Saturday


Notes:

  • Inspired by: “We walked at the edge of the sea, the dog, still young then, running ahead of us. Few people. Gulls. A flock of pelicans circled beyond the swells, then closed their wings and dropped head-long into the dazzle of light and sea. You clapped your hands; the day grew brilliant. Later we sat at a small table with wine and food that tasted of the sea. A perfect day, we said to one another…” ~ Peter Everwine, from “The Day” in Listening Long and Late (via Memory’s Landscape)
  • Photographs: Françoise Dufau (France). Photo 1: L’Estuaire (The Estuary). Photo 2: La Dune Du Pilat (The Dune of Pilat). Photo 3: Au-Dessus Des Nuages (Over the Clouds)

Elle est bonne

On the Mediterranean beaches of France, in summer, you hear one cry repeated endlessly: Elle est bonne. That is, It’s good. Meaning the seawater. Cautious, modern inhabitants of cities thus assure one another that it’s safe to go in the water, they won’t be stunned by its arctic cold. But in its essence this cry affirms the world, nature. Elle est bonne.

~ Adam Zagajewski, Slight Exaggeration: An Essay (April 4, 2017)


Photo: South of France via Oliver’s Travels. Related Posts: Adam Zagajewski

 

Nice (84)

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Source: rakham-lerouge and Anshealin Sketching Machine (via nini poppins)

 

I just don’t see the connection

Paris-the-newyorker-red-blood-terrorist

Once he heard the gunfire stop, Matthieu made his way back to the restaurant. “I saw a lot of women dead on the ground,” he said, his voice catching on the “f” of “femmes.” “It was mostly women that I saw.” He found one of his friends, a Brazilian studying in Paris, lying in the middle of the street. She had been seated across from him, and was shot in the chest. Matthieu sat on the ground and held her legs, feeling her shallow breathing. She would survive.

People were running through the streets in an eruption of panic, shouting as the police arrived and tried to establish order. The scene couldn’t be secured; Matthieu worried that the shooters might return. Next to him, a man without injuries held his girlfriend’s lifeless body in his arms. Then, without warning, he ran off. The woman was about twenty-five and very beautiful. Matthieu searched for words to describe her perfect, uncanny stillness. […]

Last week’s victims were normal people doing normal Parisian things: eating and drinking together, going out at night to hear a concert or watch a soccer game. After a few days, the rhythm of Parisian life returned, but a new fatalism hung in the air. People seemed resigned to the idea that more attacks would happen, maybe soon. […]

I remembered that when Matthieu and I first met we’d discussed our upbringings, and religion had come up. His family was Catholic, but I couldn’t remember if he was religious. “I’m more agnostic than Catholic, though I come from the Catholic culture,” he said. “In any case, this isn’t really a moment when I’m thinking about religion. When I think about religion, I always think about it in connection with what’s beautiful, what’s good. But never in connection with evil. I just don’t see the connection.”

~ Alexandra Schwartz, Letter from Paris: The Long NightTerrorist attacks and a city changed.


Illustration: Arc De Triomphe by Christoph Niemann in The New Yorker

Did you feel this too?

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After great pain, a formal feeling comes—

The Nerves sit ceremonious, like Tombs—

In the days after Paris, Emily Dickinson’s poem kept ringing through my mind as I tried to figure out what I felt—and, surprisingly, didn’t feel. I did not, as the facts emerged and the story took its full size, feel surprised. Nor did I feel swept by emotion, as I had in the past. The sentimental tweeting of that great moment in “Casablanca” when they stand to sing “La Marseillaise” left me unmoved. I didn’t feel anger, really. I felt grave, as if something huge and terrible had shifted and come closer. Did you feel this too?

[…]

I feel certain that in the days after the attack people were thinking: This isn’t going to stop.

~ Peggy Noonan, Uncertain Leadership in Perilous Times


Image: The Economist

Le mouvement de l’air


“Mobile, organic, ephemeral, random, sensory: searching for a live digital world. The Adrien M / Claire B Company has been acting in the fields of the digital arts and performing arts since 2004. They create many forms of art, from stage performances to exhibitions combining real and virtual worlds with IT tools that were developed and customised specifically for them. They place the human body at the heart of technological and artistic challenges and adapt today’s technological tools to create a timeless poetry through a visual language based on playing and enjoyment, which breeds imagination. The projects are carried out by Adrien Mondot and Claire Bardainne. The company operates as a research and creativity workshop based out of Presqu’île in Lyon, France.


Notes:

Instantly we are scanning Twitter, calling out estimates of the dead.


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Notes:

Paris

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Peace for Paris (Thank you Rachel)

Super Hyper Hair

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“Jacques Bodin is a french hyperrealist painter who lives and works in Paris. Most of his paintings are made in an almost absurd scale and magnification, so the subject becomes a kind of abstraction separating it from ordinary reality and endowing it with a life of its own.”

Don’t miss more hyperrealistic hair paintings at Faith is Torment: Jacques Bodin

Find Bodin’s website and gallery here: Jacquesbodin.com.


Source: This Isn’t Happiness

Tour de Chance

Fréro Delavega is a French musical duo made up of Jérémy Frérot and Flo Delavega who took part in season 3 of the French musical competition series The Voice: la plus belle voix. The duo’s website can be found here: frerodelavega.com

If you liked this, check out the duo singing Skinny Love (cover Birdy)


Paris Awakening

Paris Awakening II | GH4 & SLR Magic 10mm T2.1 from emeric on Vimeo.


The essential the spiritual oneness

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“Jacques Bodin is a french hyperrealist painter who lives and works in Paris. Most of his paintings are made in an almost absurd scale and magnification, so the subject becomes a kind of abstraction separating it from ordinary reality and endowing it with a life of its own. The hair, the orange , the herb become a world in itself, a microcosm. He focuses in on the essential the spiritual oneness of his subjects. There is, indeed, a connection between this magnified section of human physiognomy or nature and the universe.”

MICHAEL: When I look at those rear head shots of the women, I do wonder who those women are.  Is that your intention?

JACQUES: The human figure turning one’s back to the viewer suggests some interrogations: Who is this woman? Is she the artist’s wife, his daughter? Could it be my wife, could she be me? So if I answer to your question, I break the mystery.  I have the key, but I don’t give it to the viewer. I only suggest and the viewer builds his own history.

MICHAEL: Your paintings of fruit and especially oranges are fantastic.  Were you hungry for oranges and you decided to paint them instead?  They are so detailed.  I can see the pulp!  What was your inspiration?

JACQUES: Most paintings are made in a large scale so the oranges become a kind of abstraction separating the subject from ordinary reality and endowing it with a life of its own. The orange becomes a world in itself, a microcosm. I focus in on the essential, the spiritual oneness of the fruit; there is, indeed, a connection between this magnified section of vegetal physiognomy and the universe. I try to capture a dynamic form in a static pose while still conveying movement and brightness. This is for the theory. In fact, I really love oranges and particularly orange juice.

MICHAEL: When people look at your work, what do you want them to see or feel?  What is the message behind all of your hard work?

JACQUES: “I have a dream.” In two words, if anyone looking at my works thinks, ”Sense and beauty!” I would be proud of this message.  I don’t paint thinking about viewers’ opinion. I should wish people or customers could live all their life with my paintings and every day bring a brand new emotion or interpretation.

Find his website and gallery here: Jacquesbodin.com.  Find his Oranges and fruits here. Find his Herbes (grass) here.

Omar Ortiz

painting,realism, france

“Omar Ortiz, 37, was born and lives in Guadalajara, Jalisco, Mexico. Since he was a boy he has been interested in drawing and illustration. He studied for a degree in Graphic Design, where he learned different techniques such as hand drawing, pastels, charcoal, water colors, acrylics and airbrushing. He currently works with oil painting because he considers it the noblest technique.

His work is characterized as minimalistic – hyperrealism where the human body is predominate  whit texture-filled backgrounds and a magical use of fabric. “His paintings act like intimate pieces, trapped in themselves, outside of space and context.”

This painting is titled “vive la France.”  Don’t miss: Contemplation, Flaming June, The Birth of Venus

Check out his Wordpress blog @ Omar Ortiz. His official website is here.


Thank you Sensual Starfish.


Alone in Kyoto


Air is a music duo from Versailles, France, consisting of Nicolas Godin and Jean-Benoît Dunckel.

The Band’s Website: en.aircheology.com.

Find their album here.


SMWI*: Moucherotte

Moucherotte – 2013 – L2A Production from kevin valliere on Vimeo.


Take a slow and easy walk up Moucherotte in the French Alps…wrapped in R&B, Al Green-like soul music by Darondo. “Didn’t I” can be found on iTunes here. (What a great song!)


A deliciously true story


If you are looking for a rainy Sunday afternoon movie, here it is.  This movie is charming, moves “briskly” and is entertaining – I loved it.  If you are a foodie or just love eating – you’ll find a number of mouth-watering scenes.  The movie is showing in theaters and available to watch Instantly on Netflix.

“The story is based on the real-life case of Danièle Delpeuch, a small town regional chef and restaurant-owner who was summoned by President François Mitterrand to be his personal cook at the Elysée Palace. The President had developed a hankering for the food he knew in his youth and decided that she’s just the woman he needs to provide him with “the best of France.”  (Noted that she was the first ever female personal chef for a President of France which adds an interesting dynamic into the Elysee Palace kitchens, traditionally a male preserve.)

Movie Reviews:


The tip of a black court shoe peeking through a half-open door

Rene-Gruau

What do you see above?
Don’t ask me how long I stared at this illustration by René Gruau trying to figure it out.
Consolation was offered when no one else in the household could figure it out either.
And then, I did a bit of scouting…

[Read more…]

SMWI*: Speed Dreams


Dreamy?
Floating on puffs of air down the French mountainside.
Inspired?
Transfixed by the cinematography.
Producer titles his work: Speed Dreams. Just beautiful things. Yes. Yes, it is.
However, this exercise is not for the faint of (my) heart.


Ski Gliding is the air sport of flying a small, fast fabric wing, usually in close proximity to a steep slope, on skis.  The sport has grown rapidly since its inception in the 1970’s, particularly in France and Switzerland, with an estimated 3,000 to 5,000 speed wing pilots all over the world. Because of the fast flight speed (20-90 mph), and close proximity to the slope and obstacles, injury and death are considerable risks in this sport. Over 25 pilots have already suffered fatal injuries worldwide since 2006. Also, because of its small size and high wing loading, the wing responds quickly to little pilot input which makes professional instruction very important. (Source: Wiki)


SMWI* = Saturday Morning Workout Inspiration


Life.is.calling


This short film features “life” shots in Iceland, Japan, California and France.  It’s wrapped in Bon Iver’s Holocene, which takes it up a notch.


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