Sunday Morning…

What does he remember best? Ah yes – a Sunday morning when he’s trying to have a lie-in, he needs sleep, all the sleep he can get, he’s been out on the fjord all night. He wakes from a dream, his boat is going down, the wheelhouse slowly filling with seawater; he’s at the bottom of the sea, he’s underwater, lying there helpless on his back, his face turned to the surface. Then he’s suddenly wide awake, one ear full of liquid, both girls sitting on top of him. Eli and Guro have brought a bottle of water into the bed; they giggle when they see his reaction. There is no happiness like this, a Sunday morning, with the early sun hanging above the mountains on the other side of the fjord, a light that settles over the bedclothes, over the floor, over his girls. He hears their breath, their laughter.

Frode Grytten, The Ferryman and His Wife. Translated from Norwegian to English by Alison McCullough. (Algonquin Books, November 18, 2025)


Notes:

  • Recommended.
  • Book Review by Eileen Garvin: Read This: The Ferryman and His Wife by Frode Grytten
  • Post Title & Inspiration: Aldous Huxley: “It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them.

Lightly Child, Lightly.

Are you okay, Dad? she asked.
Yes, he said. Will there be someone there to meet you?
Yes, Dad, there will.
Do you have money on you?
Yes, Dad.
Got your passport?
Yes, Dad.
Umbrella?
Yes, Dad.
Contraception?
Yes, Dad.
Do you love me? Yes, Dad.

Frode Grytten, The Ferryman and His Wife. Translated from Norwegian to English by Alison McCullough. (Algonquin Books, November 18, 2025)


Notes:

  • Recommended.
  • Book Review by Eileen Garvin: Read This: The Ferryman and His Wife by Frode Grytten
  • Post Title & Inspiration: Aldous Huxley: “It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them.

We all have that feeling, and then we come back to reality.

Andrew, can you end with a family-friendly joke? This was a Louis C.K. joke that Seinfeld told when they were doing a conversation — comedians on comedians. The joke is something like: You know, going on vacation with the family, I put the kids in the car seats. I put my wife in the car. Put the coffees in the coffee holder. I put the bags in the back. I close the trunk. I close my wife’s door. I close the kids’ door. And when I’m walking from my wife’s door to my door, that’s my vacation.

I know exactly the joke you’re talking about. I think about it constantly. It’s so good, and at its core you could say quite mean. That’s the beauty of a joke. It allows us to access these darker thoughts and emotions that we have: He loves his family, but in that moment, they’re safe, and I don’t have to deal with them. We all have that feeling, and then we come back to reality. And that’s what would be awesome: If people get that these things that we’re saying — it’s just what we feel in that little moment, and then we step back.

— Andrew Schulz, “‘Podcast Bro,’ Might Be America’s Foremost Political Journalist.” Interviewed by David Marchese. (NY Times, June 21, 2025)

Look for the human…

Her gesture then was as gracious as everything about her. Choose her well, she’d said. What words. I wanted someone exactly like her, just twenty years younger, which was how old she was when she stayed at my great-grandmother’s in Egypt after escaping Germany, when all the men in the house, having watched her play the piano in the living room, swore they’d lost their minds over her…She loved me and I loved her. Choose her well. No one would have said it in just that way, or found words so spare and quick to help dodge the heartrending elegy in her voice. She was the only person with whom I could discuss ideas—not academically, which is how so many professors pour notions into our heads, but ideas with a completely human dimension, which is what ideas are in the end, not lifeless slugs devoid of human features, but sentient figures of what we live with when we can’t even tell a feeling from a thought and can only sketch what is bound to miss the mark. Look for the human, she would say when she wasn’t asking me to think American—even if there’s no proof you’re right, look for the human. What a pleasure to spell out my thoughts with her, when she’d ask what did I think such-and-such an author was really, really thinking when he wrote that piece? Then, turning to music, she’d say, This was what Beethoven struggled with when composing this sonata. “Do I know this for sure?” she’d ask. “No. Do I have any proof? No. But am I right? Absolutely.” […]

As it turned out, Look for the human was what I never forgot. I passed it on to those who listened. It was, however, almost impossible for others to practice, having never met Flora.

André Aciman, Roman Year: A Memoir (Farrar, Straus and Giroux, October 22, 2024)


Notes:

  • DK Recommendation? Loved it!
  • Book Reviews
    • NY Times: “Roman Year“: An Exile Revisits the Squalor and Grandeur of 1960s Italy
      • Aciman evokes the passing of time in rich, meandering prose, rebuilding 1960s Rome in sentences suffused with light and sound and memories — the taste of an artichoke, the smell of bergamot and of Crêpe de Chine perfume. From the bewilderment of arrival, the young Aciman moves through denial toward a gradual acceptance of his new life. “Roman Year” is both an affecting coming-of-age story and a timely, distinctive description of the haunted lives of refugees.”
    • Guardian: Memento Amore

Monday Morning Wake-Up Call

The older I get, the less tolerance I have for affectation or insincerity in all things. It is why I am drawn closer to nature, family, and tradition. Give me the earnest, the true, the real.

— Ryan B. Anderson, @Old Hollow Tree, October 26, 2024


DK Photo. Sunrise. 7:32 a.m. October 27 2024. Cove Island Park, Stamford, CT.