No Trade.

beach-walk

They were walking up the shoreline, Brother and Sister now in their early 20’s. The waves were lapping at their feet, their feet disappearing in sea foam before the waves rolled back into the ocean.

I’m wading through Herzog’s book, now 60% of the way through. My headphones are piping in a Nils Frahm playlist from his album “Felt“. I set the book down to watch them.

Rachel is doing a handstand on the beach while Eric is taking photos. I can see them laughing as she tries it again. They are Friends. All those years of fighting, squabbling and picking on each other in the back seat of the car…All those corrections by Mom and Dad to keep it civil…look at them, they’ve become Friends.

Just as they pass below me, as if on cue, the late afternoon sun streams through the clouds. A warm breeze gusts. And two Pelicans skim the ocean, gliding along with the wind currents.

Herzog said that “Today I would give ten years of my life if I could play the cello with the same ease as breathing. The finest music has a quality of consolation you find nowhere else, with perhaps the exception of religion or being in contact with small children.” 

I glance down at the playlist to see the title of Frahm’s track. It is titled “Less.”

I paused to contemplate Frahm’s tune and Herzog’s words.

Frahm got it half right. “Felt” yes. “Less” no.

As to Werner, I Iove the Cello, but I wouldn’t trade a single moment.

Not one.


SMWI*: Morning Jam with lil man


SMWI* = Saturday Morning Work-Out Inspiration. Source: Weighty Matters.

Mistakes made by the selves we had to be

white,photography,arms crossed

Do you have hope for the future? someone asked Robert Frost, toward the end.

Yes, and even for the past, he replied, that it will turn out to have been all right for what it was, something we can accept, mistakes made by the selves we had to be, not able to be, perhaps, what we wished, or what looking back half the time it seems we could so easily have been, or ought…

The future, yes, and even for the past, that it will become something we can bear.

And I too, and my children, so I hope, will recall as not too heavy the tug of those albatrosses I sadly placed upon their tender necks.

Hope for the past, yes, old Frost, your words provide that courage, and it brings strange peace that itself passes into past, easier to bear because you said it, rather casually, as snow went on falling in Vermont years ago.

~ David Ray, “Thanks, Robert Frost.”

 


David Ray, 82, was born in Sapulpa, Oklahoma. Ray comes from a broken home that was thrown into upheaval when his father left the family by hopping on the back of a watermelon truck headed to California. After his mother’s next failed marriage ended in the suicide of Ray’s stepfather, he and his sister Mary Ellen were placed into foster care—a system that wasn’t kind to young children in the late 1930s and early 1940s. Ray’s classic “Mulberries of Mingo” steeps from memories of he and his sister being thrown out of a foster families home at dinner time – to fend for themselves eating the mulberries from a neighbor’s tree. The years that followed were dark and tragic as he and his sister were separated to face their separate nightmares of abuse. He is a distinguished award winner, and has lectured and read at over 100 Universities in England, Canada and the U.S. Graduating from the University of Chicago, BA, MA. Ray’s poetry varies from short, three to four lines pieces, to longer 30 lines poems. His work is also often autobiographical, providing unique context and insight to scenes of childhood, love, fear, sex, and travel. “Communication is important to him, and he has the courage, working with a genre in which simplicity is suspect, to say plainly what he means.” He and his wife, poet and essayist Judy Ray, live in Tucson, Arizona.

Studs Terkel: David Ray’s poetry has always been radiant even though personal tragedy has suffused it.” Continue reading “Mistakes made by the selves we had to be”

Rachel: Your Dad was a wee bit ahead of his time…


The Huffington Post: Colbie Caillat Rallies Against Photoshop In ‘Try’ Music Video:

In her music video for “Try,” Colbie Caillat takes a stance against Photoshop. She starts off the video looking like (as MTV put it) “a cartoonized version of Mariah Carey in a Dove ad” and proceeds to un-Photoshop herself, ending the song as her natural, unedited self, alongside a wonderfully diverse set of women, who undergo the same transition.

“When I shot the first scene with no hair and makeup on in front of an HD camera in my face, flashed with bright lights, everyone was watching,” she told Elle. “I thought, ‘Oh my god, I bet they’re all looking at my blemishes, thinking that I should cover them up, or that I should put some volume in my hair.’ But it also felt really cool to be on camera with zero on, like literally nothing on. And then when it got to the full hair and makeup, I actually felt gross. I was just so caked on.”

[…]Take your make-up off
Let your hair down
Take a breath
Look into the mirror, at yourself
Don’t you like you?
Cause I like you


Thank you Liz.


Family Dinner

The Four Freedoms, Freedom from want

6:30 pm. Saturday evening. Family sits for dinner.

Susan is sitting to my right. A hummingbird, fluttering her wings, spreading honey.

Rachel to my left. Her boyfriend Andrew, next to her. Rachel’s jabbering on about her first week of full-time work. She’s coming down, down from the high of college graduation, and seeing the next 30 year highway of her life. Commuting. Work. Exhaustion. Weekends. Loop it back and hard again. (Is that the gratitude Bus Rachel has pulled up for her Mom & Dad?)

Eric, is down at the end of the table. He’s sneaking glances at his phone. I glare. He puts the phone back in his pocket.

Zeke’s laying under the table. Hoping for something, anything to hit the floor.

And there’s The King, at the head of the table. Fork in the right. Scepter in the left. (Surveilling the landscape. Inhaling it deep into the lungs. Same somber script running. Eagles and Peaceful Easy Feeling is playing. Sand racing through the hourglass. How many of these do we have left?)

“Dad, look at Eric’s guns.”
“Guns?”
“His biceps. They’re bigger than yours.”
I glance at Eric’s “guns.”
He looks down. And blushes. (Did I see a smirk?)
Continue reading “Family Dinner”