Happiness is…

hug-tree

Fall.
Naps.
Miami.
Spring.
Canada.
M*A*S*H.
Full moon.
Saturdays.
Snow Days.
Hot shower.
Maple trees.
Warm winds.
Orange Jello.
Family Dinner.
Blog followers.
House Finches.
Fleetwood Mac.
Morning Papers.
Haruki Murakami.
Zeke’s waggy tail.
Shiny black shoes.
Anything àla Mode.
Buttered Spaghetti.
Finishing a long run.
CBS Sunday Morning.
Netflix binge watching.
Milk Chocolate with nuts.
Rachel & Eric coming home.

~ DK


Photo: via Hidden Sanctuary

Running. Grounded by Stillness.

bird-mirror-introspection

15° F, feels like 5° F. Winter.

Gazing out the window with Haight: “How is it that the snow amplifies the silence…

Fox, with its long bushy tail, glances right furtively, tip toes through the snow and disappears.

Finches flutter to the feeders, feed, then flit away. Seeds darken the fresh snow below.

A shovel scrapes a driveway down the street, scarring the silence of the morning. Plows awaken in the distance, cold steel to asphalt, teeth on tin foil.

Oil heat courses through the veins of the house, warming. (Families, less than 50 miles away in the boroughs, huddle to warm, thermostats turned down, working to make budget.) [Read more…]

Saturday Morning

window-touch

Survival often depends on a specific focus: a relationship, a belief, or a hope balanced on the edge of possibility. Or something more ephemeral: the way the sun passes through the hard, seemingly impenetrable glass of a window and warms the blanket, or how the wind, invisible but for its wake, is so loud one can hear it through the insulated walls of a house.

~ Elisabeth Tova Bailey, “The Sound of a Wild Snail Eating

 


Photo: via Hidden Sanctuary

Monday Morning Wake-Up Call (Long Walk. Breathe Deep. Taste the Air.)

patty-maher-the-quiet-storm-photography

Take a long walk.
Breathe deep.
Taste the air.
Keep your eyes open.
Try not to think.
Wet your lips with your tongue.
Tilt your head slightly into the wind.
Separate the sound of a single stone
cracking under your boot.
Feel the difference in weight
between a milkweed seed and a blackbird’s feather.
Stray from the road on your way home
until you are waist high in wet corn.
Approach your house from the back.
Whistle for the dog with the white mark
like a crescent moon on his chest.
Look your children in the eyes when they speak to you,
and raise your eyebrows, and smile when they smile.
Notice your son’s mouth curves up on one side,
and his fingers are long and squared-off at the tips like his father’s.
Search your daughter’s right heel for the star-shaped scar
where they tapped her for blood when she was two days new.
Drop everything when your husband gets that soft, glazed look
and presses his palm into the small of your back.
Think to yourself how like the spreading roots
of a silver maple
are his hands.

Marcella Remund, How to Practice Poetry


Notes: Poem – The New Poetry. Photography: Patty Maher (The Quiet Storm)

Breathe, babe, breathe

eric-rose-sleeping

I knelt beside him. “Breathe, babe, breathe,” I said to him, little puffs accompanying each word…After running a bunch of tests they decided that John had…No heart attack, as they had first surmised.  All of that was pretty memorable. But what I remember the most vividly is this: later that day, I was driving the rental car down some minor highway, the snow surrounding us still, a house here and there, both John and Maya asleep, and I felt a soaring sense of euphoria. Not a hallucinogenic euphoria. It was an earthly euphoria, one of the most grounded feelings, in fact, that I can ever remember having.

This is my person. This is my baby. They are both safe, sleeping. This is the snow. These are my strong hands on the steering wheel. This is my life. This is all there is. And it is so fragile. And beyond enough.

It is these moments that we fear, these moments that are inevitable, that put us in touch with a proportionate sense of gratitude for just how lucky we are to live on this earth for even one day.

I’m not claiming that’s any consolation for the suffering — particularly for those who don’t get the comparatively gentle perspective borne of close calls, but the brutal realization of disease and death. I’m just acutely aware of how much more accurately we weigh our own small lives when we touch into just how vast and inevitable loss really is. Time slows down. Our senses are empowered. The sound of a peacefully sleeping person that you love becomes what it really is, the most sacred sound in the entire universe.

~ Courtney E. Martin, from The Shocking Clarity of Almost Losing it All (On Being, Dec 16, 2016)


Photo: Eric Rose

little tummy roll that has helpfully crept over the bottom of the iPad, so that it might help you type?

Anne Lamott, from a Facebook post on November 25, 2012:

Quickly, and probably with lots of typos: I am beginning to think that this body of mine is the one I will have the entire time I am on this side of eternity.

I didn’t agree to this. I have tried for approximately fifty years to get it to be an ever so slightly different body: maybe the tiniest bit more like Cindy Crawford’s, and–if this is not too much to ask–Michelle Obama’s arms. I mean, is this so much to ask? But I had to ask myself, while eating my second piece of key lime pie in Miami last Sunday, and then again, while sampling my second piece of Crete brûlée in Akron, if this is going to happen.

For the record, I do not usually eat like I do in hotels while I am on book tour. But I have a terrble sweet tooth and I am just not going to be spending much more of this and precious life at the gym, than I already do, which is at best, three times a week, in a terrible shirking bad attitude bitter frame of mind. I go for three one-hour hikes a week. I’m not a Lunges kind of girl.
And even if I were, I’m shrinking. I’m not quite Dr. Ruth yet, but I used to be 5’7, and now am–well, not.

But the psalmist says I am wonderfully and fearfully made. Now, upon hearing that, two days after Thanksgiving, don’t you automatically think that “fearfully” refers to your thighs, your upper arms, the little tummy roll that has helpfully crept over the bottom of the iPad, so that it might help you type? [Read more…]

Thanksgiving morn. House full of sleepers.

light-night-house-family

Quiet has many moods. When our sons are home, their energy is palpable. Even when they’re upstairs sleeping I can sense them, can feel the house filling with their presence, expanding like a sail billowed with air. I love the dawn stillness of a house full of sleepers, love knowing that within these walls our entire family is contained and safe, reunited, our stable four-sided shape resurrected.

~ Katrina Kenison, Magical Journey: An Apprenticeship in Contentment 


Notes: Photo: Mennyfox55

The Morning After…

red-hair-portrait-peace-jpg

Humble down,

I tell myself.

Love this.

~ Marjorie Stelmach, from “Divestments of Autumn,” Beloit Poetry Journal (vol. 67, no. 1, Fall 2016)

 


Notes: Poem Source: Memory’s Landscape. Photo: Mennyfox55

Trail Therapy: Watch. Just Watch.


Steve Fugate lost both his children–his son committed suicide, and his daughter overdosed. Sixty-four years old, Mr. Fugate has walked across the United States seven times to raise awareness for depression and suicide and to inspire people he meets to “love life.”

Stick with it to the end…This Man is something special.

Imagine an infant lying in its cradle, discovering its voice, purring and murmuring MMM to itself

leonard-bernstein

Bernstein reminded me that the word “education” is related to the Latin educere—“ to bring forth what is within”— and then added: “Though I can’t prove it, deep in my heart I know that every person is born with the love of learning. Without exception. Every infant studies its toes and fingers, and a child’s discovery of his or her voice must be one of the most extraordinary of life’s moments. I’ve suggested that there must be proto-syllables existing at the beginnings of all languages— like ma (or some variant of it), which, in almost every tongue, means mother— mater, madre, mère, mutter, mat, Ima, shi-ma, mama. Imagine an infant lying in its cradle, discovering its voice, purring and murmuring MMM to itself… […]

Whether teaching children or adults, Bernstein understood that loving and learning are inextricably linked, that real knowledge is a concomitant of the desire to know, and that music itself— a meeting of living creator and creative listener— is one of the most efficacious vehicles for teaching. As a conductor, Bernstein experienced the relationship between himself and his orchestra as that of a lover and his beloved. As he remarked at the conclusion of his 1955 Omnibus television broadcast “The Art of Conducting”:

“The conductor must not only make his orchestra play; he must make them want to play…. It is not so much imposing his will on them like a dictator; it is more like projecting his feelings around him so that they reach the last man in the second violin section. And when this happens— when one hundred men share his feelings, exactly, simultaneously, responding as one to each rise and fall of the music, to each point of arrival and departure, to each little inner pulse— then there is a human identity of feeling that has no equal elsewhere. It is the closest thing I know to love itself.”

~ Jonathan Cott, Dinner with Lenny: The Last Long Interview with Leonard Bernstein


Notes: Original Source – Brainpickings

%d bloggers like this: