Saturday Morning

5:02 a.m. I’m out the door. 65° F.  Hass: “Still. Not a breath of wind.

Morning routine since May 5th sans running. 5 mile round trip walk to Cove Island Park. New thing, this walking thing. Camera forces me pause, to stop. Apple Watch flashes “Finished Your Workout?” And offers up two options, “End Workout” & “Pause.” I stare at the both options. Even looking at “Pause” makes me uncomfortable.

I look for my Canada Geese and their two offspring. They never disappoint. Fluffy youngsters, hungry, pecking away at the grass. Mother hisses. Hey, I’m Canadian too, cut me some slack!

I look for my Swans, mates, sleeping with their necks tucked back under their wings, floating on their water bed on high tide.

I look for my trio of mallards, two females and the polygamist. Skittish.

I look for my Loon, solo, always solo, fishing. She dives deep. 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21. 22. 23. 24. 25. 26. 27. 28. 29. 30. 31. 32. 33. 34. 35. 36. 37. 38. 39. 40. 41. 42. 43. 44…and she’s back up on top. I catch myself inhaling, a deep breath for you girl.

I look for my Egrets. Pure white, as snow.  Heart sinks a wee bit in their absence.

I tune into Fenton Johnson‘s new book on tape At the Center of All Beauty: Solitude and the Creative Life and I’m swept away by the narration: “If the journey through our interior landscape is so critical to our characters, let us become more informed and responsible travelers. Let us start by turning off our phones and spending more time alone…with the red semaphore atop the cell tower blinking on, off, on, off, presence, absence, presence, absence. I bask in this lovely stream of words…thinking: This is why one becomes a monk: to cultivate in every moment presence to the beauty of the world…The spirit works with what she has at hand.

I tuck my earbuds away and walk.

It’s daybreak. Sunrise paints the sky, and the still water below her.

And yes, “soon enough, I was quiet too.”


Inspired by: “In all the mountains, / Stillness; / In the treetops / Not a breath of wind. / The birds are silent in the woods. / Just wait: soon enough / You will be quiet too.— Robert Hass, “After Goethe,” Time and Materials: Poems 1997-2005.

Saturday Morning

And come the dawn,
how slow and easy the Sun-beams
Long legs of a great crab,
move through the sea of mist.

~ Takarai Kikaku (1661-1707), Haiku in Mad in Translation by Robin D. Gill


Photo: 6:06 am. 60° F. Low tide. Weed Ave Stamford, CT.

Saturday Morning

Silence can also be a friend. A comfort and a source of deeper riches. In The Silence That Follows, the poet Rolf Jacobsen wrote:

The silence that lives in the grass
on the underside of each blade
and in the blue space between the stones.

The silence that rests like a young bird in your palms. It is easy to see oneself in Rolf Jacobsen’s experience. Alone out on the ocean, you can hear the water; in the forest, a babbling brook or else branches swaying in the wind; on the mountain, tiny movements between stones and moss. These are times when silence is reassuring. I look for that within myself.

Erling Kagge, Silence: In the Age of Noise

 


Notes: Photo by Chris Jones with Blades of Grass.  Prior Erling Kagge posts here.

Weather.com: 34° / Feels like 24° F. Wind gusts 19 mph.


Photo: anji (via Newthom)

Saturday Morning

The silence I have in mind may be found wherever you are, if you pay attention, inside your mind, and is without cost. You don’t have to go to Sri Lanka: you can experience it in your bathtub. — I discover silence when I stay five extra minutes in bed at home.

Erling Kagge, Silence: In the Age of Noise

 


Notes: Photo.  Prior Erling Kagge posts here.

Saturday Morning

 

Saturday Forecast: 55° F / Breezy


The New Yorker Cover: “Blown Away,” by Tomer Hanuka.

“The cover for this year’s Spring Style Issue is the fourth by Tomer Hanuka, an Israeli artist known for his striking use of color.

Q: We like the gestural quality of the woman’s pose. How does body language factor into making an image like this?

“I start with a gesture, just a line, and build a story around it. There are so many rules about drawing anatomy, and sometimes you need to break all of them to make a pose work. An image like this begins with a realistic sketch of a body, but in the end I want the physicality to disappear. I want the reader to be left only with an idea or a feeling.”

Saturday Morning

With what stillness at last
you appear in the valley
your first sunlight reaching down
to touch the tips of a few
high leaves that do not stir
as though they had not noticed
and did not know you at all
then the voice of a dove calls
from far away in itself
to the hush of the morning…

~ W. S. Merwin, from “To the New Year” from Present Company


Photo: Ian Cowe (Perthshire, Scotland)

Saturday Morning


Weekend Plans. Big Bird thinking about things in Central Park. (via Imgur and thisisn’thappiness)

Jozi: City of Gold? Aura of Its People.


Notes:

 

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