Tag: hands

Miracle? All of it. 

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hands-legs-sand-black-and-white

I wish to raise my hand. Well, I raise it. But who raises it? Who is the “I” who raises my hand? Certainly it is not exclusively the “I” who is standing here talking, the “I” who signs the checks and has a history behind him, because I do not have the faintest idea how my hand was raised. All I know is that I expressed a wish for my hand to be raised, whereupon something within myself set to work, pulled the switches of a most elaborate nervous system, and made thirty or forty muscles — some of which contract and some of which relax at the same instant — function in perfect harmony so as to produce this extremely simple gesture. And of course, when we ask ourselves, how does my heart beat? how do we breathe? how do I digest my food? — we do not have the faintest idea.

~ Aldous Huxley, The Divine Within

Post title inspired by Albert Einstein’s quote: “There are only two ways to live your life. One is as though nothing is a miracle. The other is as though everything is a miracle.”

Notes: Photo – Maiyet. Quote: Brain Pickings

 

Foot Soldiers

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shoe-shine-hand

“Finding unexpected beauty in the hands of shoe shiners”

This hand: German Orellana, 55, Ecuador.
Photographs by Christopher Griffith.

Don’t miss photos of 15 other NYC shoe shiners in The New York Times Magazine: Shoe Shine Slideshow

Nothing passed unnoticed or unhonored

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Most of us do not live a life of monastic rigor. Our days are full of jagged edges and jangling moments. But most of us do have quiet routines that inform our lives. We rise each morning and greet our day in the same fashion. A first cup of coffee, a glance at the paper, a certain way we bathe and prepare for our entry into the day — these do not change. They are the rituals by which we shape our days. But we do not value them as rituals. To us they are the ordinary — sometimes comforting, sometimes mind-deadening — activities that give a familiar sameness to our life. Far from honoring them, we pay them no heed. We see them as routines, not as paths to awareness. My time in the monastery taught me otherwise. To be sure, the monks lived a life of deep sacramentality and prayer, and that was the true source of their spiritual vision. But the mindful practice of their spiritual exercises spilled over into the way they carried on their daily affairs. They were present to nuance, aware of the space around events. A cup of tea, a meal partaken, a moment shared with another — all commanded their absolute focus. They had tuned their spirits to a fine and subtle sensitivity, and nothing passed unnoticed or unhonored.

~ Kent Nerburn, Of Coffee Mugs and Monks in Small Graces: The Quiet Gifts of Everyday Life (New World Library. 2010)

Notes:

Those nagging what ifs

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hands-black-and-wife-resignation

Everyone who gives up a serious childhood dream — of becoming an artist, a doctor, an engineer, an athlete — lives the rest of their life with a sense of loss, with nagging what ifs. […]

Only a very few loves can disappoint you so fundamentally that you feel you’ve lost yourself when they’re gone. Quitting music wounded me as deeply as any relationship in my life. It was my first great loss, this innocent, awkward failure to live with what I heard and felt. For more than ten years I avoided music. It hurt too much. My anger went as deep as my love had gone. I suppose this is natural. In the aftermath of something so painful, we subsist on bitterness, which sustains us against even greater loss.

~ Glenn Kurtz in Practicing: A Musician’s Return to Music

Photo: By Majewska via banishedagain

Work: Pull like water buffalo

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black and white,photography

The people I love the best
jump into work head first
without dallying in the shallows
and swim off with sure strokes almost out of sight.
They seem to become natives of that element,
the black sleek heads of seals
bouncing like half-submerged balls.

I love people who harness themselves, an ox to a heavy cart,
who pull like water buffalo, with massive patience,
who strain in the mud and the muck to move things forward,
who do what has to be done, again and again.

I want to be with people who submerge
in the task, who go into the fields to harvest
and work in a row and pass the bags along,
who are not parlor generals and field deserters
but move in a common rhythm
when the food must come in or the fire be put out.

The work of the world is common as mud.
Botched, it smears the hands, crumbles to dust.
But the thing worth doing well done
has a shape that satisfies, clean and evident.
Greek amphoras for wine or oil,
Hopi vases that held corn, are put in museums
but you know they were made to be used.
The pitcher cries for water to carry
and a person for work that is real.

~ Marge Piercy, To Be Of Use

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