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Riding Uptown. In Soft Rain.

July 13, 2019 by 34 Comments

3:25 pm. I step out of 111 Wall Street, downtown Manhattan.
30 min to get to midtown. Tight.
Rain sprinkles.
Uber: “Car unavailable at this time.” Wow.
I walk up the block to the intersection.  Look in all directions. No cabs. Please.
Walk up another block. Nothing.
Walk across the street. Nothing.
Walk across another street, and he rounds the corner, my right arm flies up. Bam.

“525 5th please…”
He doesn’t repeat it. Did he get it?
He has no smartphone. No GPS. No smart re-routing around traffic.
24 minutes.

No radio blaring. No TV screen behind front seat shouting ads.
No water bottle or coffee cup on console.
No crucifix on thin chain hanging from rearview mirror. No patron saint. No Jesus Saves.
No pics of loved one(s) on dash.
No ring on his finger. None on his ear or his nose.
No sunglasses on visor. No eyeglasses.
No NY Post on the seat.
No box of Kleenex or NY Mets baseball cap in door pocket.
12 min and 3 miles out. [Read more…]

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Saturday Morning

June 22, 2019 by 18 Comments

The Saturday morning meadowlark
came in from high up
with her song gliding into tall grass
still singing. How I’d like
to glide around singing in the summer
then to go south to where I already was
and find fields full of meadowlarks
in winter. But when walking my dog
I want four legs to keep up with her
as she thunders down the hill at top speed
then belly flops into the deep pond.
Lark or dog I crave the impossible.
I’m just human. All too human.

~ Jim Harrison, from “Solstice Litany” in Dead Man’s Float

Notes: Poem Source – Thank you Hammock Papers. Photo: Pixabay

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Sunday Morning: Invocation

February 24, 2019 by 37 Comments

Architect of icebergs, snowflakes,
crystals, rainbows, sand grains, dust motes, atoms.

Mason whose tools are glaciers, rain, rivers, ocean.

Chemist who made blood
of seawater, bone of minerals in stone, milk

of love. Whatever

You are, I know this,
Spinner, You are everywhere, in All The Ever-
Changing Above, whirling around us.

Yes, in the loose strands,
in the rough weave of the common

cloth threaded with our DNA on hubbed, spoked
Spinning Wheel that is this world, solar system, galaxy,

universe.

Help us to see ourselves in all creation,
and all creation in ourselves, ourselves in one another.

Remind those of us who like connections
made with similes, metaphors, symbols
all of us are, everything is
already connected.

Remind us as oceans go, so go we. As the air goes, so go we.
As other life forms on Earth go, so go we.

As our planet goes, so go we. Great Poet,
who inspired In The Beginning was The Word . . . ,

~ Everett Hoagland, from “Invocation” in Ghost Fishing: An Eco-Justice Poetry Anthology (University of Georgia Press, 2018)

Notes: Poem via 3 Quarks Daily. Photo: coolultramodernesolitude (via Newthom)

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Running. With Half Pass.

October 12, 2018 by 27 Comments

feet

Iron couplers connect railcars. One to the next, to the next. Synchronicity? Baader-Meinhof Phenomenon?

Terri Gross interviews Leonard Cohen‘s Son, Adam, on a NPR: Fresh Air podcast titled “Leonard Cohen The Poet, Writer, And Father where he talks about his Father: “He was preoccupied with the brokenness of things, the asymmetry of things, as he says forget your perfect offering…or as in his song Anthem…Ring the bells that still can ring, forget your perfect offering. There is a crack in everything. That’s how the light gets in.”

I turn the page in Haruki Murakami’s new novel Killing Commendatore and the title of Chapter 4 flashes and sticks: “From a Distance, Most Things Look Beautiful.”

I’m running to Stamford Cove Park. Off in the distance, a man grips three leashes, two small, white dogs of the same breed on his left (Rat Terriers?), and a larger Mix (Rescue?) on the right.

I approach.

I’m drawn to Mix. All four legs move sideways and forward, a Half Pass dressage. A defect. I slow to follow the pack from a few yards back, the Terriers pull on the leashes, the mix struggles to keep up.

The Mind calls up a passage by Tom Hennen that I came across earlier in the week: “I am struck by the otherness of things rather than their sameness. That each thing on earth has its own soul, its own life, that each tree, each clod is filled with the mud of its own star.” [Read more…]

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Truth

July 3, 2018 by 18 Comments

Kevin Huizenga (via Austin Kleon)

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Walking Cross-Town. With an unsorted heap.

April 28, 2018 by 53 Comments

Hampl is not far from this mind. Hampl was there on my train ride to the city on Thursday and there with me as I walked across Manhattan to the office. And Hampl’s here with me today, early Saturday morning, as I sit in darkness, in silence, but for the tapping of keys, with birdsong easing through the open window bringing in the dawn.

Life is not a story, a settled version. It’s an unsorted heap of images we keep going through, the familiar snaps taken up and regarded, then tossed back until, unbidden, they rise again, images that float to the surface of the mind, rise, fall, drift—and return only to drift away again in shadow. Call them vignettes, these things we finger and drop again into their shoebox.

He shifted his legs as I took the empty seat across from him. Early 30’s. Two to three day beard. He smiled offering me “Good morning.” I’m settling in. How startling it is to be greeted with a ‘good morning’, a smile, a greeting on a morning commute. 

She was on the right side of 50. Anxious. She had to go. I mean really Go. She paced in front of the toilet. It was occupied. She knocked on the door. She knocked again. She stepped back and stood in the vestibule, waiting. She lifted her right foot, and then her left, and quickly repeated the sequence. She then grabbed her mid section and grimaced. She walked back to the toilet and knocked on the door again. [Read more…]

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Think of somebody who you adore, who’s no longer here.

November 14, 2017 by 28 Comments

I’m listening (half listening) to this NPR podcast titled How Art Changes Us and half surfing.

I pause when I hear a familiar voice.  It’s Benjamin Zander, the conductor of the Boston Philharmonic.

For the next 10 minutes, he has my full attention.

So here’s the instructions:

  1. Listen to 10 minutes (from 40:22 to 50:40) of this podcast How Art Changes Us and then,
  2. For the next 4 minutes (from 12:35 to 16:45), watch this Ted Talk: “The Transformative Power of Classic Music“.

Or if you don’t have 14 minutes, jump Step 1 and move to Step 2.

And here’s a few excerpts that lead into the punch line:

Q: When can you remember a time when you played music for somebody and it had a profound change on what was going on around them?

Benjamin Zander: It’s hard for me to remember a time when I played music when it didn’t have that effect on people because that’s the given. I consider music to be a transformational experience. Mendelssohn said that music is a much more precise language than words. And when you think how easily we misunderstand words, and God knows there is enough evidence of that at this time. Music speaks directly to the heart. It speaks through the molecules. It is irresistible…

All the emotions that human beings are capable of feeling can be represented in music. It’s the music that generates the emotion that releases the human experience. It doesn’t go through the brain. It goes through the molecules…

It’s one thing to hear it in your earphones alone. It is quite another to hear it in a concert hall with 2000 other people who are all experiencing it together, and whose reaction and spontaneous enthusiasm at the end is part of the experience…

And on a tour, when you go from one town to another, you have the sense that people come out of the concerts with a different feeling about life, with a different perspective and with a different sense of being. And that’s why we do it and keep doing it and keep doing it. And as I approach my 80th birthday I have no intention to stop doing it at any point. It’s my life blood. That’s where I get my joy from. It’s the sense that people’s lives are really transformed.

Q: You play this piece by Chopin, but first you ask everyone to do something.

Zander: Yes. “Would you think of somebody who you adore, who’s no longer there. A beloved grandmother. A lover. Somebody in your life who you love with all your heart. But that person is no longer with you. Bring that person into your mind and at the same time follow that long line from B to E and you’ll hear everything that Chopin had to say.

(Now for the next 4 minutes from 12:35 to 16:45, watch this Ted Talk: “The Transformative Power of Classic Music“)

Photo of Benjamin Zander

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And what was so beautifully . . . what is the word? . . “comforting” about what happened every day

August 29, 2017 by 32 Comments

Now she is 63. What I want to know is: What does 63 know that 44 didn’t? She pauses for a long time. “In your 40s, you’re coming into it, you’re intellectualizing things, and you kind of know it and you feel it,” she says. “But there is a deepening and a broadening and quickening of the knowing that happens in your 50s. Maya Angelou used to say to me, ‘The 50s are everything you’ve been meaning to be.’ She looks at me over the top of the nerd-chic glasses she favors these days. “You’d been meaning to be that person.” She laughs. “By the time you hit 60, there are just no . . . damn . . . apologies. And certainly not at 63. And the weight thing that was always such a physical, spiritual, emotional burden for me—no apologies for that either.”

Interviewing people who interview people for a living presents a special challenge: They know what you’re up to. You feel as if you’re being quietly judged. Not with Oprah. Once she’s committed, once she’s present, there is a kind of flow and trust that develops on the spot. Oprah, by her count, has interviewed more than 37,000 people during her 25 years of doing the The Oprah Winfrey Show in Chicago. When I ask her if there is one big takeaway, she says, “Absolutely. There’s not a human being alive who doesn’t want—in any conversation, encounter, experience with another human being—to feel like they matter. And you can resolve any issue if you could just get to what it is that they want—they want to be heard. And they want to know that what they said to you meant something. Most people go their entire lives and nobody ever really wants the answer to ‘How are you? Tell me about yourself.’ And what was so beautifully . . . what is the word? . . comforting about what happened every day on the Oprah show is that people would dress up like they were going to church. Sometimes I would notice somebody and I would say, ‘Oh, wow, that’s a really pretty green dress.’ And she would go: ‘I wore it for you! I knew you would notice me!’ People just want to be seen; they want to be validated.”

~ Jonathan Van Meter, from Oprah Winfrey Is On a Roll (Again) in Vogue, August 15, 2017

Portrait of Oprah by Annie Leibovitz, Vogue, September 2017 titled: “Like a Prayer.” “I have no angst, no regret, no fear,” Oprah says.

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I am always wondering if there’s something holy between people, a formless thing, something that can’t be bruised

July 2, 2017 by 15 Comments

Monique Passion, Secret

I keep wondering what, in me, might be constant. I catch myself looking for that remainder, retracing my steps as if in search of lost keys. I am always wondering if there’s something holy between people, a formless thing, something that can’t be bruised… But maybe I really did sense something vague and holy in others’ eyes, something sacred in crowds, in a bus of people staring out their windows, watching life. There should be a middle ground between believing in a certain god and believing that some mysterious third substance was between people. Like churches, I thought, there should be a place for people who just weren’t sure. There should be a place for people who see something but won’t dare say what it is. Maybe there’s something, something between people that is more than air and empty space, something holy in that nothing between one face and another.

~ Catherine Lacey, from “The Answers: A Novel” (Farrar, Straus and Giroux, June 6, 2017)

Art: Monique Passicot, “Whispers“, 1991, colored pencil / graphite, 10x7in (via Hidden Sanctuary)

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She suggests a minimum of one hour of sustained gaze (Right! Errata, 1 min?)

April 30, 2017 by 39 Comments

“Try not to blink,” says the performance artist Marina Abramovic. “The more you blink, the more you think.” In the spring of 2010, Abramovic spent over 700 hours looking into the eyes of more than 1,500 visitors to the Museum of Modern Art. Many wept openly. Sometimes Abramovic cried, too. To really experience the power of eye contact, she suggests a minimum of one hour of sustained gaze.

Place two chairs three and a half feet apart, and sit facing someone. Do not talk or touch. Focus your eyes between that person’s brows, so that you can see both pupils simultaneously. Don’t look away. Eye contact elicits avoidance behavior in many species, but humans are exquisitely attuned to it. Even newborns will look longer at people staring straight at them than they will at those with averted eyes…

To really see — and feel connected to — someone, you need to be still in mind and body. Start by slowing your breath until it is “almost unnoticeable,” Abramovic says. You’ll undergo all manner of discomfort during your encounter, including sore muscles, dry eyes and niggling thoughts. Don’t dwell on them.

Abramovic thinks a scarcity of eye contact is crippling modern culture. While we need to look at our loved ones more, she says that gazing into the eyes of strangers is potentially more transformative, what she calls “one of the most powerful experiences you can have.”…

Prepare for a rush of emotion. Abramovic felt surges of profound tenderness during the months she spent locking eyes with anyone who wanted to sit across from her. “I felt their loneliness and pain,” she says. “My heart was bursting.”

~ Malia Wollan, from How to Make Soulful Eye Contact (NY Times, April 28, 2017)

Notes:

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