Walking Cross-Town. On A Golden Autumn Day.

Steamy-Grates-walking-winter

I’m on the 5:40 am train to Grand Central.
I dose through most of the ride in.
The throngs spill out into Manhattan.

It’s 15° F, but feels like 0°.
Frigid wind gusts rush through the concrete canyons, whistling as they pass by.
Salt is gnawing on snow and ice.
Steam from underground tunnels billows out of steel grates and evaporates into air.
Now you see it, now you don’t.

The streets are beginning to stir.
Cabs. Delivery trucks. Construction workers.

I’m marching cross-town on 48th.
Headphones in. Playlist set to “My Top Rated.”

Gloves on.
Ear lobes are tingling, frost-bite workin’.
No hat. Can’t mess what hair I have left.

The wind shocks the corneas, my eyes water.
I see him a block away. A mirage.
I wipe my left eye.

It’s the legs I notice first.
They are suspended.
Swinging wildly, jointless.

I’m closing in.
Forearm crutches. Not one. Both arms.
He leaning in.
Right. Left. Right. Left. Right. Left.

I’m 30 feet away.
Continue reading “Walking Cross-Town. On A Golden Autumn Day.”

Take Grit (low bar)

grit and abrasiveness chart


The Power of One lives on…

Bryce Courtenay died yesterday. He was the author of one of my favorite books: The Power of One.  The Guardian writes the following about Courtenay:  He was born into poverty in South Africa and studied journalism in London.  He started writing late in life after a 30-year career in advertising.  He was known for his dedication to work and prolific output, often writing for 12 hours a day and usually producing one new book at year.  This short < 1 minute clip was produced by Courtenay a few days ago before he died.  Take a moment and watch…it is inspiring and moving.

And here are two of my favorite passages from “The Power of One“: Continue reading “The Power of One lives on…”

Tchaikovsky: We must always work…

“Do not believe those who try to persuade you that composition is only a cold exercise of the intellect. The only music capable of moving and touching us is that which flows from the depths of a composer’s soul when he is stirred by inspiration. There is no doubt that even the greatest musical geniuses have sometimes worked without inspiration. This guest does not always respond to the first invitation. We must always work, and a self-respecting artist must not fold his hands on the pretext that he is not in the mood. If we wait for the mood, without endeavouring to meet it half-way, we easily become indolent and apathetic. We must be patient, and believe that inspiration will come to those who can master their disinclination.

A few days ago I told you I was working every day without any real inspiration. Had I given way to my disinclination, undoubtedly I should have drifted into a long period of idleness. But my patience and faith did not fail me, and to-day I felt that inexplicable glow of inspiration of which I told you; thanks to which I know beforehand that whatever I write to-day will have power to make an impression, and to touch the hearts of those who hear it. I hope you will not think I am indulging in self-laudation, if I tell you that I very seldom suffer from this disinclination to work. I believe the reason for this is that I am naturally patient. I have learnt to master myself, and I am glad I have not followed in the steps of some of my Russian colleagues, who have no self-confidence and are so impatient that at the least difficulty they are ready to throw up the sponge. This is why, in spite of great gifts, they accomplish so little, and that in an amateur way.”

Pyotr Ilyich Tchaikovsky


Source: Brainpickings.  Tchaikovsky, the legendary composer, wrote this in a letter to his benefactress, Nadezhda von Meck, dated March 17th, 1878.  It can be found in the 1905 volumeThe Life & Letters of Pete Ilich Tchaikovsky.

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