This was so (SO) good. I’ve clipped most of her essay below but not all. Here are excerpts from Patti Smith’s How Does It Feel from the December 14, 2016 issue of The New Yorker:
…In September, I was approached to sing at the Nobel Prize ceremony, honoring the laureate for literature, who was then unknown. It would be a few days in Stockholm, in a beautiful hotel, overlooking the water—an honorable opportunity to shine, contemplate, and write. I chose one of my songs that I deemed appropriate to perform with the orchestra.
But when it was announced that Bob Dylan had won the prize and accepted, it seemed no longer fitting for me to sing my own song. I found myself in an unanticipated situation, and had conflicting emotions. In his absence, was I qualified for this task? Would this displease Bob Dylan, whom I would never desire to displease? But, having committed myself and weighing everything, I chose to sing “A Hard Rain’s A-Gonna Fall,” a song I have loved since I was a teen-ager, and a favorite of my late husband.
From that moment, every spare moment was spent practicing it, making certain that I knew and could convey every line. Having my own blue-eyed son, I sang the words to myself, over and over, in the original key, with pleasure and resolve. I had it in my mind to sing the song exactly as it was written and as well as I was capable of doing. I bought a new suit, I trimmed my hair, and felt that I was ready.
On the morning of the Nobel ceremony, I awoke with some anxiety. It was pouring rain and continued to rain heavily…By the time I reached the concert hall, it was snowing. I had a perfect rehearsal with the orchestra. I had my own dressing room with a piano, and I was brought tea and warm soup. I was aware that people were looking forward to the performance. Everything was before me.
I thought of my mother, who bought me my first Dylan album when I was barely sixteen. She found it in the bargain bin at the five-and-dime and bought it with her tip money. “He looked like someone you’d like,” she told me. I played the record over and over, my favorite being “A Hard Rain’s A-Gonna Fall.” It occurred to me then that, although I did not live in the time of Arthur Rimbaud, I existed in the time of Bob Dylan. I also thought of my husband and remembered performing the song together, picturing his hands forming the chords.
And then suddenly it was time. The orchestra was arranged on the balcony overlooking the stage, where the King, the royal family, and the laureates were seated. I sat next to the conductor. The evening’s proceedings went as planned. As I sat there, I imagined laureates of the past walking toward the King to accept their medals. Hermann Hesse, Thomas Mann, Albert Camus. Then Bob Dylan was announced as the Nobel Laureate in Literature, and I felt my heart pounding. After a moving speech dedicated to him was read, I heard my name spoken and I rose. As if in a fairy tale, I stood before the Swedish King and Queen and some of the great minds of the world, armed with a song in which every line encoded the experience and resilience of the poet who penned them.
The opening chords of the song were introduced, and I heard myself singing. The first verse was passable, a bit shaky, but I was certain I would settle. But instead I was struck with a plethora of emotions, avalanching with such intensity that I was unable to negotiate them. From the corner of my eye, I could see the the huge boom stand of the television camera, and all the dignitaries upon the stage and the people beyond. Unaccustomed to such an overwhelming case of nerves, I was unable to continue. I hadn’t forgotten the words that were now a part of me. I was simply unable to draw them out. [Read more…]
On a spring day in 1950, when I was big enough to run about on my own two legs yet still small enough to ride in my father’s arms, he carried me onto the porch of a farmhouse in Tennessee and held me against his chest, humming, while thunder roared and lightning flared and rain sizzled around us. On a spring day just over twenty years later, I carried my own child onto the porch of a house in Indiana to meet a thunderstorm, and then, after thirty more years, I did the same with my first grandchild. Murmuring tunes my father had sung to me, I held each baby close, my daughter, Eva, and then, a generation later, her daughter, Elizabeth, and while I studied the baby’s newly opened eyes I wondered if she felt what I had felt as a child cradled on the edge of a storm— the tingle of a power that surges through bone and rain and everything.
~ Scott Russell Sanders, A Private History of Awe