Answering Machine ’93 (23 sec)

Cameron Hicks: “This was my family’s outgoing message on our answering machine from 1993 up until we got rid of our land line a few years ago. My dad wanted to save the recording of my sister, Jodie, and I as kids so he digitized it and gave it to us. I decided to animate to the recording and give it to Jodie as a birthday present. It wound up taking longer to finish than I expected so it became a Christmas present. I missed that deadline too. Nevertheless, it’s dedicated to her.”

Cam – We’re not home right now, but we’ll be back real soon.
Dad – Right, so leave your name and number and we’ll get back to ya. Thanks for calling!
Jodie – I wanna talk!
Dad – Okay.
Jodie – Goodnight.

Saturday Morning

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But we had long ago shed our busyness. The basic measure of time, the tempo around which we arranged ourselves, the water lapping, the sky slowly changing from paper white to cobalt blue, was the tempo of boating retirees. Or maybe it was the tempo of firebrand revolutionaries on a wildcat strike against industry. Either way, we were Not Working. We had desynchronized from productive time frames. My chronic sense of being late for some appointment dissolved. I heard the clicking of the musician’s shutter and looked up to see the western grebe stretching and spreading its wings. Then the western grebe retracted its wings and went back to floating.

~ Kyo Maclear, Birds Art Life: A Year of Observation 


Notes:

Walking. What are hands for?

hands

It’s 2 pm.

There’s phone chatter on the floor, fingers tapping on keyboards, a high speed printer spitting out copies, and the hum of florescent ceiling lights providing percussion.

The Modern Manufacturing Plant. And my Home away from Home.

I’ve been anchored to my seat since 5:30 am – an 8-hour shift and the meter continues to run.

I shift uncomfortably left, then right. The lower back groans.  My step counter reports 1,704 steps, 8,296 steps short of the daily target. But it’s not enough, not nearly enough to get me up and around and moving.  This soul’s chained to the wheel, with Kyo Maclear’s “pessimistic disposition, a perfectionist quality mixed with a sense of inadequacy…striving leading to suffering.”  My rocket fuel. Sucking on its straw, tanks strapped on tight, wired for production, banged up, leading Lombardi’s sweep, 4 yards in a cloud of dust.

I’m finishing up a telephone conversation and the phone cuts out. [Read more…]

It’s been a long day

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I wanted to know:

Was it enough to sing small songs that rose to the surface for a moment, shared then gone?

What about everlasting glory?

Didn’t he want a smidge of that?

~ Kyo Maclear, Birds Art Life: A Year of Observation 

 


Notes:

Lightly child, lightly.

light

Without a key, light enters
with its hot blond muzzle
and lies upon the body;
and the body stirs and remembers.

~ Ruth Stone, closing lines to “Light,” In the Next Galaxy

 


Notes:

  • Photo: cutvaya via newthom. Stone quote: Memory’s Landscape
  • Prior “Lightly child, lightly” Posts? Connect here.
  • Post Title & Inspiration: Aldous Huxley: “It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them.”

As we sway


Jodie Landau is a 24-year-old composer, vocalist, and percussionist from Los Angeles. His music combines elements of chamber music, rock, and jazz for live performance, film, theater, and dance.

Breakfast

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“A child scrapes the leftovers from his meager lunch at a refugee camp in Kutupalong, Bangladesh. More than a million Rohingyas, originally from Myanmar, are living without basic amenities in government camps like Kutupalong.”


Source: Sushavan Sandy, Nurphoto, Zuma Press, February 21, 2017, wsj.com

Guess.What.Day.It.Is?

camel-wednesday-hump-day


Notes:

Tuesday Morning Wake-Up Call

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The invented person, borrowed from the real—abstracted, isolated—is the person we finally know, or feel we know.  I make myself up from everything I am, or could be.

For many years I was more desire than fact.

When I stop becoming, that’s when I worry.”

Stephen Dunn, from “Notes” in Walking Light: Essays and Memoirs

 


Notes: Photo – Eric Rose Photography. Quote: – W.W. Norton

I’m very much in love with where I’m from

william-christenberry-palmist-building-summer-alabama

“Palmist Building (Summer), Havana Junction, Alabama,” 1980.

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“Palmist Building (Winter), Havana Junction, Alabama,” 1981.

Sarah Edwards: The photographer William Christenberry was often described as a chronicler of a decaying American South. It is true that in much of his work—shots of older buildings emptied of people, beams gap-toothed and nature ready to overtake—there is an attraction to what is passing, or what has passed. But Christenberry rejected the idea that his work was a lamentation or an elegy…“I feel that I’m very much in love with where I’m from. I find some old things more beautiful than the new, and I continue to seek those places out, and I go back to them every year until sooner or later they are gone.” [Read more…]

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