Stuart Isacoff in wsj.com titled Pärt and Soul:
“You may not know the name, but you’ve heard his music. Estonian composer Arvo Pärt’s alluring, hypnotic “tintinnabuli” (“bell-like”) style has resonated with listeners world-wide—the database Bachtrack reports that Mr. Pärt is now the most performed living classical composer. The haunting music in the trailer for the film “Gravity”—a perfect complement to the image of astronauts adrift, its piano pattern suggesting a cosmic clock as floating violin tones and spacious pauses convey a sense of human frailty—is his 1978 work, “Spiegel Im Spiegel” (Mirror in the Mirror).
…”The thing that struck me when I first heard this music at age 18,” remembers Mr. Reeves, “is that I should not be sitting—I should be standing. I cried. It’s not like a Beethoven sonata, where you are on a journey, watching how a theme develops. With Pärt, it is the opposite—you are emptying everything out, accessing a space that may be cluttered because people are always talking over it.” Continue reading “Sunday Morning: Pärt and Soul”
