Lying on my back / Watching stars collide / Let it all rain down

If you leave / When I go / Find me / In the shallows / Lying on my back / Watching stars collide / Let it all rain down…

Shallows’ is taken from Daughter’s first album ‘If You Leave’.

Find band background, bio and related post: Daughter

you just keep on using me until you use me up

No chance you won’t LOVE this.

ZERO chance.

Ay Ay Ay Ay
I want to spread the news that if it feels this good getting used
Oh you just keep on using me until you use me up
Until you use me up


Notes:

As we sway


Jodie Landau is a 24-year-old composer, vocalist, and percussionist from Los Angeles. His music combines elements of chamber music, rock, and jazz for live performance, film, theater, and dance.

the great bull with its fierce eye, its head raised, its four hooves planted on the summit, at the edge of the abyss

beethoven-1987-andy-warhol

In painting his portrait, I paint that of his stock — our century, our dream, ourselves and our companion with the bleeding feet: Joy. Not the gross joy of the soul that gorges itself in its stable, but the joy of ordeal, of pain, of battle, of suffering overcome, of victory over one’s self, the joy of destiny subdued, espoused, fecundated… And the great bull with its fierce eye, its head raised, its four hooves planted on the summit, at the edge of the abyss, whose roar is heard above the time. […]

If he cannot do this in the world of facts, he wills it in the world of art; everything becomes for him a field on which to deploy the battalions of his thoughts, his desires, his regrets, his furies, his melancholies. […]

The hammer is not all: the anvil also is necessary. Had destiny descended only upon some weakling, or on an imitation great man, and bent his back under this burden, there would have been no tragedy in it, only an everyday affair. But here destiny meets one of its own stature, who “seizes it by the throat,” who is at savage grips with it all the night till the dawn — the last dawn of all — and who, dead at last, lies with his two shoulders touching the earth, but in his death is carried victorious on his shield; one who out of his wretchedness has created a richness, out of his infirmity the magic wand that opens the rock.

~ Romain Rolland, on Beethoven’s struggle with his loss of hearing at 28 in Beethoven the Creator

 


Notes:

Gaga, Super Lady. That’s my truth.

I wasn’t a fan of Lady Gaga’s earlier music, all too much for me. But this Lady is something special. Don’t miss this CBS Sunday Morning interview. Don’t quit on this early. (Fascinating throughout but it starts getting most interesting at 4:30). Here’s an excerpt:

“If this were all to go away tomorrow, all the big success, I would still be very happy…the reason that I’m here at all is because of my relationship with my family and their encouragement of me to be a musician, and to work hard. So, as long as I stay there, in that space, I can do anything. That’s my truth… Making your Dad happy is, especially for an Italian Catholic girl, it feels really good…And I feel that today. All the awards in the world, you can get in all the nightclubs, they’ll send you the nicest clothes, there’s nothing better than walking in your Dad’s restaurant and seeing a smile on his face, and knowing that your Mom, Dad and Sister are real proud of you and you haven’t lost touch of who you are. That for me is real success.”

“Lady Gaga is the Super Bowl halftime show expected to be watched by more than 100 million television viewers. She’s been planning for this event since she was four years old. Gaga, 30, never lip-syncs or uses backing tracks for her vocals, which has become common for high-profile events. Last year, when she belted out a blistering rendition of the national anthem at Super Bowl 50, CBS wanted an emergency backing track just in case. Gaga refused.” (Source: wsj.com)


See related post: Gaga

The Look of Love

 


Notes:

The Paper Kites


The Paper Kites are an indie folk rock band from Melbourne, Australia. The band was formed in 2010.  Lyrics for this tune Tenenbaum at Genius.com.  Links here for the band’s official web site, Facebook, and their album on iTunes.

It’s been a long day! (Hit it Moji! Hit it!)

No one’s going to cry for me if you don’t…
If you’ve got a minute,
if you’ve got a space in your heart
Keep my memory
Don’t let me fall behind, no, no, don’t let me fall behind…


Notes:

 

Monday Morning Wake-Up Call (Bill Withers, A Whole Person)

“My father was this coal miner, but he was always interested in reading. Never got a chance to go to school. But he read. And, you know, dignity was very important to him. The first thing that I had to resolve in my life and the one thing that was very important to me, I had to sort this out: ‘Can I go into this thing and avoid the minstrel-ness of it?’ This is a business. And you got some cold pimps that will mail you out until you die in your grave. You got as many thieves in this stuff… There’s a life you have to run. And you do the best you can. And hopefully, as a human being, you improve. I’m 70-years-old. I’m not some kind of mindless troubadour. You know? I have an intellect I have to manage, I have some thoughts I have to manage, I have a life I have to maintain. I want to know where my stuff is. You know? I want to know who I am. I don’t want to be some simple-minded blues boy. You can bleep this out: ‘Kiss my ass with that shit.’ So I’m doing the best I can. To grow and improve my lineage as a species. So I got some responsibilities that require that I be available. I never had the benefit of a formal education, but I’ve always wanted to better myself. I can speak the language. I can write it, make it rhyme for you, if you want to. You know what I mean? Somebody said, “Education is the sum total of what you know.” That’s everything from tying your shoe to whether you can do quadratic equations or not. So, I’m not saying this should be a template for everybody, but that’s just the kind of person that makes sense for me to be. Hopefully the music that I made is useful to somebody. I mean, I get nice letters from people that say, ‘Hey man, my grandmother died, and the song helped me.’ I like that kind of stuff. As a result, it was important to me, as best I could, to try to wind up with a life that had some stability and some dignity in it… I made some choices earlier… that I wanted to be a whole person. Not just this entertainer thing. It doesn’t fill up my plate. I love it — who wouldn’t like it? But it doesn’t fill up my plate.”

Bill Withers, on why he walked away from the music business in 1985 in an Interview on The Sound of Young America


Notes:

1995


Related Posts: Ólafur Arnalds

%d bloggers like this: