When you are alone and you look in a mirror you never put on a pleasing smile. Well, you don’t, do you?

David Hockney was way ahead of today’s ubiquitous selfies. In the 1980s—already famous for his painted landscapes of California pools and suburban houses—he threw himself into drawn, painted and photographed self-portraits…

At first the Hockney self-portraits showed vulnerability and self-consciousness, according to Dr. Brooks. But over the years, he adds, they showed intense self-examination. Mr. Hockney has depicted himself with his mouth wide open in surprise, with a scowl or with a cigarette hanging out of his mouth at an angle.

The results, as well as Mr. Hockney’s wider interest in photographic collage, are the main focus of “Happy Birthday, Mr. Hockney,” a celebration of his turning 80 at the Getty Center in Los Angeles, opening in two stages, June 27 and July 18. Most of the versions of Mr. Hockney on view, though, don’t make for a cheery celebration. “I usually only draw myself in down periods,” Mr. Hockney told London’s Telegraph newspaper in 2001. “I suppose that’s why I often draw myself looking grim. I just think, ‘Let’s have a look in the mirror.’ When you are alone and you look in a mirror you never put on a pleasing smile. Well, you don’t, do you?”

~ Alexandra Wolfe, from Self-Portraits and Photos for David Hockney Birthday (wsj.com, June 23, 2017)


Notes:

  • Photograph top: David Hockney with ‘Blue Terrace Los Angeles March 8th 1982’.
  • Drawing: David Hockney ‘Self Portrait, 20 March 2012 (1219), iPad drawing printed on paper, mounted on Dibond.

 

Flying Over I-40 South. With Bird Calls.


It’s been 9 months, and we receive a piercing reminder of the only certainties in life: Death and Taxes. Tucked way at the back of the mailbox, sits a single, slight envelope – a bill for the license fee for Zeke’s tags. He’s gone damn it. He’s gone.

Dog tags. Metal to metal, nothing rubbing, nothing jingling. Just nothing.  Inert, they lay in an extra coin jar in the mud room, on top of dirty pennies, dimes, nickels and a few silver quarters. His weathered, leather leash, without him on the end of it, has been stored, way away.  Loose Change. Bone to Bone. Dust to dust. Nothing.

Melancholia saddles up and storms in.

I pull up the covers, and shiver.

It’s Spring. Low humidity. Soft intermittent rains. And nights sleeping with open windows.

With no bird dog leaning in…with no bird dog head nestling, warming my feet, there’s no longer a need to keep windows closed. No need for closed windows to block bird calls, those bird calls which triggered his wiring, which set off that nose, those whiskers, that twitching against the thigh as he adjusts his head to get a better look and better sniff; those same bird calls which would launch this Man’s Best Friend on high alert, jacking up his pulse rate and his innate need to run, to find and to flush. You ain’t running here no more. This Man’s leaning in on himself and falling over.

The window is wide open. A bird call interrupts the dark and the silence. 3:43 am.

Does she sleep? Or like a dolphin, does half her brain shut down, so the other half can monitor predators? How does she wake each morning with a Solo and always between 3:40 am to 3:55 am? Is she singing? Talking? To whom? To Me? About what? Does she sleep in trees? In her nest? Warming her eggs? Singing to her babies as any Mother would? Rock-a-bye baby, On the tree top, When the wind blows, The cradle will rock. When the bough breaks

By 4:10 am, she has wound up the entire neighborhood, and we’ve moved from solo to choir.  Bird song lifts the gates, the silvery light of dawn shimmering – the tide sweeps away the heaviness: Lightly Child, Lightly.  And here it comes: playing in the head on a loop…“Ain’t no passing craze.  It means no worries. For the rest of your days. It’s our problem-free philosophy. Hakuna Matata!”

The bird song reaches a crescendo, percussion, drums, guitars, horns, nature’s perfect harmony dragging my soul – Up, Up, Up.

Circle of Life Brother.

Circle of Life.



Inspired by:

The grief of the failed nest echoes in an entirely different register, but it is still a grief. In Tennessee it’s common for cardinals to nest twice in a season, hatching between two and five eggs each time, but few of their young will survive. The world is not large enough to contain so many cardinals, and predators must eat, too, and feed their young. It should not trouble me to know the sharp-eyed crow will feed its babies with hatchlings it steals from the cardinals, but I have watched day after day as the careful redbird constructed a sturdy nest in the laurel, and I have calculated how many days and nights she has sat upon those eggs, how many trips she has made to the nest to feed the babies, how many times she has sheltered them through a downpour. Day after day after day.

~ Margaret Renkl, from “Springtime’s Not-So-Peaceable Kingdom”, The New York Times · June 3, 2017

Riding Metro North. Don’t Sit Here.

You, yes You, are standing on the platform waiting for the next train. The train approaches.  You flip open an app that displays which seats are open and…the app flashes a profile of your seat mate. Profiles are pulled together using a composite of the individuals’ blog posts, google searches and social media activity. So, what you have here is a form of seat match-making, with no names or addresses disclosed.

You, yes You, see that there are only two seats open. You scan the first profile, and you move to the second, mine, needing to quickly decide where to sit as the train pulls into the station. [Read more…]

Flying Over I-40 N. With the World By the A**.

AA Flight 1150: DFW to LGA.  It’s 5:29 a.m., and I’m standing at the gate waiting to board the first flight out of Dallas. I’m watching the waitlist monitor, KAN.D is on page 2. Wow.  An upgrade to First, for a 6 a.m. boarding, will not happen.

Then confirmed.

“Sorry Sir, the upgrade list is closed.” 14th on the wait list. 14th! A Lifetime Platinum Member…means…Nothing.  I drag my carry-on on board, passing all the smug passengers in first class and take my seat.

The video monitor on the seat in front rotates through flight details:

  • 2 hr 59 min to destination
  • Estimated Arrival Time LGA: 10:35 a.m.
  • Altitude: 28,982.9 (and turbulent)

The GQ interview with Brad Pitt is still fresh…he recalls a conversation with Ryan McGinley…”When you get to be my age, never pass up a bathroom. Never trust a fart…”  And let’s leave the rest to your imagination.

Now that, triggered movement

I cautiously step down the aisle. The ship heaves left and right, a paper airplane battered like a piñata. If He really wanted to lean in here, we’d be dust. There’s something about flying that brings the immediacy of mortality to the forefront, not to the front to First Class of course, but to the front like in Coach.

If you possess a single cell of claustrophobia, you don’t want to be in the lavatory of an Airbus A321S in heavy turbulence.  One hand grips the cool stainless steel hand rail for stability.  The other hand rests on the lap, careful not to touch anything. The floor is wet, the soles of the shoes groan. The midsection is contorted to ensure no body part or article of clothing touches anything, and if I could have levitated above the seat without inflicting a groin pull, I would have done so.  How many before me, sitting here? (Butt) Skin to skin to skin to skin to skin.  I wash my hands, and take one look around this coffin. God, when it’s time, let it be in a grassy field, on a warm sunny day, laying among four-leaf clovers and poppies, and looking up at the bluest of blue skies. The closet closes in. Get me out of here. [Read more…]

Driving I-95 S. With an empty boat.

I glance at the odometer: 80,000 miles. 8 years, 80,000 miles. 80,000.

I read somewhere, some time ago, that the average person has 50,000 to 80,000 thoughts a day.  Reading this sentence was like swallowing a handful of methamphetamines – my mind was galloping.  How did my mind jump from 80,000 miles on the odometer to 80,000 thoughts per day and some article I read x years ago?  Who’s job was it to count these thoughts?  How did they actually count the thoughts? How many humans’ thoughts did they count to get to this average, and over what period to time to make this statistically significant? And then, a hard turn to Me.  Am I average, below or above average, and if so, why? Do those of us who are carry more doubt have 25% more thoughts than those that are more stable?  This last one set off a burst of fireworks.

I’m exhausted chasing this thread.  Repeat: Mantra. Mantra. Mantra. Let it Go. Let it Go. Let it Go.  Or as Val in Finding Your Middle Ground suggests,  “I inhale peace. I exhale release… I inhale peace. I exhale release… I inhale peace. I exhale release.” I grow impatient with this mantra, my breathing accelerates, I cut it down.

Release. Release. Release.

I pause a second or two between each “Release” and reach for the volume button on the radio. No doubt I average over 100,000 thoughts a day. No doubt. And a small percentage of them can even be nurturing.

And It comes back.

A single thought. A thought that recurs, and recurs, crawling over the millions and millions of old thoughts, to stand on top of all thoughts. One experience, one feeling, during a single hour of Life, one thought that flashes back like tinsel. [Read more…]

Does just asking the question make you feel ill?

Try to pinpoint the last time you took a purposeless walk through the late spring breeze, when there was no itch in your hand to reach for a mobile device, and you felt like the wind and sky around you had nothing to disclose to you other than the vast and mysteriously sympathy of existence itself. Was it 2007? Or as far back as 1997? Does just asking the question make you feel ill?

~ Michael Brendan Dougherty, from I write on the internet. I’m sorry. (The Week, May 1, 2007)

 


Art: Eiko Ojala with “I found my silence“. The Estonian artist famous for his paperwork released a new personal project with no clue on what media is used in it. This could be a beautiful mix of paper, photography and illustrations but we are gracefully confused, but incline to paper. The only thing we know – it is beautiful (via DesignCollector)

Driving Merritt Parkway North. With Whale.

Friday evening, late rush hour. Traffic is crawling up the Merritt Parkway, my alternate route for I-95 North. Waze is navigating.

Sirius 70’s on 7 cues up Steve Winwood with Back in High Life Again. Damn tune is more than 30 years old! “From fifty to eighty”, Grace Paley said. “Seconds, not minutes.”

The intermittent stop and go, inches us forward. The pace, is ok. It’s been a long week, a long day, and we’re in full surrender mode. Weekend come, come, come, pick up the pieces. Humpty Dumpty sat on the wall, Humpty Dumpty had a…

It, the day, started at 5:30 am.  Office dark, floor quiet, and I’ve lost myself in a deliverable with a short fuse. A losing of yourself in yourself. The clock is ceaseless, unrelenting, in its march forward: 6:00. 6:30. 7:00. 7:30. 7:45, and all without notice to the occupant in the office.

I save my work. Hit print. Close my eyes for a second. The internal gearing of the laser printer warms, the file contents zip across the cables and Bam! – each of the four pages are spit onto the floor.  I peek at my watch, 8:00 am. Two and a half hours. Wow.

I lift my head from the silvery screen, making a quick break from my opioid, and stand. Too fast. 

The lights dim, the eyes blur, nausea fills the belly. I reach for the arm rest on the chair. Steady Dave, steady. [Read more…]

Monday Morning Wake-Up Call

Coffee anyone?


Photo: Patty Maher with Concentric Circles

You can never escape the bonds of family history, no matter how far you travel. And the skeleton of a house can carry in its bones the marrow of all that came before.

Andrew Wyeth,

Later he told me he’d been afraid to show me the painting. He thought I wouldn’t like the way he portrayed me: dragging myself across the field, fingers clutching dirt, my legs twisted behind. The arid moonscape of wheatgrass and timothy. That dilapidated house in the distance, looming up like a secret that won’t stay hidden. Faraway windows, opaque and unreadable. Ruts in the spiky grass made by an invisible vehicle, leading nowhere. Dishwater sky.

People think the painting is a portrait, but it isn’t. Not really. He wasn’t even in the field; he conjured it from a room in the house, an entirely different angle. He removed rocks and trees and outbuildings. The scale of the barn is wrong. And I am not that frail young thing, but a middle-aged spinster. It’s not my body, really, and maybe not even my head.

He did get one thing right: Sometimes a sanctuary, sometimes a prison, that house on the hill has always been my home. I’ve spent my life yearning toward it, wanting to escape it, paralyzed by its hold on me. (There are many ways to be crippled, I’ve learned over the years, many forms of paralysis.) My ancestors fled to Maine from Salem, but like anyone who tries to run away from the past, they brought it with them. Something inexorable seeds itself in the place of your origin. You can never escape the bonds of family history, no matter how far you travel. And the skeleton of a house can carry in its bones the marrow of all that came before.

Who are you, Christina Olson? he asked me once.

Nobody had ever asked me that. I had to think about it for a while.

~ Christina Baker Kline, from Prologue of “A Piece of the World: A Novel


Art: Christina’s World is a 1948 painting by American painter Andrew Wyeth, and one of the best-known American paintings of the middle 20th century. The woman in the painting is Anna Christina Olson (3 May 1893 – 27 January 1968). She is likely to have suffered from Charcot–Marie–Tooth disease, a genetic polyneuropathy. Wyeth was inspired to create the painting when he saw her crawling across a field while he was watching from a window in the house. Wyeth had a summer home in the area and was on friendly terms with Olson, using her and her younger brother as the subjects of paintings from 1940 to 1968. Although Olson was the inspiration and subject of the painting, she was not the primary model—Wyeth’s wife Betsy posed as the torso of the painting.[4] Olson was 55 at the time Wyeth created the work. (Source: Wiki)

Lightly child, lightly.

Simply Put, by Pascal Campion, an artist from San Francisco, CA. Love his work. Check out his blog @ Pascal Campion


Notes:

  • Prior “Lightly child, lightly” Posts? Connect here.
  • Post Title & Inspiration: Aldous Huxley: “It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them.”
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