Saturday Morning

4-57


Daybreak. Egret. 4:57 & 4:59 am. June 27, 2020. 67° F. Humidity 81%. Wind: 2 mph. Gusts: 3 mph. Cloud Cover: 29%. Weed Avenue, Stamford, CT

Saturday Morning


Notes:

  • Daybreak. 5:04 am. June 20, 2020. 67° F. Humidity 100%. Wind: 3 mph. Gusts: 5 mph. Cloud Cover: 13%. Weed Ave, Stamford, CT.
  • And inspired by this:

A long dark curve is the poem in your body
is the river
is the loon’s throat.
Have you ever asked yourself how
the loon’s voice
opens?

~ Cheryl Hellner, from “Prayer for the Wild Voice, for Nina” (Heron Dance Journal, Feb 2006)

The day broke around me like a cool dream

The day broke around me like a cool dream. Sea; sand; a sky that melts into the sea — a landscape of misty pastels with a look about it being continuously on the point of melting.

~ Angela Carter, from The Bloody Chamber in “The Bloody Chamber And Other Stories” (Vintage Digital; October 31, 2012)


Notes:

  • Photo: DK – Daybreak. 4:58 & 5:00 am. June 17, 2020. 58° F. Wind: 5 mph. Gusts: 8 mph. Cloud Cover: 19%.  Weed Ave, Stamford, CT.
  • Quote via andrasteiax

TGIF: Morning Swim


Daybreak. Mallard & her ducklings, in formation. 5:53 am. June 12, 2020. 67° F. Wind: 4 mph. Gusts: 8 mph. Cloud Cover: 73%. Special Weather Watch: Areas of dense fog locally early this morning. Weed Ave, Stamford, CT.

Saturday Morning

5:02 a.m. I’m out the door. 65° F.  Hass: “Still. Not a breath of wind.

Morning routine since May 5th sans running. 5 mile round trip walk to Cove Island Park. New thing, this walking thing. Camera forces me pause, to stop. Apple Watch flashes “Finished Your Workout?” And offers up two options, “End Workout” & “Pause.” I stare at the both options. Even looking at “Pause” makes me uncomfortable.

I look for my Canada Geese and their two offspring. They never disappoint. Fluffy youngsters, hungry, pecking away at the grass. Mother hisses. Hey, I’m Canadian too, cut me some slack!

I look for my Swans, mates, sleeping with their necks tucked back under their wings, floating on their water bed on high tide.

I look for my trio of mallards, two females and the polygamist. Skittish.

I look for my Loon, solo, always solo, fishing. She dives deep. 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21. 22. 23. 24. 25. 26. 27. 28. 29. 30. 31. 32. 33. 34. 35. 36. 37. 38. 39. 40. 41. 42. 43. 44…and she’s back up on top. I catch myself inhaling, a deep breath for you girl.

I look for my Egrets. Pure white, as snow.  Heart sinks a wee bit in their absence.

I tune into Fenton Johnson‘s new book on tape At the Center of All Beauty: Solitude and the Creative Life and I’m swept away by the narration: “If the journey through our interior landscape is so critical to our characters, let us become more informed and responsible travelers. Let us start by turning off our phones and spending more time alone…with the red semaphore atop the cell tower blinking on, off, on, off, presence, absence, presence, absence. I bask in this lovely stream of words…thinking: This is why one becomes a monk: to cultivate in every moment presence to the beauty of the world…The spirit works with what she has at hand.

I tuck my earbuds away and walk.

It’s daybreak. Sunrise paints the sky, and the still water below her.

And yes, “soon enough, I was quiet too.”


Inspired by: “In all the mountains, / Stillness; / In the treetops / Not a breath of wind. / The birds are silent in the woods. / Just wait: soon enough / You will be quiet too.— Robert Hass, “After Goethe,” Time and Materials: Poems 1997-2005.
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