Hello friends. Wally here. I had my first ever bath. No more words. Horror! Help Me! Have a Great Easter.
All-Clean Wally.
Hello friends. Wally here. I had my first ever bath. No more words. Horror! Help Me! Have a Great Easter.
All-Clean Wally.
Notes:
the hour sinking into the emptiness of my
closed eyes
— Alejandra Pizarnik, from “the hour sinking,” The Galloping Hour: French Poems
Notes:
Inside the body of the world
there lives a vine
that awakens
in footprints and rootprints,
that touches our suffering
that heals the broken earth
that intertwines our pulses
until our breaths carry a new seed
within them.
While we sleep rain saturates the land
and in the morning
a luminescence
tunnels through fog.
I want to be the world, freshly washed.
~ Karissa Knox Sorrell, from “Luminescence,” Gravel Magazine
Notes: Poem – Memory’s Landscape. Photo: wsj.com, May 17, 2018, Rodrigo Garrido
Orphaned baby elephants take a mud bath at the David Sheldrick Wildlife Trust Elephant Orphanage in Nairobi, Kenya. The elephant orphanage looks after 29 baby elephants orphaned by human-wildlife conflicts and poaching, among other causes. (Dai Kurokawa, wsj.com, April 10, 2018)
Notes:
You, Michael, always said that it was immoral to invest thousands of shekels in a bathroom. What does a bathroom need except running water, you’d say, adding another two-word phrase (in your verdicts, you also liked to use two-word phrases to express loathing): Outrageous waste. Pure ostentation. Revolting hedonism. After showering in Avner Ashdot’s computerized bathroom, I want to add to the list, if you will permit me, another two-word phrase: pure pleasure. Buttons that regulate heat, cold, and water pressure in such a way that you can adjust them exactly, not approximately, to what you want. A steam hood that keeps too much steam from accumulating. Shelves overflowing with the best toiletries, including bath oils and natural soaps. Scented candles. Buttons you press that change the color of the water by activating underwater colored lighting. Velvety soft towels. I know that you couldn’t care less about all of this. It’s clear to me that you consider these technical specifications irrelevant. But I really want you to understand, Michael, not only how much I enjoyed that shower—so much that I forgot I was supposed to step out of it at some point—but also why, for days after it, I couldn’t stop thinking about it with longing. Actually yearning for it.
~ Eshkol Nevo, Three Floors Up
Photo via Your Eyes Blaze Out
Photo: wsj.com – A mahout bathes his elephant before a festival in Sauhara, Nepal. (Narayan Maharjan, Pacific Press, December 27, 2016)
Melissa Cooke‘s (b. Oconomowoc, WI, 1982) drawings are made by dusting thin layers of graphite onto paper with a dry brush. The softness of the graphite provides a smooth surface that can be augmented by erasing in details and textures.
No pencils are used in the work, allowing the surface to glow without the shine of heavy pencil marks. Illusion dissolves into brush work and the honesty of the material.
“In 2012, I moved to New York City from Wisconsin,” Cooke says regarding her inspiration behind the series. “Unaccustomed to city living, I am frequently overwhelmed. The bathtub has become a respite from this chaos, and a substitution for the calming comfort of Midwest lakes. Commotion is muffled underwater. Submerged, I am in the quiet, weightless in a space of reflection.”
Don’t miss more of Cooke’s drawings here: Melissa Cooke
Source: My Modern Met
O blurred.
O tumble-rush of days
we cannot catch.
— Deborah Landau, from “Solitaire”
Credits: Poem excerpt via Fables of the Reconstruction. Photograph – mennyfox55