Saturday


Notes:

  • Inspired by: “We walked at the edge of the sea, the dog, still young then, running ahead of us. Few people. Gulls. A flock of pelicans circled beyond the swells, then closed their wings and dropped head-long into the dazzle of light and sea. You clapped your hands; the day grew brilliant. Later we sat at a small table with wine and food that tasted of the sea. A perfect day, we said to one another…” ~ Peter Everwine, from “The Day” in Listening Long and Late (via Memory’s Landscape)
  • Photographs: Françoise Dufau (France). Photo 1: L’Estuaire (The Estuary). Photo 2: La Dune Du Pilat (The Dune of Pilat). Photo 3: Au-Dessus Des Nuages (Over the Clouds)

Elle est bonne

On the Mediterranean beaches of France, in summer, you hear one cry repeated endlessly: Elle est bonne. That is, It’s good. Meaning the seawater. Cautious, modern inhabitants of cities thus assure one another that it’s safe to go in the water, they won’t be stunned by its arctic cold. But in its essence this cry affirms the world, nature. Elle est bonne.

~ Adam Zagajewski, Slight Exaggeration: An Essay (April 4, 2017)


Photo: South of France via Oliver’s Travels. Related Posts: Adam Zagajewski

 

Nice (84)

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Source: rakham-lerouge and Anshealin Sketching Machine (via nini poppins)

 

I just don’t see the connection

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Once he heard the gunfire stop, Matthieu made his way back to the restaurant. “I saw a lot of women dead on the ground,” he said, his voice catching on the “f” of “femmes.” “It was mostly women that I saw.” He found one of his friends, a Brazilian studying in Paris, lying in the middle of the street. She had been seated across from him, and was shot in the chest. Matthieu sat on the ground and held her legs, feeling her shallow breathing. She would survive.

People were running through the streets in an eruption of panic, shouting as the police arrived and tried to establish order. The scene couldn’t be secured; Matthieu worried that the shooters might return. Next to him, a man without injuries held his girlfriend’s lifeless body in his arms. Then, without warning, he ran off. The woman was about twenty-five and very beautiful. Matthieu searched for words to describe her perfect, uncanny stillness. […]

Last week’s victims were normal people doing normal Parisian things: eating and drinking together, going out at night to hear a concert or watch a soccer game. After a few days, the rhythm of Parisian life returned, but a new fatalism hung in the air. People seemed resigned to the idea that more attacks would happen, maybe soon. […]

I remembered that when Matthieu and I first met we’d discussed our upbringings, and religion had come up. His family was Catholic, but I couldn’t remember if he was religious. “I’m more agnostic than Catholic, though I come from the Catholic culture,” he said. “In any case, this isn’t really a moment when I’m thinking about religion. When I think about religion, I always think about it in connection with what’s beautiful, what’s good. But never in connection with evil. I just don’t see the connection.”

~ Alexandra Schwartz, Letter from Paris: The Long NightTerrorist attacks and a city changed.


Illustration: Arc De Triomphe by Christoph Niemann in The New Yorker