Sunday Morning


George & Grace @ Daybreak. 5:35 a.m. July 3, 2022. 72° F. Cove Island Park, CT. More pictures from this morning’s walk here.

Sunday Morning

And the boy went into the elves’ church. He had never seen such people before, so noble and happy. Such is life when it is lived in peace and in song. When the hymn was over, the priest mounted the pulpit and preached a sermon. Never had the boy heard a sermon so beautiful or so touching. And never afterwards did he hear a sermon like it. All his life through he remembered it, meditating upon it in secret and trying always to live up to it; but the theme of the sermon he told to no one. Some people think that it must have been about how in the end good will be triumphant in the life of man. Then the priest went to the altar and intoned in a warm, gentle voice; quite differently from our priests here on earth. It was as if a good hand was laid over his heart Then when the last hymn had been sung, all the people stood up and went out… He kept the memory of this Sunday ever afterwards in his mind and it consoled him when he had to do without the happiness that others enjoy in life; and he grew up into a man pleased with what he had and contented with his lot.

Halldór Laxness, “Independent People


Photo: Photo by Tabitha Mort, Portland, Oregon

Sunday Afternoon

I have loved the peacefulness of an ordinary Sunday.

It is like standing in a newly planted garden after a warm rain.

You can feel the silent and invisible life.

Marilynne RobinsonGilead: A Novel


Notes: Quote via Mythology of Blue. Photo: DK @ Daybreak. 7:21 am, January 2, 2022. 52° F. Cove Island Park, Stamford, CT. More photos from this morning here.

No religion except…

…No religion except whatever Mary Oliver had going on.


Notes:

  • Quote: Monkcore.
  • T-Shirt: Online Ceramics
  • Inspired by: “Oh, good scholar, I say to myself, how can you help but grow wise with such teachings as these— the untrimmable light of the world, the ocean’s shine, the prayers that are made out of grass?” —  Mary Oliver, from “Mindful” in “Why I Wake Early” (via Alive on All Channels)

The faith that gives us wings. Or at least a soft place to land.


Notes:

Sunday Morning

A sacrament is something holy happens. It is transparent time, time you can see through to something deep inside time… In other words, at such milestone moments as seeing a baby baptized or being baptized yourself, confessing your sins, getting married, dying, you are apt to catch a glimpse of the almost unbearable preciousness and mystery of life.

Needless to say, church isn’t the only place where the holy happens. Sacramental moments can occur at any moment, at any place, and to anybody. Watching something get born. Making love. A walk on the beach. Somebody coming to see you when you’re sick. A meal with people you love. Looking into a stranger’s eyes and finding out they are not a stranger’s.

If we weren’t blind as bats, we might see that life itself is sacramental.

—  Frederick Buechner, Wishful Thinking (HarperOne; September 24, 1993)


Notes:

I like Sunday Nights

It’s Sunday. I like Sunday nights, and this particular time always puts me in a good mood…

A transition into Monday, a waiting room.

—  Brenda Lozano, “Loop.”


Photo: Sully.

Sunday Morning

My father had died in a single-vehicle accident in California, far from those who knew and loved him. As I grieved, my father’s death brought a certain clarity about my calling as a husband and parent. If my relationship with my dad had been marked by brokenness, I wanted my relationship with my wife and children to be marked by healing. It also forced me to re-evaluate my career. Impressing other writers and academics ceased to be my goal. Instead, I would focus on using my words to find beauty and hope. I couldn’t write a different ending for my father’s story, but I could show that a different ending was possible for others.

Over the past year and a half, many people have experienced something similar to what I did when my father died. I am not the only one who has received a terrifying call that wakes us from our slumber and changes us forever. It may have been a notification about a loved one going on a ventilator rather than dying in a car crash, but the trauma is the same. This pandemic has left conversations and lives cut short…

All these changes that people are embarking on during the pandemic make me think that we weren’t that happy before the pandemic. What about our lives prevented us from seeing things that are so clear to us now? When I talked to friends and neighbors about this, two themes emerged. The pandemic has disabused us of the illusion of time as a limitless resource and of the false promise that the sacrifices we make for our careers are always worth it.

Before the pandemic, we knew we were going to die, but we did not believe it. Maybe we believed it, but considered it a problem to be dealt with later. In the meantime, exercise and a reasonable diet was the tithe we paid to our fears. We believed we had time…

We have had to consider our collective mortality. And we are now faced with the question of meaning. Like the biblical psalmist says, “We have escaped like a bird from the fowler’s snare; the snare has been broken, and we have escaped.” (Psalm 124:7). Covid-19 threatened to capture us in its snare, but thus far we have eluded it.

What shall we do with this opportunity?

Dr. Esau McCaulley, from “We Weren’t Happy Before the Pandemic,Either.” Dr. McCaulley is a professor at Wheaton College in Illinois., (NY Times, August 21, 2021)

Sunday Morning


DK @ Daybreak. 4:38 to 5:32 am, June 20, 2021. 63° F. Cove Island Park, Stamford, CT.

The Secret Lives of Church Ladies

You tell people up here that you’re from the South, and nine times out of ten, they say the same old thing: “I’m sure you miss the sunshine.” Rhonda and I both miss taking sunshine and easy morning commutes for granted. But what we really miss are the laughter and embrace of our mothers and grandmothers and aunties, kin and not kin. We miss the big oak tables in their dining rooms where, as kids in the seventies and eighties, we ate bowl after bowl of their banana pudding as they talked to each other about how much weight you’d gained, like you weren’t even there. We miss helping them snap green beans and shell peas sitting at their kitchen tables watching The Young and the Restless on the TV perched on the pass-through. We miss how they loved Victor Newman, hated Jill Foster, and envied Miss Chancellor and how she dripped diamonds and chandeliers.

We miss their bare brown arms reaching to hang clothes on the line with wooden pins. We miss their sun tea brewed all day in big jars on the picnic table in the backyard, then later loaded with sugar and sipped over plates of their fried chicken in the early evening. We miss lying next to them at night in their four-poster beds with too-soft mattresses covered by ironed sheets and three-generation-old blankets. We miss their housecoats, perfumed with Absorbine Jr. liniment and hints of the White Shoulders they’d spritzed on from an atomizer that morning before church. We miss tracing the soft folds in their skin when we held hands and watched our favorite TV shows in their beds. Dallas, Dynasty, Knots Landing, and Falcon Crest.

We miss how they laughed and were easy with each other. How their friendships lasted lifetimes, outlasting wayward husbands and ungrateful children. Outlasted that time Alma caught Joe cheating and she whacked him on the top of the head with the sword he’d brought back from the war, but he told the people at the hospital he didn’t know who did it. Outlasted having to hide your medicine bottles in your shoes because, otherwise, seven of your nine children were liable to steal them. We miss how they seemed to judge everyone but themselves. Or maybe that judgment was in the “nerve” pills they procured from the Chinese doctor on Bay St. who didn’t ask questions. We miss their furtive cups of brown liquor on Friday and unabashed cries for Jesus come Sunday.

We miss their one gold tooth that made us wonder who they had been as young women. We miss their blue crabs, the shells boiled to a blood red in wash tubs atop bricks over makeshift fires built in the yard. The wash tubs reminded us of cauldrons, full of rock salt– and cayenne-drenched water bubbling and rolling, mesh bags of seasonings and halved onions and peppers floating on top, along with potatoes and ears of corn. We miss how they stood over those cauldrons like witches, stirring a potion. With sweat beading on the tips of their noses and smoke swirling around their hands and wrists, they wielded long-handled spoons to press the frantic, flailing crabs toward their deaths.

We miss how they made our Easter dresses and pound cakes and a way out of no way.

Deesha Philyaw, from “Snowfall” in “The Secret Lives of Church Ladies” (West Virginia Press, September, 2020)


Notes:

  • Let’s rate this book as: “Wow.” And Highly Recommended.  Finalist for the 2020 National Book Award for Fiction. Winner of the 2021 PEN/Faulkner Award, and so deserving.
  • Kirkus Book Review: “Tender, fierce, proudly Black and beautiful, these stories will sneak inside you and take root.”
  • Los Angeles Review of Books:  “Her characters create intimacy and have hope, not despite their ugly odds but because of them.”

Sunday Morning

All gods are homemade,
and it is we who pull their strings,
and so,
give them the power to pull ours.

—  Aldous Huxley, Island


Notes: Quote Source. Photo: DK, Feb 5, 7:25 a.m. Cove Island Park.

Sunday Morning

How many times have you noticed that it’s the little quiet moments in the midst of life that seem to give the rest extra-special meaning.

— Fred Rogers, The World According to Mister Rogers


Notes:

Sunday Morning

The Sun’s rays shimmered through the needles of the tall pine tree overhead, and the grass glistened with dew as Joshua walked through the meadow, deep in thought. Sunday morning was quiet in Auburn. No noisy traffic broke the peaceful silence of the Sabbath rest. Sunday should be that way everywhere so people could give their wearied souls a rest from the nerve-shattering noise of their workdays. The quiet of nature is God’s tranquilizer.

— Joseph F. Girzone, from “Joshua: A Parable for Today” (Macmillan Publishing Company, 1983)


Notes:

  • Joshua, a Parable for Today” was a gift to me from our virtual blogging friend Ray Visotski. Ray’s Blog can be found at Mitigating Chaos. Ray, I’m grateful for the gift (which will stay with me) and for the friendship. (BTW, to tie into this quote, I looked for a pine tree and could not find one, and the grass was glistening but not with dew but with ice – and the meadow will have to be replaced with Long Island Sound and the Atlantic – – but the tranquilizer was all there.)
  • Photo: DK, Cove Island Park this morning @ 7:28 a.m.

Sunday Morning

I didn’t know if there was anything like a God. I didn’t care. But it was mostly clear to me we were not just castaways in some tohubohu bearing an ensign of meaning only for those desperate enough to concoct one: I felt mostly certain more was going on than met the eye—despite not having a real clue just what that “more” might entail. My assuredness on these matters owed less to faith than it did to experience, for I’d been hearing echoes of the uncanny since early childhood.

— Ayad Akhtar, Homeland Elegies: A Novel (Little, Brown and Company, September 15, 2020)


Photo: DK, Daybreak. December 20, 2020. 6:23 am. 28° F. Cove Island Park, Stamford CT

Sunday Morning


Photo: DK, 6:30, 6:35 and 7:12 a.m., Sunday, Nov 29, 2020, 33° F.  Cove Island Park, Stamford, CT.

Sunday Morning


DK, Daybreak. November 22, 2020. 6:30 to 7:02 am. 41° F. Cove Island Park, Stamford CT

Sunday Afternoon

It felt as if one’s entire world was one, long Sunday afternoon. Nothing to do. Nowhere to go.

—  Ralph Gibson


Photo: Eric Kanigan of Sully and me. More on our Sully here and here and here.

Sunday Morning

 


Daybreak. August 30, 2020. 5:55 to 6:15 am. 66° F. Humidity 76%. Wind: 11 mph. Gusts: 28 mph. Cloud Cover: 3%. The Cove, Stamford, CT

Sunday Morning

DSCF1156 - geese

June 7, 2020. Daybreak. 5:14 a.m. 62° F.  Wind: 9 mph, Gusts: 27 mph. Weed Ave, Stamford, CT.

Paul Klee: “One eye sees, the other feels

Sunday Morning

Wassily Kandinsky wrote that “Cézanne made a living thing out of a teacup, or rather in a teacup he realized the existence of something alive. He raised still life to such a point that it ceased to be inanimate. He painted these things as he painted human beings, because he was endowed with the gift of divining the inner life in everything. . . . A man, a tree, an apple, all were used by Cézanne in the creation of something that is called a ‘picture,’ and which is a piece of true inward and artistic harmony.” The artist or writer does not impose harmony on reality but—with sufficient reverence and diligence and selflessness and solitude—uncovers the harmony that is always there but that we conceal from ourselves out of a preference for material comfort and fear of the consequences a full and unreserved embrace of harmony requires.

This faith in the underlying harmony roots itself in a love of and appreciation for nature, because nature, no matter how extreme the human abuse heaped on her, embodies a quiet, continual knitting and healing of life, ever dependent on death to make herself anew. “Art is a harmony parallel to nature,” Cézanne wrote—not identical with but parallel to nature. Art of any kind, undertaken with attention and focus and as part of a commitment to discipline, is an effort at reenactment of the original creative gesture—the precipitation of the universe at the moment of its creation. That, I believe, is why we sing, paint, dance, sculpt, write; that is why any one of us sets out to create something from nothing, and why the creative impulse is essentially religious or, if you prefer, spiritual. We seek to recreate the original creative gesture, whatever or whoever set it in motion—the bringing into being of what is. We seek the center of beauty.”

 — Fenton Johnson, At the Center of All Beauty: Solitude and the Creative Life (W. W. Norton & Company, March 10, 2020)


Notes: Paul Cezanne’s “Fruit and Jug on a Table (1890-1894)

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