Filmed in the Canadian and Greenlandic High Arctic
November 13, 2016 by 19 Comments
Filmed in the Canadian and Greenlandic High Arctic
October 20, 2016 by 28 Comments
Then you sit in silence long enough, you learn that silence has a motion. It glides over you without shape or form, exactly like water. Its color is silver. And silence has a sound you hear only after hours of wading inside it. The sound is soft, like flute notes rising up, like the words of glass speaking. Then there comes a point when you must shatter the blindness of its words, the blindness of its light.
- Photo: Andrea Dabene
- Prior “Lightly child, lightly” Posts? Connect here.
- Post Title & Inspiration: Aldous Huxley: “It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them.”
October 9, 2016 by 24 Comments
As deep as I ever went into the forest
I came upon an old stone bench, very, very old,
and around it a clearing, and beyond that
trees taller and older than I had ever seen.
It really wasn’t so far from a town, but it seemed
all the clocks in the world had stopped counting.
So it was hard to suppose the usual rules applied.
Sometimes there’s only a hint, a possibility.
What’s magical, sometimes, has deeper roots
I hope everyone knows that.
I sat on the bench, waiting for something.
An angel, perhaps.
Or dancers with the legs of goats.
No, I didn’t see either. But only, I think, because
I didn’t stay long enough.
October 4, 2016 by 22 Comments
The phoebe sits on her nest
Hour after hour,
Day after day,
Waiting for life to burst out
From under her warmth.
Can I weave a nest of silence,
weave it of listening,
Layer upon layer?
But one must first become small,
Nothing but a presence,
Attentive as a nesting bird,
Proffering no slightest wish
that might happen or be given,
Only the warm, faithful waiting,
contained in one’s smallness.
Beyond the question,
Before the answer,
August 16, 2016 by 22 Comments
July 2, 2016 by 16 Comments
There are all kinds of silences and each of them means a different thing. There is the silence that comes with morning in a forest, and this is different from the silence of a sleeping city. There is silence after a rainstorm, and before a rainstorm, and these are not the same. There is the silence of emptiness, the silence of fear, the silence of doubt. There is a certain silence that can emanate from a lifeless object as from a chair lately used, or from a piano with old dust upon its keys, or from anything that has answered to the need of a man, for pleasure or for work. This kind of silence can speak. Its voice may be melancholy, but it is not always so; for the chair may have been left by a laughing child or the last notes of the piano may have been raucous and gay. Whatever the mood or the circumstance, the essence of its quality may linger in the silence that follows. It is a soundless echo.
― Beryl Markham, West with the Night
May 20, 2016 by 6 Comments
May 14, 2016 by 13 Comments
Immediately when you arrive in the Sahara, for the first or the tenth time, you notice the stillness. An incredible, absolute silence prevails outside the towns; and within, even in busy places like the markets, there is a hushed quality in the air, as if the quiet were a conscious force which, resenting the intrusion of sound, minimizes and disperses sound straightway. Then there is the sky, compared to which all other skies seem faint-hearted efforts. Solid and luminous, it is always the focal point of the landscape. At sunset, the precise, curved shadow of the earth rises into it swiftly from the horizon. You leave the gate of the fort or the town behind, pass the camels lying outside, go up into the dunes, or out into the hard, stony plain and stand awhile, alone. Presently, you will either shiver and hurry back inside the walls, or you will go on standing there and let something very peculiar happen to you, something that everyone who lives there has undergone and which the French call “le bapteme de la solitude.“It is a unique sensation and has nothing to do with loneliness, for loneliness presupposes memory. Here, in this wholly mineral landscape lighted by stars like flares, even memory disappears; nothing is left but your own breathing and the sound of your heart beating. A strange, and by no means pleasant, process of reintegration begins inside you, and you have the choice of fighting against it, and insisting on remaining the person you have always been, or letting it take its course. For no one who has stayed in the Sahara for awhile is quite the same as when he came.
Perhaps the logical question to ask at this point is: Why Go? The answer is that when a man has been there and undergone the baptism of solitude he can’t help himself. Once he has been under the spell of the vast, luminous, silent country, no other place is quite strong enough for him, no other surroundings can provide the supremely satisfying sensation of existing in the midst of something that is absolute. He will go back, whatever the cost in comfort and money, for the absolute has no price.
— Paul Bowles, “Baptism of Solitude,” Their Heads are Green and Their Hands are Blue: Scenes from the Non-Christian World
May 5, 2016 by 8 Comments
All of us, child or adult, need time to find our way to that heavenly gate, time to sit back and listen to the sounds outside, and to our own, half-formed thoughts, to attend to the call of the birds and the roar of the air conditioner, and to our own interior voices as well: to let silence spiral deeper into silence. Mary Oliver writes about this beautifully in her book, Winter Hours.
In the act of writing the poem, I am obedient, and submissive. Insofar as one can, I put aside ego and vanity, and even intention. I listen. What I hear is almost a voice, almost a language. It is a second ocean, rising, singing into one’s ear, or deep inside the ears, whispering in the recesses where one is less oneself than a part of some single indivisible community. Blake spoke of taking dictation. I am no Blake, yet I know the nature of what he meant.
The speedy modern reader may not realize it, but poetry comes to us like the holy infant, wrapped in swaddling bands of silence. There is silence, often, in the place where it is made, or at most, a slow heart beat. There is silence in the thought that greets particular words and phrases, and in the care with which they’re weighed and pondered, and again in their particular layout on the page. And finally there’s the silence that surrounds the reading of the poem, and in the quiet intake of breath with which, so often, the poem is received. For all the emphasis that is placed on words and imagery, poems need that silence, as a painting needs the naked canvas, or music needs the pause between the notes. Most poets know this, in however inchoate a way. They slow down, they listen, they learn to pay attention. They root themselves in what the Celtic bard Taliesen called “the cave of silence” from which all words are born.
~ Christian McEwen, World Enough & Time: On Creativity and Slowing Down
April 16, 2016 by 11 Comments
He wakes to find his wife lying on her stomach,
the children on top of her,
one on her back,
the other on her buttocks.
They are sleeping on her, clinging, head to foot.
Their presence absolves him, slowly he grows content.
This world, its birds in their feathers,
its sunlight … reason, at least for the moment.
It consoles him.
He is warm, potent, filled with impregnable joy.
~ James Salter, Light Years