew who the unsponsored 30-year-old American with the topknot sprinting past Olympians in the final miles of Central Park was.

Suddenly, Kieffer wasn’t just trying to be one of the hundreds of elite runners in the country. She had become one of the best runners in the world…

In doing so, Kieffer has given us a powerful example of what can happen when we stop trying to force ourselves to meet preconceived notions of how to achieve success — especially unhealthy, untrue ideas — and go after our goals on our own terms. When we focus less on fixing what we consider to be inadequacies and more on reinforcing our strengths, we can realize potential we didn’t even know we had.

“Sometimes, the act of trying takes so much energy that it can prevent you from actually doing the thing you want to do,” Brad Stulberg, the author of Peak Performance, told me. “If it starts to feel like performance shackles, you’re going to want say screw it, to break out of rigid patterns and rip those shackles off. And only then are you able to really achieve what you were trying for the whole time.”

Kieffer’s story also proves that we can achieve far more when we value all women’s bodies less for how they look, and more for what they can do.

Not that being underestimated can’t serve as motivation.

“I’ve always gotten a lot of satisfaction by being the big girl everyone thought they were going to beat,” says Kieffer…

There is a growing movement telling us to embrace the bodies we’ve got — thank you — but it’s hard to drown out the other messages. Whether it’s for a race or a wedding, women are told that they are at their most valuable when their bodies are their most diminished. Resisting the impulse to feed yourself is an accomplishment we praise. You don’t have to buy into these values, but you’ll probably still be judged by them…

By conventional standards, she is doing nearly everything wrong. But she’s beating a lot of the people who are still training the “right” way, so perhaps her path shows there’s room for a more flexible definition of what the right way can be. This is probably true for more than just distance running.

~ Lindsay Crouse, excerpts from Who Says Allie Kieffer Isn’t Thin Enough to Run Marathons? Success that shows we might be able to achieve even more when we break all the rules. (The New York Times, October 27, 2018)


Inspired by:

  • Nobody is smarter than you are. And what if they are? What good is their understanding doing you?” -Terence McKenna, Nobody is Smarter Than You Are
  • I don’t think that you have to get all your inner stuff together and totally integrated before you can actually be what you’ve realized. You’re going to wait forever if you wait for that. Just start being what you know now.” ~ Adyashanti, Emptiness Dancing

No one tells you this

I’d never been outside of Canada. When I complained about this growing up in our suburban house outside of Toronto, my father would helpfully point out that he’d once driven us across the border at Niagara Falls and then done a U-turn and driven us right back, so technically speaking I had, in fact, left the country. I was unmoved. Literally as well as figuratively. Unlike every other person I knew in Ontario, my family had not gone to Florida for winter vacation. We had not done the drive down I-95 to visit grandparents or go to Disney World. We didn’t even make the trip to Buffalo to take advantage of the cheaper American prices at the mall outlets. The MacNicols stayed put. Travel was for other people…

Growing up, nearly everything existed for me only in books, which had the effect of making all travel seem automatically rife with adventure and exoticism, no matter the reality. When friends complained about the terrible monotony of being trapped during spring break in the back of their parents’ car en route to Myrtle Beach, it fell on uncomprehending ears. To me, the concrete American Interstate held the same unknowable mystique as Paris. Perhaps it was less than surprising then that I cleaved on to the Little House books by Laura Ingalls Wilder the way I did: not only was she also an adventurous young girl, she was a real person; I could find the places she’d gone to on a map and know she’d actually been there, and that because she’d done it, perhaps I could do it, too. Eventually I found my way to those dots in real life along with many others, always slightly astounded that I had managed to manifest my own childhood imagination.

~ Glynnis MacNicolNo One Tells You This: A Memoir (July 10, 2018)


Book Review: HuffPost – ‘No One Tells You This’: The Triumph Of Choosing A Single, Childfree Life At 40

When Eve walked (among them)

When Eve walked among
the animals and named them –
nightingale, red-shouldered hawk,
fiddler crab, fallow deer –
I wonder if she ever wanted
them to speak back, looked into
their wide wonderful eyes and
whispered, Name me, name me.

Ada Limón, “A Name” in The Carrying: Poems (August 14, 2018)


Ada Limón, 42, is an American poet. She was a finalist for the 2015 National Book Award in Poetry.  In an interview by Suzannah Windsor in April 21, 2014 in Compose Journal, Ada Limón: “My grandfather on my father’s side was from San Juan de los Lagos, Mexico. He crossed the border as a child in 1917 after his family’s land was confiscated by Pancho Villa’s troops during the Mexican revolution. I was not raised in a bilingual family. My grandfather rarely spoke Spanish even. He worked hard to assimilate into U.S. culture, growing up in a foster family, and eventually graduating from college. I have always identified with Mexican culture, but like many of us, I am not only one thing. I’m many things. I’m Irish, and Scottish, and German too. Part lion. Part dragon. Depending on the day…My confession: most of my poems are autobiographical. The strange, twisty narrative of the inner voice, the voice underneath the voice, is always what fascinates me and keeps me writing… I suppose, in my life, I’ve never done things the ordinary way. I’m either deep in the bottom of the well or nowhere near water.”  Her new book, The Carrying: Poems was published this month. (Unrelated Photo above by Yishuwang)

T.G.I.F.: It’s been a long week


A child holding tulips during the Flower Run race marking International Women’s Day in Moscow’s Fili Park. (Mikhail Tereshchenko/Tass/Zuma Press, wsj.com March 8, 2018)

Lightly Child, Lightly

I was fifteen and I felt it, felt the race I was running with time. My body was changing, bloating, swelling, stretching, bulging. I wished it would stop, but it seemed my body was no longer mine. It belonged to itself now, and cared not at all how I felt about these strange alterations, about whether I wanted to stop being a child, and become something else.

~ Tara Westover, “Educated: A Memoir


Notes:

Sunday Morning

go to
some foreign place,
Juarez, say,
in Mexico,
and listen
to a large woman,
a powerful
laughing mother,
talk about
her children
crawling bare assed
on the dirt floor,
and about the way
roses grow
trellised on
an adobe wall,

and then
try to write it down
in a letter to a friend,
in English –
try to catch
the words
as she said them

until you recognize
there is no way
– no way at all –
to do it

except to take
your friend by the hand,
returning to Juarez,
and go to the woman,
the laughing woman,
and yes,
humbly,
listen
with awe.

Arthur Powers, “If You Would Read the Bible” from EchotheoReview


Notes: Poem Source – 3quarksdaily.com. Photo: George Marks

but is wary of becoming sated, like one of Aristotle’s dumb grazing animals.

martha-nussbaum

A sixty-nine-year-old professor of law and philosophy at the University of Chicago (with appointments in classics, political science, Southern Asian studies, and the divinity school), Nussbaum has published twenty-four books and five hundred and nine papers and received fifty-seven honorary degrees. In 2014, she became the second woman to give the John Locke Lectures, at Oxford, the most eminent lecture series in philosophy. Last year, she received the Inamori Ethics Prize, an award for ethical leaders who improve the condition of mankind. A few weeks ago, she won five hundred thousand dollars as the recipient of the Kyoto Prize, the most prestigious award offered in fields not eligible for a Nobel, joining a small group of philosophers that includes Karl Popper and Jürgen Habermas. Honors and prizes remind her of potato chips; she enjoys them but is wary of becoming sated, like one of Aristotle’s “dumb grazing animals.” Her conception of a good life requires striving for a difficult goal, and, if she notices herself feeling too satisfied, she begins to feel discontent.

~ Rachel Aviv, The Philosopher of Feelings, Martha Nussbaum’s far-reaching ideas illuminate the often ignored elements of human life—aging, inequality, and emotion. (The New Yorker, July 25, 2016)


Notes:

1) Don’t miss full fascinating profile of Martha Nussbaum in The New Yorker, July 25, 2016

2) If you liked this excerpt, here’s another passage:

Nussbaum left Harvard in 1983, after she was denied tenure, a decision she attributes, in part, to a “venomous dislike of me as a very outspoken woman” and the machinations of a colleague who could “show a good actor how the role of Iago ought to be played.” Glen Bowersock, who was the head of the classics department when Nussbaum was a student, said, “I think she scared people. They couldn’t wrap their minds around this formidably good, extraordinarily articulate woman who was very tall and attractive, openly feminine and stylish, and walked very erect and wore miniskirts—all in one package. They were just frightened.”

3) Martha Nussbaum bio,

4) Photo credit

“What’s going on next to me is just ridiculous”

katie-ledecky

Here are a handful of excerpts from an awe-inspiring, MUST READ article by Michael Sokolove on Katie Ledecky:

  • The most dominant swimmer in the pool this summer is 19 year-old Katie Ledecky. The question isn’t whether she’ll win, but by how much…
  • She is now the world’s top female swimmer in the 200, 400, 800 and 1,500 freestyles. She is among the best Americans in the 100 free. No swimmer has conquered this combination of distances in nearly half a century, and to many in the sport, her achievement is hard to fathom — it would be like the Jamaican star sprinter Usain Bolt taking up and winning mile races.
  • No other woman has ever come within seven seconds of her top time in the 800 freestyle; in the 1,500, the gap is a ridiculous 13 seconds. At the Olympic trials, Leah Smith, an emerging middle-distance swimmer, came within two seconds of her in the 400. She said she was excited because, in her races against Ledecky, “I had never been able to see her feet before.”
  • In the starting blocks before a race, Ledecky does not stroke her biceps or pound her fists against her own body, as some male swimmers do…She just stretches her neck a bit and shakes her arms out, then dives in the pool and wins.
  • She has only three real training partners, all of them male, because they are the only ones with the ability to keep up with her. They swim either in the same lane or in an adjoining lane to Ledecky…It’s not unusual for men and women swimmers to train together, but being in the pool with Ledecky is something that many men can’t handle. In April, Conor Dwyer, a 6-foot-5, 27-year-old American swimmer who won a gold medal in the 4-by-200 freestyle relay in London, gave a revealing interview posted online by USA Swimming. In it, he talked about male swimmers being “broken” by Ledecky when they practiced together at the Olympic Training Center in Colorado Springs.
  • I saw a couple of guys have to get yanked out of workout because they got beat by her.” When I asked Ledecky about this, she claimed not to have noticed. “I was probably just concentrating on doing my own work,” she said.
  • “I’m not gonna lie, it can be annoying when she beats you,” Hirschberger told me. Even if the person getting the best of him is a reigning world-record holder in three events? “You’re just not used to getting beat by a girl,” he said…”What’s going on next to me is just ridiculous. It’s unreal. (Andrew Gemmell, a Ledecky training partner)

Don’t miss the full story here: NY Times Magazine –  The Phenom

 

 

Super Hyper Hair

hair-wrap-painting-hyper-realism

“Jacques Bodin is a french hyperrealist painter who lives and works in Paris. Most of his paintings are made in an almost absurd scale and magnification, so the subject becomes a kind of abstraction separating it from ordinary reality and endowing it with a life of its own.”

Don’t miss more hyperrealistic hair paintings at Faith is Torment: Jacques Bodin

Find Bodin’s website and gallery here: Jacquesbodin.com.


Source: This Isn’t Happiness

Courage. No. Excuse me. Real Courage.

girl-bus-alone

The most beautiful flowers of courage
are not seen in the showy,
loose petalled bouquets of our leaders,
enormous gardenias perfuming whole banquet rooms.
No, they are blossoms like this:
a child-sized young woman with a homely face,
alone on a seat on the city bus,
eyelashes thick with mascara,
lipstick smudged onto her small, determined mouth.

~ Ted Kooser, July. The Wheeling Year: A Poet’s Field Book


Image Source: Ziemowit Maj

Saturday Morning. 4 am.

http://serrahrussell.com/equivalents/ddtdyna0o1folzm6dzmpy5kz32j2lb

But now it is four in the morning and she is still awake while her husband breathes regularly and sweetly beside her. When she tires of listening to him breathe, which takes a long time because he sounds like a child and it is beautiful to hear, she comes into the other room and looks out her window uptown and at the lights on the river. Now and then opening a can of tuna fish and thinking this fish in this room on 112th Street was originally swimming in the deep Atlantic and now it is here on the thirteenth floor. What a miracle, although not for the fish. Still. You can appreciate things at four in the morning that would go right past you during the day.

~ Abigail Thomas, She has had insomnia. Safekeeping: Some True Stories from a Life


Image Source – Precious Things – Serrah Russel, Equivalents

Hopper & Shirley: Morning Sun

morning-sun-edward-hopperedward-hopper-morning-sun-1952

“In Hopper’s paintings we can stare at the most familiar scenes and feel that they are essentially remote, even unknown. People look into space. They seem to be elsewhere, lost in a secrecy the paintings cannot disclose and we can only guess at. It is as if we were spectators at an event we were unable to name; we feel the presence of what is hidden, of what surely exists but is not revealed. By formalizing privacy, by giving it a space where it can be witnessed without being violated. Hopper’s rooms become sad havens of desire. We want to know more about what goes on in them, but of course we cannot. The silence that accompanies our viewing seems to increase. It is unsettling. It weighs on us like solitude. “

— Mark Strand, Hopper


The first image is Edward Hopper’s 1952 painting titled Morning Sun. The second, is a screen shot from the film “From Shirley – Visions of Reality” where Austrian Director Gustav Deutsch has recreated 13 of Hopper’s better-known paintings with images that bear an uncanny cinematic recreation of Hopper’s works. Hopper’s paintings are brought alive by the film, telling the story of a woman, whose thoughts, emotions and contemplations lets us observe an era in American history. Shirley is a woman in America in the 1930s, ‘40s, ‘50s, and early ‘60s.” (Phaidon)


Credit: Mark Strand Quote and inspiration: To Escape From a CommonPlace of Existence

 

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