T.G.I.F.: Paws Up (60 secs)


Resort at Paws Up Montana. Longer video version here. (Thank you Christie!)

Lightly Child, Lightly

Time seems to pass. The world happens, unrolling into moments, and you stop to glance at a spider pressed to its web. There is a quickness of light and a sense of things outlined precisely and streaks of running luster on the bay. You know more surely who you are on a strong bright day after a storm when the smallest falling leaf is stabbed with self-awareness. The wind makes a sound in the pines and the world comes into being, irreversibly, and the spider rides the wind-swayed web.

– Don DeLillo, The Body Artist: A Novel


Notes:

  • Quote: Thank you Whiskey River. Photo: Arend Ruizendaal with World Wide Web
  • Post Title & Inspiration: Aldous Huxley: “It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them.”

She always bats 1.000

As Rob Watson, one of my favorite environmental teachers, likes to remind people: “Mother Nature is just chemistry, biology and physics. That’s all she is.”

You cannot sweet-talk her. You cannot spin her. You cannot manipulate her. And you certainly cannot tell her, “Mother Nature, stop ruining my beautiful stock market.”

No, no, no. Mother Nature will always and only do whatever chemistry, biology and physics dictate, and “Mother Nature always bats last,” says Watson, “and she always bats 1.000.”

Do not mess with Mother Nature.

Thomas L. FriedmanWith the Coronavirus, It’s Again Trump vs. Mother Nature  (NY Times, March 31, 2020)


Photo: Economic Times

Guess.What.Day.It.Is?


Notes:

  • Despite a human pandemic, Red River Zoo (Fargo, ND) welcomes new addition (Dickinson Press, March 27, 2020). The Red River Zoo has welcomed a female Bactrian camel, born March 14. Despite the zoo being closed to the public due to the COVID-19 pandemic, staff members are working to ensure the health and safety of the new addition, as well as the other animals.  (Thank you Christie!)
  • Background on Caleb/Wednesday/Hump Day Posts and Geico’s original commercial: Let’s Hit it Again

 

real beauty, always unintentional



Notes:

  • Post title from Valeria Luiselli, Lost Children Archive: A Novel.
  • Images: Levitae, Rik Oostenbroek via Behance. “Ever since seeing Avatar by James Cameron, for the first time I’ve been amazed by the night scenes in the woods of Pandora. As a artist I never really payed attention to sculpting more realistic things, but this idea kept knocking on the door for over 6 months. It’s a 50/50 combination of Adobe photoshop and Maxon Cinema 4D. All colors are real life painted canvasses and used as color map to make the color transitions more natural.”
  • Rik Oostenbroek is a 22 year old self-taught Dutch freelance artist, designer and art director based in Hilversum, The Netherlands. For four years, Rik has worked as a freelancer on some of the biggest brands in the world including Nike, Mazda, ESPN and Viacom and his work has been used in advertising the world over: from Hong-Kong to New York, London to Paris, Amsterdam to Milan. Find him on Instagram here: rikoostenbroek

Monday Morning Wake-Up Call

There’s another world that has always existed both apart from and alongside civilization. While I was sick it changed, too, in the age-old turning of the earth itself. By the time I could walk outside again, springtime had come to Tennessee.

In our yard there are violets and spring beauties and stickywillys and buttercups. The invasive but lovely deadnettle has turned the ditch next to our house into a cascading drift of purple. Every year it reminds me of Alice Walker’s words: “I think it pisses God off if you walk by the color purple in a field somewhere and don’t notice it.” Out in the woods, the trout lilies are opening near toadshade and bloodroot and mayapple, all of them reaching up from the cold soil to bloom in the brief sunlight of early spring, before the trees leaf out and the forest overstory draws in all the available light.

For now, the limbs are still bare, but the songbirds have registered the mild light, as well, and their courtship season has begun. The television may be full of terror, and the terror may be growing with every passing hour, but the trees are full of music. The normally cacophonous blue jays are singing their tender whisper song, and the quarrelsome beeping of the Carolina chickadee has been transformed into a glorious four-note song of love. Birdy-birdy-birdy, the cardinal sings. Birdy-birdy-birdy-birdy. He is serenading a female, and if you follow the song to its source you might be lucky enough to see him bringing his mate a seed or a grub, demonstrating his fitness as her partner. In the avian world, a grub is an engagement ring.

Alas for the poor grubs, and also for the earthworms struggling to the surface as they escape their tunnels inundated by spring rains. But pull up a weed from the wet soil of the water-drenched garden and smell the rich life the earthworm has left behind. Just a whiff of it will likely flood you with a feeling of well-being. The scent of freshly turned soil works on the human brain the same way antidepressants do.

Here is the alternate world we need right now, one that exists far beyond the impulse to scroll and scroll. The bluebird bringing pine straw to the nest box she has chosen in a sunny spot of the yard, like the chickadee bringing moss to the nest box under the trees, is doing her work with the urgency of the ages. She has no care for me at all. Even her watchful mate ignores me as I pull weeds in the flower bed beside our driveway.

The natural world’s perfect indifference has always been the best cure for my own anxieties. Every living thing — every bird and mammal and reptile and amphibian, every tree and shrub and flower and moss — is pursuing its own urgent purpose, a purpose that sets my own worries in a larger context. And the natural world is everywhere, not just on my half-acre lot in suburbia, and not just on my favorite trails at the local parks. You can find it during a walk on city streets and in the potted plants on city balconies. It’s in the branches of the sidewalk trees as they begin to split open and change the grayscape green. It’s in the sparrows and the starlings taking nesting materials into the cracks around the windows and doorways of commercial buildings. It’s in a sky full of drifting clouds, and in the wild geese crying as they fly.

I can scroll and worry indoors, or I can step outside and remember how it feels to be part of something larger, something timeless, a world that reaches beyond me and includes me too. The spring ephemerals have only the smallest window for blooming, and so they bloom when the sunlight reaches them. Once the forest becomes enveloped in green and the sunlight closes off again, they will wait for another year. Sunlight always returns the next year.

~ Margaret Renkl, from “The Beautiful World Beside the Broken One” (New York Times, March 23, 2020)


Photo of Bluebird: The Woodthrush Shop

T.G.I.F.: What?


Source: Fabulously Weird: A Jacana carrying chicks underneath its wings. Photo by Charl Stols Photography. Jacana Prime Time…With the floods arriving on the Chobe River fields of waterlilies and other water plants are forming, the nesting grounds for the African Jacana. Some of the males are still incubating the eggs while others have their hands or feathers full with looking after the chicks. In this image a male is carrying all four chicks under his wings just leaving their long legs and toes exposed. (Image taken on the Chobe River, Kasane, Botswana)

Monday Morning Wake-Up Call

your fellow sun-worshippers
run
the world. Watch as they kneel to the sun.

~ Frank Bidart, from “The Fifth Hour of the Night” in Paris Review (Issue 229, Summer 2019)


Photo: PDX Daybreak by Jake Egbert (Mt. Hood, Portland, OR)

Sunday Morning

Yesterday, my late Brother’s Memorial in Canada with family and friends, which followed his Phoenix “Celebration of Life” in January.

I couldn’t go.

I couldn’t get myself to watch the service on Zoom.

I couldn’t pull myself together to read the few words I had written about my younger brother, sending an email to a Cousin, letting her carry the weight.

Memorials rip open still raw grief. Suffering is best done in silence, alone. For Some.

As I was preparing my thoughts on my Brother, I found him fading.

I can’t make out his face, but can see the dark, sunken hollows of his eyes.

I can’t recall his last words, but can recall his raspy voice, his vocal cords damaged from tubes winding down his throat.

I can’t make out his body, a silhouette now, fading, withered from being bedridden for months – but can feel his hands, soft, his grip, firm, from that last handshake.

I rub my index finger and thumb together, and I’m drawn back…

He steps up to the tee box. He’s standing calmly over the ball. Click. He re-grips the club once, and then again, softly. Click. His body now still, his hands quiet.  Click. He takes the club back, in a slow, smooth arc. Click. He pauses at the top.  Click. He pivots his legs and then his hips in a full, graceful follow through. Click. The ball explodes off the tee.  Click. The Titleist, a white speck, streaks the ever so blue, sky.  Click. The ball lands softly in the center of the fairway 275 yards from the T-box. Click. Art, Bro. Fine Art.

But all of this is fading, I’m losing him, as Wallace Stevens loses those that he has loved:

The figures of the past go cloaked.
They walk in mist and rain and snow
And go, go slowly, but they go.

 


Prior background posts on Lorne. Photo: Mist by Risto Ranta

T.G.I.F: My New Work-From-Home Assistant

Sully is visiting Grandpa DK for the rest of the week. My new Work-From-Home Assistant peed all over my rug and was then quarantined in the penalty box.

More on our Sully here and here and here.


Photo: Eric Kanigan, March 18th, @ Home.

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