1) There’s: “ … “
2) There’s: ” / “
3) There’s: “[...]“
1) There’s: “ … “
I want to taste and glory in each day,
and never be afraid to experience pain;
and never shut myself up
in a numb core of non-feeling,
or stop questioning and criticizing life
and take the easy way out.
To learn and think:
to think and live;
to live and learn:
this always, with new insight,
and new love.
- Sylvia Plath, The Unabridged Journals of Sylvia Plath
“From the beginning I had a sense of destiny, as though my life was assigned to me by fate and had to be fulfilled. This gave me an inner security, and though I could never prove it to myself, it proved itself to me. I did not have this certainty, it had me.”
C. G. Jung, from Memories, Dreams, Reflections
When I was getting ready to graduate from college in 1957, I was fed up and ready to drop from exhaustion, but still my mind kept telling me, “Hurry, hurry, hurry.” I felt I had to do something, go on to the next step, whatever it was — career, graduate school, as long as it was important. This is an American disease.
~ Florence King
Photography: Thank you Carol @ Radiating Blossom
From Kate Murphy, NY Times, No Time to Think:
ONE of the biggest complaints in modern society is being overscheduled, overcommitted and overextended. Ask people at a social gathering how they are and the stock answer is “super busy,” “crazy busy” or “insanely busy.” Nobody is just “fine” anymore. When people aren’t super busy at work, they are crazy busy exercising, entertaining or taking their kids to Chinese lessons. Or maybe they are insanely busy playing fantasy football, tracing their genealogy or churning their own butter.
And if there is ever a still moment for reflective thought — say, while waiting in line at the grocery store or sitting in traffic — out comes the mobile device.
Moreover, in one experiment, 64 percent of men and 15 percent of women began self-administering electric shocks when left alone to think. These same people, by the way, had previously said they would pay money to avoid receiving the painful jolt.
It didn’t matter if the subjects engaged in the contemplative exercise at home or in the laboratory, or if they were given suggestions of what to think about, like a coming vacation; they just didn’t like being in their own heads.
It could be because human beings, when left alone, tend to dwell on what’s wrong in their lives. We have evolved to become problem solvers and meaning makers. What preys on our minds, when we aren’t updating our Facebook page or in spinning class, are the things we haven’t figured out — difficult relationships, personal and professional failures, money trouble, health concerns and so on. And until there is resolution, or at least some kind of understanding or acceptance, these thoughts reverberate in our heads. Hello rumination. Hello insomnia.
Read full article by Kate Murphy in NY Times: No Time To Think
Image Source: Sh*t In My Head
Millions of thoughts slide in and out – – moments of significance, yet these seeds on the blooming dandelion blow away. This ordinary moment hangs on. Why?
She met me in the hallway in front of the elevators. We were both finishing our day. She looked fresher, wearing a blue skirt and jacket, standing with a colleague – offering up a “Hey, Dad.”
It’s early evening in Midtown. The humidity, stifling. Crowds are milling around the theatre ticket booths. Father and Daughter are out of the building looking to catch the 6:49.
We reach a “Don’t Walk” and I point down to 47th. She tugs at my suit jacket.
“Dad, I’ve timed it. It’s not faster to zig-zag. Just wait. Take it straight down. It’s faster.”
She’s timed it. It’s faster. [Read more...]
The endless, useless urge to look on life comprehensively, to take a bird’s-eye view of ourselves and judge the dimensions of what we have or have not done: this is life as a landscape, or life as resume. But life is incremental, and though a worthwhile life is a gathering together of all that one is, good and bad, successful and not, the paradox is that we can never really see this one that all of our increments (and decrements, I suppose) add up to. “Early we receive a call,” writes Czeslaw Milosz, “yet it remains incomprehensible, / and only late do we discover how obedient we were.”
— Christian Wiman, My Bright Abyss: Meditation of a Modern Believer (Farrar, Straus, and Giroux, 2013)
I finished this book last night. As Henry David Thoreau said: “Read the best books first, or you may not have a chance to read them at all.”
This short film beautifully captures the soul and spirit of Japan. (And we’ll forgive them for wrapping it with Bon Iver’s beautiful Holocene.)
Good Sunday Morning.
Noah Gundersen, 25, is an American singer-songwriter from Seattle, Washington. Gundersen began playing music when he was 10 or 11 years old when his parents had him take piano lessons. In 2002, he inherited his first guitar from his father and taught himself to play the guitar and recorded songs with his father’s recording equipment. Three years later, his birthday gift was an acoustic guitar with which he still performs with today. Around the age of 16, Gundersen was performing solo in local cafes. His sister Abby began to accompany him with violin and harmonies in 2006.
Find this tune on iTunes on his album Ledges.
In many ways this blog is me talking to myself. What makes the thing work, if indeed it does, is that there are a lot people like me and they are dealing with the same issues I’m dealing with. So talking to myself in this public forum is, in its way, a meditation for those individuals as well. So I don’t ask myself, “What do I imagine others want to read in this space?” I ask, “What do I want? What issues are bothering me? What questions am I exploring?”
Don’t miss reading about “serving the muse” and “the irresistible gravitational pull of your Pole Star”
Is that an answer to the question, “Why am I writing this blog? Why are you reading it?”
May be. In asking myself these questions and publishing them in this public forum, I’m hoping a) to fortify and enlighten myself in this mysterious journey, and b) to tell you that you’re not alone, that your questions (which I can’t help but believe are just like mine) are not silly or fatuous or unworthy, and that at least one other person on this planet—i.e., me—is just as crazy as you are.
Read more here: Why, #3
SMWI* = Saturday Morning Work-Out Inspiration. Source: Metamorphosis
‘Always remember, child,’ her first teacher had impressed on her, ‘that to think bad thoughts is really the easiest thing in the world. If you leave your mind to itself it will spiral you down into ever-increasing unhappiness. To think good thoughts, however, requires effort. This is one of the things that need disipline –training- is about. So train your mind to dwell on sweet perfumes, the touch of this silk, tender raindrops against the shoji, the curve of the flower arrangement, the tranquillity of dawn. Then, at length, you won’t have to make such a great effort and you will be of value to yourself.’”
- James Clavell, Shōgun
I’ve seen a front porch swing,
heard a diamond ring
I’ve seen a polka dot railroad tie
But I be done seen about everything
When I see an elephant fly
I saw a clothes horse rear up and buck
And they tell me that a man made a vegetable truck
I didn’t see that, I only heard
Just to be sociable, well, I’ll take your word
I heard a fireside chat, I saw a baseball bat
And I just laughed till I thought I’d die
But I be done seen about everything
When I see an elephant fly
But I be done seen about everything
When I see an elephant fly
When I see an elephant fly
~ When I see an elephant fly, From “Dumbo“
Image Source: Gifak
Suzannah Espie is a Melbourne, Australia based singer songwriter who has been casting spells over audiences ever since she first took to the stage with her alt-country pop band, GIT, in 1997. A woman of compelling beauty — statuesque, with piercing blue eyes framed by golden curls — she has a voice to match, an intoxicating mix of country, soul, blues and pop. A gentle, sweet trill that can move grown men to tears one moment, or an Aretha-esque hellcat belt that can raise the roof the next; however she sings it though, it’s still unmistakeably Suzannah Espie. It is as a solo artist Espie has truly come into her own…
It’s hard to believe now that, despite her prodigious talent, Espie was beset by self-doubt and shyness early on in her career, which she moved to Melbourne from Fremantle at aged 18 to pursue in earnest. She tells of forcing herself to get up at Fitzroy’s Rainbow Hotel to sing once a week. “Then I’d go and have a cry in the toilets afterwards because I thought it was so horrible.”
Collard recalls the first time he went over to Suzannah’s house to play some music together. “Absolutely nothing happened,” he says with a laugh. “She was too nervous to sing a note.”
While Espie’s confidence and profile have grown over the years, she remains as earthy and honest as the music she writes and performs. “I still don’t think I’m a good songwriter. Occasionally I’ll pull a good one out of my arse,” she says in typically straight-talking Suzannah fashion.
Find her album on iTunes: Sea of Lights
Shooting the void in silence,
like a bird,
A bird that shuts his wings
for better speed.
~ Frederick Goddard Tuckerman, From ”Sonnet XXVIII”
- Bio for Frederick Goddard Tuckerman
- Photograph: Crescent Moon via Hungarian Soul.
- Poem: Christian Wiman, My Bright Abyss: Meditation of a Modern Believer.
From My Modern Met:
Hossein Zare, is an Iranian photographer. He is an absolute master at creating spectacular photos that depict otherworldly and surreal scenes. Through a combination of photography and digital manipulation in Photoshop, Zare creates powerful images that look as if they come from dreamscapes, with recurring motifs such as ladders that stretch endlessly into the clouds, expansive and barren fields, sprawling cities, and a lone figure wandering through these strange landscapes in search of something.
More of his work can be found here: Hossein Zare
The sun is perfect and you woke this morning.
You have enough language in your mouth to be understood.
You have a name, and someone wants to call it.
Five fingers on your hand and someone wants to hold it.
If we just start there,
every beautiful thing that has and will ever exist is possible.
If we start there, everything, for a moment, is right in the world.
~ Warsan Shire
Warsan Shire, 26, was born in 1988 in Kenya to Somali parents. She later emigrated to London. Shire thereafter began writing poetry as a way to connect with her Somali heritage and her roots in Somalia.
Caleb was in Central Park way before the horse and buggy rides showed up. Debra, from The Ptero Card, shared the following:
“I knew I had a more personal connection to Caleb. It was a long time ago, somewhere in the late 1960’s New York City. As you can see from the photo, I had to share him with others.”
Thank you Debra
It’s the end of a (very) long day, concluding with a work dinner. I drag myself out of the car, pulling my briefcase behind me. My shirt tail is untucked. My tie half undone. My shoes, dusty and scuffed. A disheveled, sloppy mess.
I’m hopeful that I can slither into the house and get a few minutes to myself. I enter. The house is quiet but for the soft murmur of a TV running on another floor. I slowly strip my shoes and socks, with my bare feet cooling on the wood floor. I’m in decompression. Hose me down with pure oxygen. Let Solitude rain on me.
There’s Thunder. Four legs storming up the stairs. Zeke’s bounding down the hallway. Dad’s Home! He wiggles in and out of my legs. Kissing (licking) my suit pants, leaving white slobber dripping from my crotch. Well that’s nice. Ah, just forget it. It just adds to your ensemble.
Susan rounds the corner. My Hummingbird spewing nectar all over. She’s talking. I’m listening. (Sort of.) The subject turns.
SK: Do you want some feedback? [Read more...]
Print is predictable and impersonal,
in a mechanical transaction with the reader’s eye.
Handwriting, by contrast, resists the eye,
reveals its meaning slowly,
and is as intimate as skin.”
— Ruth Ozeki, A Tale for the Time Being
Now if only I possessed legible handwriting…
[...] his intuition was luminous from the instant you met him. So was his intelligence. A lot of actors act intelligent, but Philip was the real thing: a shining, artistic polymath with an intelligence that came at you like a pair of headlights and enveloped you from the moment he grabbed your hand, put a huge arm round your neck and shoved a cheek against yours; or if the mood took him, hugged you to him like a big, pudgy schoolboy, then stood and beamed at you while he took stock of the effect.
Philip took vivid stock of everything, all the time. It was painful and exhausting work, and probably in the end his undoing. The world was too bright for him to handle. He had to screw up his eyes or be dazzled to death. Like Chatterton, he went seven times round the moon to your one, and every time he set off, you were never sure he’d come back, which is what I believe somebody said about the German poet Hölderlin: Whenever he left the room, you were afraid you’d seen the last of him. And if that sounds like wisdom after the event, it isn’t. Philip was burning himself out before your eyes. Nobody could live at his pace and stay the course, and in bursts of startling intimacy he needed you to know it.
[...] He seemed to kiss his lines rather than speak them. Then gradually he did what only the greatest actors can do. He made his voice the only authentic one, the lonely one, the odd one out, the one you depended on amid all the others. And every time it left the stage, like the great man himself, you waited for its return with impatience and mounting unease.
We shall wait a long time for another Philip.
~ John le Carré on Philip Seymour Hoffman, Staring at the Flame
- Full article in the NY Times – Staring at the Flame
- Portrait from Voicesfilm.com
- Related Posts: Now you are here, at 7:43. Now you are here, at 7:44. Now you are…
how you can never reach it,
no matter how hard you try,
walking as fast as you can,
but getting nowhere,
arms and legs pumping,
sweat drizzling in rivulets;
each year, a little slower,
more creaks and aches, less breath.
Ah, but these soft nights,
air like a warm bath,
the dusky wings of bats careening crazily overhead,
and you’d think the road goes on forever.
Apollinaire wrote, “What isn’t given to love is so much wasted,”
and I wonder what I haven’t given yet.
A thin comma moon rises orange,
a skinny slice of melon,
so delicious I could drown in its sweetness.
Or eat the whole thing, down to the rind.
Always, this hunger for more.
— Barbara Crooker, How the Trees on Summer Nights Turn Into A Dark River
- Photographer: Biswarup Sarkar
- Poem Source: The Sensual Starfish
- Post inspired by Kurt Harding’s post @ Cultural Offering: “We have become addicted to addition.” ~ Nassim Taleb
“The temptation is to make an idol of our own experience, to assume our pain is more singular than it is. Even here, in some of the entries above, I see that I have fallen prey to it. In truth, experience means nothing if it does not mean beyond itself: we mean nothing unless and until our hard-won meanings are internalized and catalyzed within the lives of others. There is something I am meant to see, something for which my own situation and suffering are the lens, but the cost of such seeing — I am just beginning to realize — may very well be any final clarity or perspective on my own life, my own faith. That would not be a bad fate, to burn up like the booster engine that falls aways from the throttling rocket, lighting a little dark as I go.”
~ Christian Wiman, My Bright Abyss: Meditation of a Modern Believer
On the afternoon of his 39th birthday, less than a year after his wedding day, poet Christian Wiman was diagnosed with an incurable cancer of the blood. Wiman had long ago drifted away from the Southern Baptist beliefs of his upbringing. But the shock of staring death in the face gradually revived a faith that had gone dormant. Wiman’s book of essays, My Bright Abyss: Meditation of a Modern Believer took shape in the wake of his diagnosis, when he believed death could be fast approaching. These writings come from someone who is less a cautious theologian than a pilgrim crying out from the depths. They divulge the God-ward hopes (and doubts) of an artist still piecing together a spiritual puzzle. San Francisco-based lawyer and author Josh Jeter corresponded with Wiman about his new book, his precarious health, and the ongoing challenge of belief in God. (Source: CT)
- Photograph: metamorphically, i dream
- Related Christian Wiman Posts: The most blinding illumination; Screaming into Silence; Bang our very bones to roust our own souls; Something is off; Sunday Sermon
Mid-July, and it’s 63º F. Overcast. Low humidity.
PULL UP THE DAMN DOUBLE-DECKER GRATITUDE BUS.
I’m out the door. And down the highway.
I’m flicking through my playlist. James Taylor. Click. Bonnie Raitt. Click. Bryan Adams. Warmer. Click. David Sanborn. Cool down, maybe. Click. Sara McLachlan. Animal Cruelty Videos. Click. Click. Jimmy Buffet. Margaritaville. NO. CLICK.
And then, AC-DC.
And THEN, AC-DC.
THUNDERSTUCK. Sound of the drums beating my heart.
Block: Morning weigh-in. Re-grip the sticks…and Swing.
Block: Heavy legs. Re-grip the sticks…and Pound.
Block: Lack of sleep. Re-grip…and Slam.
Block: Work. WORK. Re-grip, unleash and Pulverize ‘em.
Time Check: 6.12 miles @ 55.08 minutes.
Twice a year the setting sun aligns perfectly with the grid of east-west streets of the main street grid in Manhattan, New York, making for a rather spectacular site as the city practically catches alight. Known as Manhattanhenge – named for a similar occurrence that takes place during solstices at Stonehenge in the UK – the spectacle draws thousands of New Yorkers into the streets to appreciate the unique sunset and capture it on camera. (Source: Veooz)
This photograph was taken on 42nd street in New York City by Eduard Moldoveanu on July 11, 2014.
Eduard Moldoveanu Photography: Eduard Moldoveanu is an engineer by day but photographer anytime he gets together with his camera. He has been in the darkroom since he was a teenager. Back then using negative film he was capturing family events and the beauty of his country, Romania. As he moves into the digital format he re-discover the passion for photography. Today he is a freelancer loving the landscapes and nature but you will find him shooting portraits, sports, street life or abstract photography as well. He is also a Getty contributor and his work can be also find on Getty website.
Don’t miss his portfolio at Enchanted Moments Studio.
(Note to Self: I know what the outcome is. How many times can I watch this?)
Catching up on your posts and came across your July 7 Monday Mantra. Thought you might like to see the original video of the reggae-biased Morepork … so named for their call. If you live close to bush in New Zealand, you turn on the porch light and these little guys will come calling to feed on the moths.”
This little Morepork (or Ruru in Maori) arrived at New Zealand Bird Rescue Charitable Trust’s Green Bay Hospital in Auckland when it was about a week old. Now it is flying and has lost most of its baby feathers. New Zealand Bird Rescue supports the community by assisting many thousands of sick, orphaned, injured and lost birds every year. Birds that come into care here are rehabilitated until they are ready for release back into the wild. We accept and care for all New Zealand birds; no bird is ever turned away. Many have been victims of cat attacks, road accidents, pollution, fishing line entanglements, and human ignorance or cruelty.
Thank you Stephen.
So, what’s it going to be for breakfast?
I’m outside with Zeke.
It’s dark. Still. Quiet.
We’re both calm.
I look up.
Yes, I sense it too.
Something bigger, much bigger here.
the sound of eternity
can at times be heard—
the stars somehow closer and
a sense of the earth’s moving.
~ Michael Boiano
Milky Way Fact Source: Thank you Rob Firchau @ The Hammock Papers
Charmaine Olivia is an artist from Oakland California.
I spend the majority of my days continually teaching myself how to paint and draw. I am extremely curious and passionate about life, beautiful things and creativity. The best way to know me and my work is through my social networks: Tumblr, Instagram, Twitter, & Facebook. My illustrations, photography and paintings have appeared in publications, museums, galleries and private collections throughout the world. Some of my clients and projects include Urban Outfitters, Lady Gaga, Hallmark, Volcom Stone, Element, Nylon Magazine, & Inked Girls Magazine.
Within the ongoing havoc
the woods this morning is almost unnaturally still.
Through stalled air, unshadowed light,
a few leaves fall of their own weight.
The sky is gray.
It begins in mist almost at the ground
and rises forever.
The trees rise in silence
almost natural, but not quite,
almost eternal, but not quite.
What more did I think I wanted?
Here is what has always been.
Here is what will always be.
Even in me,
the Maker of all this returns in rest,
even to the slightest of His works,
a yellow leaf slowly falling,
and is pleased.
- Wendell Berry
- Credits: Poem – ArtPropelled. Photograph: mascarandelegance
- Other Wendell Berry favorites: The circle of no beginning or end. And that is Hell and I believe that whatever we need is at hand…
- Image Source: jaimejustelaphoto.
- Other Lightly Child, Lightly posts: 1) Lightly child, lightly, 2) Lightly Child. Lightly.
- Post Title & Inspiration: Aldous Huxley: “It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them.”