It’s Thanksgiving. Come On Home.

I would be spending Thanksgiving in Philadelphia, a thousand miles from home…“I don’t think I can stand it here,” I said during the weekly call to my parents that Sunday. “I don’t know if I can do this.”

“Just come home,” my father said. I was crying by then. “It’s too late,” I said. “It’s way too late.”

“You can always come home, Sweet,” he said…

Those were words of loving reassurance from a parent to his child, a reminder that as long as he and my mother were alive, there would always be a place in the world for me, a place where I would always belong, even if I didn’t always believe I belonged there.

But I wonder now, three decades later, whether my father’s words were more than a reminder of my everlasting place in the family. I wonder now whether they were also an expression of his own longing for the days when all his chicks were still in the nest, when the circle was still closed and the family he and my mother had made was complete. We were an uncommonly close family, and I was the first child to leave home. But I gave no thought to my parents’ own loneliness as they pulled away from the curb in front of my apartment in Philadelphia, an empty U-Haul rattling behind Dad’s ancient panel van, for the drive back to Alabama without me.

I gave no thought to it then, but I think of it all the time now. My youngest child left for college in August, and this house has never seemed so empty. It’s not actually empty. My husband is still here, and my father-in-law still comes over for supper most nights. Because we have a big extended family and friends often passing through on their way somewhere else, hardly a week goes by without guests in our guest room. Last summer, anticipating my own sadness once our sons were at school, I put out the word in our neighborhood that I was happy to be a backup car pool driver or homework wrangler, but the presence of borrowed children in this house, though joyful, is also an aching reminder of the years gone by with my own.

No matter how full my life is with marriage and work and relatives and friends and the cares of citizenship in a struggling world, I miss my children. Every day, I miss my children, and as I wait for them to come home for Thanksgiving, I think of my father’s words across a bad landline connection in 1984 that reached my homesick heart in cold Philadelphia. I remember the 26-hour bus ride into the heart of Greyhound darkness that followed, a desperate journey that got me home in time for the squash casserole and the cranberry relish, and I hope my sons know now as surely as I knew it then, as surely as I have known it my entire life: Whatever happens, they can always come home. They can always, always come on home.

~ , excerpts from “It’s Thanksgiving. Come On Home.” (The New York Times, Nov 22, 2017)


Notes: Essay – Thank you Rachel. Illustration – Pinterest

I love the dawn stillness (on Thanksgiving Day)

light-night-house-family

Quiet has many moods. When our sons are home, their energy is palpable. Even when they’re upstairs sleeping I can sense them, can feel the house filling with their presence, expanding like a sail billowed with air. I love the dawn stillness of a house full of sleepers, love knowing that within these walls our entire family is contained and safe, reunited, our stable four-sided shape resurrected.

~ Katrina Kenison, Magical Journey: An Apprenticeship in Contentment 


Notes: Photo: Mennyfox55

Monday Morning Wake-Up Call

At fifty-four, I’m now roughly the same age Dante was when he was putting the finishing touches on The Divine Comedy. I’m the same age as von Aschenbach in Thomas Mann’s Death in Venice. (I realized only recently that the character in this novella who was pining for a youth and his own lost youth was squarely in middle age; not having read the opening very carefully, I had always assumed that the “old” man who allowed the hotel barber to dye his hair jet black and garishly paint his face was in his seventies at the very least.) Fifty-plus is a good age for big questions. Unless I’m that rare soul who makes it past one hundred, I probably have less time ahead of me than I’ve already lived. Now that my brother, sister, and I are all over fifty, my brother, using a golf analogy, refers to our lives as being played on the back nine—the first nine holes are behind us. Whatever score we’ve accumulated, we carry with us. Suddenly, finishing honorably and staying out of the sand traps and water hazards matters more than seeing our names on the leaderboard. On the other hand, I think any age is a good age for big questions. I asked some of my biggest and best when I was in high school and college—fittingly, as that’s what school is for. I asked other big questions at painful times in my life—no age is immune from misfortune or feels it less keenly. And I hope and expect to be asking big questions right up to the end.

~ Will Schwalbe, Books for a Living


Notes:

And what was so beautifully . . . what is the word? . . “comforting” about what happened every day

Now she is 63. What I want to know is: What does 63 know that 44 didn’t? She pauses for a long time. “In your 40s, you’re coming into it, you’re intellectualizing things, and you kind of know it and you feel it,” she says. “But there is a deepening and a broadening and quickening of the knowing that happens in your 50s. Maya Angelou used to say to me, ‘The 50s are everything you’ve been meaning to be.’ She looks at me over the top of the nerd-chic glasses she favors these days. “You’d been meaning to be that person.” She laughs. “By the time you hit 60, there are just no . . . damn . . . apologies. And certainly not at 63. And the weight thing that was always such a physical, spiritual, emotional burden for me—no apologies for that either.”

Interviewing people who interview people for a living presents a special challenge: They know what you’re up to. You feel as if you’re being quietly judged. Not with Oprah. Once she’s committed, once she’s present, there is a kind of flow and trust that develops on the spot. Oprah, by her count, has interviewed more than 37,000 people during her 25 years of doing the The Oprah Winfrey Show in Chicago. When I ask her if there is one big takeaway, she says, “Absolutely. There’s not a human being alive who doesn’t want—in any conversation, encounter, experience with another human being—to feel like they matter. And you can resolve any issue if you could just get to what it is that they want—they want to be heard. And they want to know that what they said to you meant something. Most people go their entire lives and nobody ever really wants the answer to ‘How are you? Tell me about yourself.’ And what was so beautifully . . . what is the word? . . comforting about what happened every day on the Oprah show is that people would dress up like they were going to church. Sometimes I would notice somebody and I would say, ‘Oh, wow, that’s a really pretty green dress.’ And she would go: ‘I wore it for you! I knew you would notice me!’ People just want to be seen; they want to be validated.”

~ Jonathan Van Meter, from Oprah Winfrey Is On a Roll (Again) in Vogue, August 15, 2017


Portrait of Oprah by Annie Leibovitz, Vogue, September 2017 titled: “Like a Prayer.” “I have no angst, no regret, no fear,” Oprah says.

That’s when you want something a little milder, don’t you?

I’m not very interested in my school days and feel no special nostalgia for them. But I remember Sixth Form. In those days, we imagined ourselves as being in a holding pen, waiting to be released into our lives. And when that moment would come, we would be at university. How were we to know that our lives had already begun, and our release would only be to a large holder pen. And in time, a larger holding pen. When you were young, you want your emotions to be like the ones you read about in books. You want them to overturn your life and create a new reality. But as that second hand insists on speeding up and time delivers us all to quickly into middle age, and then old age, that’s when you want something a little milder, don’t you? You want your emotions to support your life as it has become. You want them to tell you that everything is going to be ok.

And is there anything wrong with that?

~ Tony (Jim Broadbent), A Sense of An Ending (2017)


Notes:

Bones to me

 


Source: Aparna Nancherla (via Paper Ghosts)

Flying Over I-40 N. With the World By the A**.

AA Flight 1150: DFW to LGA.  It’s 5:29 a.m., and I’m standing at the gate waiting to board the first flight out of Dallas. I’m watching the waitlist monitor, KAN.D is on page 2. Wow.  An upgrade to First, for a 6 a.m. boarding, will not happen.

Then confirmed.

“Sorry Sir, the upgrade list is closed.” 14th on the wait list. 14th! A Lifetime Platinum Member…means…Nothing.  I drag my carry-on on board, passing all the smug passengers in first class and take my seat.

The video monitor on the seat in front rotates through flight details:

  • 2 hr 59 min to destination
  • Estimated Arrival Time LGA: 10:35 a.m.
  • Altitude: 28,982.9 (and turbulent)

The GQ interview with Brad Pitt is still fresh…he recalls a conversation with Ryan McGinley…”When you get to be my age, never pass up a bathroom. Never trust a fart…”  And let’s leave the rest to your imagination.

Now that, triggered movement

I cautiously step down the aisle. The ship heaves left and right, a paper airplane battered like a piñata. If He really wanted to lean in here, we’d be dust. There’s something about flying that brings the immediacy of mortality to the forefront, not to the front to First Class of course, but to the front like in Coach.

If you possess a single cell of claustrophobia, you don’t want to be in the lavatory of an Airbus A321S in heavy turbulence.  One hand grips the cool stainless steel hand rail for stability.  The other hand rests on the lap, careful not to touch anything. The floor is wet, the soles of the shoes groan. The midsection is contorted to ensure no body part or article of clothing touches anything, and if I could have levitated above the seat without inflicting a groin pull, I would have done so.  How many before me, sitting here? (Butt) Skin to skin to skin to skin to skin.  I wash my hands, and take one look around this coffin. God, when it’s time, let it be in a grassy field, on a warm sunny day, laying among four-leaf clovers and poppies, and looking up at the bluest of blue skies. The closet closes in. Get me out of here. [Read more…]

I just don’t want to dodge any of it. I just want to stand there, shirt open, and take my hits and see, and see

(Many) Excerpts from a remarkable interview where Brad Pitt Talks Divorce, Quitting Drinking, and Becoming a Better Man (GQ: May 3, 2017):

Pitt is the first one to acknowledge that it’s been chaos these past six months…he seems absolutely locked in one moment and a little twitchy and forlorn in the next, having been put on a journey he didn’t intend to make but admits was “self-inflicted.” …Any of my foibles are born from my own hubris… I often say the wrong thing, often in the wrong place and time. Often. In my own private Idaho… I don’t have that gift. I’m better speaking in some other art form. I’m trying to get better. I’m really trying to get better. […]

I can’t remember a day since I got out of college when I wasn’t boozing or had a spliff, or something. Something. And you realize that a lot of it is, um—cigarettes, you know, pacifiers. And I’m running from feelings. I’m really, really happy to be done with all of that. I mean I stopped everything except boozing when I started my family. But even this last year, you know—things I wasn’t dealing with. I was boozing too much. It’s just become a problem…Don’t want to live that way anymore… And I’m really happy it’s been half a year now, which is bittersweet, but I’ve got my feelings in my fingertips again. I think that’s part of the human challenge: You either deny them all of your life or you answer them and evolve…

You strip down to the foundation and break out the mortar. I don’t know. For me this period has really been about looking at my weaknesses and failures and owning my side of the street…I don’t know where it comes from, this hollow quest for justice for some perceived slight. I can drill on that for days and years. It’s done me no good whatsoever. It’s such a silly idea, the idea that the world is fair. And this is coming from a guy who hit the lottery, I’m well aware of that. I hit the lottery, and I still would waste my time on those hollow pursuits. […] [Read more…]

give away the mirrors in your house, one with every birthday

A couple of decades ago, she had soured on celebrity, once and for all, so it seemed. “It wants to name you and diagnose you and keep you as a comfort animal,” Ms. Winger said the other day before quietly changing her tune. “Celebrity is not my favorite part of the gig,” she confided. “But it’s the price you pay for doing what you want.”…

True, she feuded viciously with former co-stars and directors. She once called John Malkovich …“nothing more than a catwalk model.” She endlessly needled Shirley MacLaine during the filming of the 1983 movie “Terms of Endearment,” tonguing her thigh during off-camera moments and teasing her crudely about her attire, her psychosexual antics causing Ms. MacLaine to flee the set … Has she mellowed over time? Could be… At 61, Ms. Winger is offering no excuses. “Sometimes I have less tact than other times,” she said.

“If I have an intention I’m going to try to stick with it and not be taken by someone else’s energy. “I’m on a quest; aren’t we all? With humans, it’s always a dance. If somebody’s moving slower than you are, you’ve got to get them out of your way.” Her truculence did not sit well with her long-ago peers or her studio bosses. “People said I’m too intense,” she acknowledged. “People can’t handle that.”  These days she is reserving that surfeit of passion mostly for her work…In many ways, she has never really stopped. What seemed like a hiatus in the mid-1990s was in fact a fertile time. Ms. Winger taught at Harvard, married the actor Arliss Howard, brought up three sons in Sullivan County, N.Y., and worked on memorable indie projects…

“It’s hard to accept your aging face,” she said. “You’ve got to be tough.” Still, you can hope to ease the pain. “You just give away the mirrors in your house, one with every birthday,” Ms. Winger said. “By the time you reach the right age, you have just one little mirror over your bathroom sink to make sure you don’t have any green in your teeth.”…

“It’s all about finding your groove at every age.”…“It’s all about chi, your life energy,” she said with Yoda-like serenity. “Like everything else, it goes through iterations. If it’s alive it changes.”…Till when? She fixed her companion with a sphinxlike gaze and grinned. “Can I get back to you on that?” she said.

~ Ruth La Ferla, excerpts from Debra Winger Comes to Terms With Fame and Age (NY Times, May 5, 2017)

Driving Merritt Parkway North. With Whale.

Friday evening, late rush hour. Traffic is crawling up the Merritt Parkway, my alternate route for I-95 North. Waze is navigating.

Sirius 70’s on 7 cues up Steve Winwood with Back in High Life Again. Damn tune is more than 30 years old! “From fifty to eighty”, Grace Paley said. “Seconds, not minutes.”

The intermittent stop and go, inches us forward. The pace, is ok. It’s been a long week, a long day, and we’re in full surrender mode. Weekend come, come, come, pick up the pieces. Humpty Dumpty sat on the wall, Humpty Dumpty had a…

It, the day, started at 5:30 am.  Office dark, floor quiet, and I’ve lost myself in a deliverable with a short fuse. A losing of yourself in yourself. The clock is ceaseless, unrelenting, in its march forward: 6:00. 6:30. 7:00. 7:30. 7:45, and all without notice to the occupant in the office.

I save my work. Hit print. Close my eyes for a second. The internal gearing of the laser printer warms, the file contents zip across the cables and Bam! – each of the four pages are spit onto the floor.  I peek at my watch, 8:00 am. Two and a half hours. Wow.

I lift my head from the silvery screen, making a quick break from my opioid, and stand. Too fast. 

The lights dim, the eyes blur, nausea fills the belly. I reach for the arm rest on the chair. Steady Dave, steady. [Read more…]

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