Why I Have Decided to Live (High School Student!)

Spoonfuls of moonlight. Cold air. Her knit blanket
tugging at my body to stay.
The fog resting on my shoulders, hugging me.
Summer rain through an open window.
Thunderstorms & how they change the world momentarily
unafraid, or even better, unaware of humans.
Because I left my country broken.
Because I saw the first reflection of myself in a candlelight vigil.
Because I was flickering.
Because we made promises.
Because I can keep trying & no one can stop me.
Peaches.
Stars.
Willow trees.
Acoustic music with a trembling voice.
The kinds of poems that give me shivers.
Trains to nowhere in particular.
Our sweat sweet bodies colliding on wet grass.
Her hands & the way they cradle my heart
as if holding something precious.
August night drives.
Singing along to “Riptide” & eating cherries out of buckets.
Because we promised to return.
To mend a broken thing.
How laughter colonizes the lungs.
To think of myself as something larger than myself.
Because I can love every small thing..

Kyo Lee, “Why I Have Decided to Live.” (Washington Post Book Club, April 12 2024). Kyo Lee, a student at the Laurel Heights Secondary School in Waterloo, Ontario, won first place in the international High School Writing Contest sponsored by the nonprofit literary publisher Narrative.  Entrants responded to the prompt: “My note to the world.”

Listen to Kyo read her poem here.

…before Monday arrives like a fist

 

this life gives us only so many hours
to share & how we share, i worry,
is wasteful-Sunday night & the tv on,
so we don’t look at each other.
on screen some reality tv stars
threaten to choke each other out.
my love, we are bad television,
happy as we are to hold hands
& eat greasy pizza together
during these small breaths
before Monday arrives like a fist.

Josè Olivarez, “Sunday Love” in “Promises of Gold” (Henry Holt & Company, February 14, 2023) (via Alive on All Channels)

Fifty years of sun and water. That is the price.

“In the dream, a man had cut down our fifty-year-old pistachio tree, Leila’s and my tree. In the dream, we had a pistachio tree. Fifty years old. That alone.

And so we were deciding what to do with this man, what his just punishment should be. I said something stupid about him owing us a year’s pistachio harvest, the cost of the tree. And then Leila said, in English:

“I do not care about the pistachios, Roya jaan. I do not care about the tree. He owes us the fifty years of sun, fifty years of water inside that tree. Fifty years of sun and water. That is the price.”

She said it in English. I woke screaming. English, fifty years of sun. I wept for a week. Separation from what you love best, that is hell. To be twice separated, first by a nation and then by its language: that is pain deeper than pain. Deeper than hell. That is abyss.”

Kaveh Akbar, Martyr!: A Novel (Knopf, January 23, 2024)


Notes:

  1. This man can write! Highly recommended.
  2. Amazon January, 2024 Book of the Month
  3. Book Review by Junot Diaz, NY Times, January 19, 2024: “A Death-Haunted First Novel Incandescent With Life. In “Martyr!,” the poet Kaveh Akbar turns a grieving young man’s search for meaning into a piercing family saga.
  4. Portrait Credit

Tell me about your sorrow

A somewhat obscure text, about 2,000 years old, has been my unlikely teacher and guide for the past many years, and my north star these last several months, as so many of us have felt like we’re drowning in an ocean of sorrow and helplessness.

Buried deep within the Mishnah, a Jewish legal compendium from around the third century, is an ancient practice reflecting a deep understanding of the human psyche and spirit: When your heart is broken, when the specter of death visits your family, when you feel lost and alone and inclined to retreat, you show up. You entrust your pain to the community.

The text, Middot 2:2, describes a pilgrimage ritual from the time of the Second Temple. Several times each year, hundreds of thousands of Jews would ascend to Jerusalem, the center of Jewish religious and political life. They would climb the steps of the Temple Mount and enter its enormous plaza, turning to the right en masse, circling counterclockwise.

Meanwhile, the brokenhearted, the mourners (and here I would also include the lonely and the sick), would make this same ritual walk but they would turn to the left and circle in the opposite direction: every step against the current.

And each person who encountered someone in pain would look into their eyes and inquire: “What happened to you? Why does your heart ache?”

Continue reading “Tell me about your sorrow”

Watch it.

…on Amazon Prime.

Movie Review on Robert Ebert.com