I see no pressing reason to get out of bed.
The lights are off
and it is raining
and the covers are the cave I dreamed of when I was a child.
I see no pressing reason to get out of bed.
I was born in the afternoon of March 14, when a fault opened deep below Bucharest. The inky tips of seismographic recording needles trembled as the tectonic blow rolled through the Carpathians toward Kiev and Moscow, gradually receding. The face of the world was distorted, as if in a fun-house mirror: avalanches fell from mountains, asphalt roads buckled, railroad tracks turned into snakes. Flags shook on flagpoles, automatic guns rang out in arsenals, barbed wire across state borders broke under the strain; chandeliers in apartments and frozen carcasses in meat processing plants swung like metronomes; furniture on upper floors swayed and scraped. The thousand-kilometer convulsion of the earth’s uterus gave a gentle push to the concrete capsules of missile silos, shook coal onto the heads of miners, and lifted trawlers and destroyers on a wave’s swell.
My mother was in the maternity ward, but her contractions had not started. The tectonic wave reached Moscow, shook the limestone bedrock of the capital, ran along the floating aquifers of rivers, gently grasped the foundations and pilings; an enormous invisible hand shook the skyscrapers, the Ostankino and Shukhov towers, water splashed against the gates of river locks; dishes rattled in hutches, window glass trembled. People called the police—“ our house is shaking”—some ran outside, others headed straight for the bomb shelters. Of course, there was no general panic, but this was the first time since the German bombing that Moscow reeled …
Mother worked at the Ministry of Geology and was part of a special commission that studied the causes and consequences of natural disasters…When the maternity ward was shaken by a gentle wave from the center of the earth, my mother was the only person to understand what was happening, and the unexpectedness of it, the fear that the earth’s tremor had pursued her and found her in the safety of Moscow and induced her into labor. The earthquake was my first impression of being: the world was revealed to me as instability, shakiness, the wobbliness of foundations. My father was a scholar, a specialist in catastrophe theory, and his child was born at the moment of the manifestation of forces that he studied, as he lived, without knowing it, in unison with the cycles of earth, water, wind, comets, eclipses, and solar flares, and I, his flesh and blood, appeared as the child of these cycles.
Cameron Hicks: “This was my family’s outgoing message on our answering machine from 1993 up until we got rid of our land line a few years ago. My dad wanted to save the recording of my sister, Jodie, and I as kids so he digitized it and gave it to us. I decided to animate to the recording and give it to Jodie as a birthday present. It wound up taking longer to finish than I expected so it became a Christmas present. I missed that deadline too. Nevertheless, it’s dedicated to her.”
Cam – We’re not home right now, but we’ll be back real soon.
Dad – Right, so leave your name and number and we’ll get back to ya. Thanks for calling!
Jodie – I wanna talk!
Dad – Okay.
Jodie – Goodnight.
“A child scrapes the leftovers from his meager lunch at a refugee camp in Kutupalong, Bangladesh. More than a million Rohingyas, originally from Myanmar, are living without basic amenities in government camps like Kutupalong.”
Source: Sushavan Sandy, Nurphoto, Zuma Press, February 21, 2017, wsj.com
Millions of views since it was published in January 2016. Not sure how I missed this one. Bravo!
Thank you Eric
There are certain pictures I can never take. We turn on the TV and are smothered with cruelty and suffering and I don’t need to add to it. So I just photograph peaceful things. A vase of flowers, a beautiful girl. Sometimes, through a peaceful face, I can bring something important into the world.
~ Edouard Boubat, (1923–1999), a French photo journalist and art photography said in an interview in Paris in 1991
Edouard Boubat, one of France’s most celebrated postwar photographers who was best known for his poetic images of children… Mr. Boubat traveled widely during a career that lasted almost 50 years, but unlike many photographers of his generation he showed no interest in political events. His rule, ”no bodies, no blood, no war,” even earned him the nickname of peace correspondent…Rather, what attracted him was the beauty of life, wherever he found it. He liked photographing women, animals, trees and nature as well as children, and his use of light gave his work a special quality. Invariably the emotion evoked by his images is tenderness, as in one of his most popular photographs, ”La Petite Fille aux Feuilles Mortes.” ‘There is something instinctive about the moment you choose to ‘take’ a photograph,” he once explained. ”It’s not the result of thought or reflection. The strength of the composition is always born of the instant of the decision. It reminds me of archery. There is the tension of the bow and the free flight of the arrow.”¹
Boubat is known to capture people in their own private worlds, whether that was lovers embracing, or children daydreaming. He shows the empty moments of life and exalt the happiness in those moments.
Boubat is often described as a ‘humanist’ photographer because of his ability to capture the beauty and dignity of his subjects. This is one of his most famous pictures, “Remi Listening to the Sea”, a portrait of a little boy holding a sea shell up to his ear and, with eyes closed, quietly listening to the sound of the ‘sea’.²
- Photograph taken by Edouard Boubat in 1995 titled “Remi Listening to the Sea” (via flyeschool.com)
- Quote: Thank you Beth @ Alive on all Channels
- ¹NY Times: Boubat, Photography with Poetic Eye for Children, 75
- ²Source: Veronika Wesenberg
Source: Julian Stratenschulte via wsj.com. A boy jumps into a swimming pool in Hanover, Germany.
They are attentive parents, building nests, feeding chicks and even showing their young how to sing.
Tally up the good dads and the bad dads in the animal world, and mammals come up surprisingly short. Males provide direct care of their young in less than 5% of mammal species. Some mammals, like grizzly bears, are notoriously bad dads, known to kill their own cubs…most mammal fathers are deadbeats with a “love ’em and leave ’em” approach, sticking around only to mate.
Then there are birds. For our avian friends, attentive care of the young by both males and females is the norm. True, females shoulder the full parenting load in a few avian families, such as hummingbirds. But in some 90% of bird species, the males stay around to help: They share the duties of nest-building, incubate eggs, feed brooding females and the chicks, even train their young for independent life. Birds, in short, have a system of parenting not unlike our own, despite being separated from us by some 300 million years of evolutionary history…
How could creatures whose brains are so much smaller than ours and so different from them possibly be clever? …In the past two decades or so, we’ve learned that some species of birds have relatively large brains for their body size, just as we do…Birds teach. They learn. They solve problems. They make tools. They count. They remember where they put things. They deceive and cheat. They argue and console.
And they parent—most often together, with an equitable division of labor between nest and “office.” Many birds share incubation duties. Male and female double-crested cormorants swap that role about once an hour, so that the stay-at-home parent gets a chance to forage for itself. Woodpeckers relieve one another during the day, but the male alone incubates at night.
Some male birds go to extraordinary lengths not just to find food for their young but to participate in the actual feeding. The anhinga, or snakebird, which is found in the southern swamplands of the Americas, puts his whole mouth and neck into it, creating a kind of feeding tube to efficiently deliver partially digested fish down the throats of his young. (The chicks are soon shoving their heads down their dad’s beak to speed up the process.)
The Namaqua sandgrouse, which lives in the driest regions of southern Africa, acts as a living flask for his brood: A male bird flies up to 20 miles to find a watering hole in which to soak his belly feathers, absorbing a few tablespoons of water—then flies back to his chicks to let them drink from his feathers… [Read more…]