Monday Morning Wake-Up Call

As I sit alone with these words, I think about how brave he was in so many ways, and how brave he was to go into that studio every day with his demons and his angels, and labor to put them on canvas. Nulla dia sine linea, No day without a line, is the motto at the Art Students League, from Pliny the Elder, derived from the Greek painter Apelles. The devotions.

— Elizabeth Alexander, “The Light of the World: A Memoir.


Elizabeth Alexander was married to Ficre Ghebreyesus from 1997 until he died unexpectedly in 2012 days after his 50th birthday. Her memoir, “The Light of the World” is a story of her loss and her love.  The painting above was Ficre Ghebreyesus’ Middle Passage Figures with Solitary Boats (c. 2002–2007) (detail). Acrylic on canvas. 24 x 30 inches; 26.5 x 32.5 x 2 inches.

Costanza: “Jerry, just remember, it’s not a lie if you believe it.”

jerry-seinfeld

 

Q: You and Larry David wrote Seinfeld together, without a traditional writers’ room, and burnout was one reason you stopped. Was there a more sustainable way to do it? Could McKinsey or someone have helped you find a better model?

JS: Who’s McKinsey?

Q: It’s a consulting firm.

JS: Are they funny?

Q: No.

JS: Then I don’t need them. If you’re efficient, you’re doing it the wrong way. The right way is the hard way. The show was successful because I micromanaged it—every word, every line, every take, every edit, every casting. That’s my way of life.

~ Daniel McGinn, Life’s Work: An Interview with Jerry Seinfeld (HBR, Jan-Feb 2017)


Blog Post Title Credit: The Independent – Seinfeld at 25: The Show’s Best Quotes

Bonus Quote: Jerry Seinfeld: “You know the message you’re sending out to the world with these sweatpants? You’re telling the world, ‘I give up. I can’t compete in normal society. I’m miserable, so I might as well be comfortable.’

His commitment, full, all his molecules

If you were a fan of comedian Chris Farley, I highly recommend the new documentary on his life titled: I Am Chris Farley. The trailer above gives you a snapshot.  The quotes below are a few of my favorite testimonials from the film.

Mike Myers: “I was very influenced by his commitment, full, all his molecules, and anybody around him’s molecules, pulled into his performance.”

David Spade & Lorne Michaels: “Because everyone can fall down and whatever, but you can’t do it this good. He doesn’t put his hands up, which is what I would do. So he doesn’t block his fall, and you can’t do those forever. I think Chevy Chase warned him not to do that.  Because Chevy’d always had something there just before he fell so he could break the fall, but Chris was just taking it as paid. He wasn’t paying close enough attention to see that there was a way you could do it and not hurt yourself. His commitment was total.”

Bob Saget: “Then at one point there was a little fluffa that happened. There was a line that got skipped, and I just like pushed his glasses up and his eyes crossed. It was this delicate moment that made me very happy.  He came from that background where you pull everybody up – that you are there for everybody. You don’t leave anyone hanging. So when you are working with him, he was right there, helping you.  “Come on buddy”, you know, and that kind of thing.”

For a film review by Variety.com: “Film Review: I Am Chris Farley


Here it is. The Beacon. For us. The Amateurs.

write-writing-black-and-white

A paragraph from Lucas’ first chapter, “The Value of Style,” will suffice to render his point of view, with its fine sense of perspective and proportion, plain: It is unlikely that many of us will be famous, or even remembered. But not less important than the brilliant few that lead a nation or a literature to fresh achievements, are the unknown many whose patient efforts keep the world from running backward; who guard and maintain the ancient values, even if they do not conquer new; whose inconspicuous triumph it is to pass on what they inherited from their fathers, unimpaired and undiminished, to their sons. Enough, for almost all of us, if we can hand on the torch, and not let it down; content to win the affection, if it may be, of a few who know us and to be forgotten when they in their turn have vanished. The destiny of mankind is not governed wholly by its “stars.”

~ Joseph Epstein, A Literary Education and Other Essays


Photo: Lachlan von Nubia

 

30 years. 1 stop. Bravo!

Lucy-Kellaway

Lucy Kellaway’s Thirtieth Anniversary, Financial Times:

For the past 30 years I have been pitching up to work at the same place, week in, week out, interrupted only by a succession of maternity leaves – all of which are now in the distant past…There is something mildly shameful about being almost the longest-serving journalist on the newspaper…

But last Thursday I cycled into work in the early morning sun, making a journey I’ve made many thousands of times before, and as I passed St Paul’s Cathedral I found myself feeling not only unstale, but borderline joyful… When I got to the office on impulse I fired off an email to the entire newspaper inviting them to eat cake with me that very afternoon – and soliciting reflections on what 30 years’ service means.

Loyalty – mixed with stupidity, one colleague replied. Wrong, I thought…

Narrow, suggested another…

A third colleague, also a long-timer, complained that staying in the same place meant getting dragged down by politics and that old grievances fester. Possibly; though I see it the other way round. Long service has cut me adrift from politics and has meant I don’t have to waste time working out who is trustworthy and who isn’t, as I know that already. Continue reading “30 years. 1 stop. Bravo!”