I don’t care for Opera. Watch it anyway…


Panned by the critics. Watch it anyway….

You are no longer the same after experiencing art.

Recently, while browsing in the Museum of Modern Art store in New York, I came across a tote bag with the inscription, “You are no longer the same after experiencing art.” It’s a nice sentiment, I thought, but is it true? Or to be more specific: Does consuming art, music, literature and the rest of what we call culture make you a better person?

Ages ago, Aristotle thought it did, but these days a lot of people seem to doubt it. Surveys show that Americans are abandoning cultural institutions. Since the early 2000s, fewer and fewer people say that they visit art museums and galleries, go to see plays or attend classical music concerts, opera or ballet. College students are fleeing the humanities for the computer sciences, having apparently decided that a professional leg up is more important than the state of their souls. Many professors seem to have lost faith too. They’ve become race, class and gender political activists….

And yet I don’t buy it. I confess I still cling to the old faith that culture is vastly more important than politics or some pre-professional training in algorithms and software systems. I’m convinced that consuming culture furnishes your mind with emotional knowledge and wisdom; it helps you take a richer and more meaningful view of your own experiences; it helps you understand, at least a bit, the depths of what’s going on in the people right around you…

I’d argue that we have become so sad, lonely, angry and mean as a society in part because so many people have not been taught or don’t bother practicing to enter sympathetically into the minds of their fellow human beings. We’re overpoliticized while growing increasingly undermoralized, underspiritualized, undercultured.
The alternative is to rediscover the humanist code. It is based on the idea that unless you immerse yourself in the humanities, you may never confront the most important question: How should I live my life? …

I went to college at a time and in a place where many people believed that the great books, poems, paintings and pieces of music really did hold the keys to the kingdom. If you studied them carefully and thought about them deeply, they would improve your taste, your judgments, your conduct…

The hard sciences help us understand the natural world. The social sciences help us measure behavior patterns across populations. But culture and the liberal arts help us enter the subjective experience of particular people: how this unique individual felt; how this other one longed and suffered. We have the chance to move with them, experience the world, a bit, the way they experience it.

Mark Edmundson teaches literature at the University of Virginia and is one of those who still lives by the humanist code. In his book “Why Read?” he describes the potential charge embedded in a great work of art: “Literature is, I believe, our best goad toward new beginnings, our best chance for what we might call secular rebirth. However much society at large despises imaginative writing, however much those supposedly committed to preserve and spread literary art may demean it, the fact remains that in literature there abide major hopes for human renovation.”

Wouldn’t you love to take a course from that guy?

How does it work? How does culture do its thing? The shortest answer is that culture teaches us how to see. “The greatest thing a human soul ever does in this world is to see something, and tell what it saw in a plain way,” the Victorian art critic John Ruskin wrote. “Hundreds of people can talk for one who can think, but thousands can think for one who can see.”

David Brooks, excerpts from “How Art Creates Us” (NY Times, January 26, 2024)


Painting: Girl with a Pearl Earring by Johannes Vermeer (1665 est)

Monday Morning Wake-Up Call

This idea that there’s something Posh about culture really upsets me. It really upsets me because the liberating nature of a beautiful piece of art, whether it’s music, whether it’s paint on canvas, whether it’s a poem, whether it’s a book, or whether it’s a play. It’s plays that I first plugged into as a kid. It’s so immensely important to your mental health, the simple ability to step outside your own brain. It’s meditative. It’s quasi-religious. It’s an ability to step outside the quotidian, The Daily Grind, to actually rise above the minutiae of your daily existence and soar into Uncharted Territory. It is a thing of absolute Beauty. And if you are laughing at me now, that is tragic because it means you don’t know what I’m talking about, which means you’ve never had that experience, which, means you’ve never been lucky enough to have a teacher or a parent or a friend or an accidental encounter with some music, you’ve never had that experience. Maybe some people get it at the football, actually at an amazing sporting event, which can be a mixture of religious and Theatrical, when you feel yourself soaring… I had a spiritual experience but I’ve had that experience in theaters and I’ve had that experience in my own home listening to a certain piece of music or reading a book. And why why why in this country are the words I have just said in any way emblematic of something that is linked to social class. Why I do not get it, I do not get it at all… Why is this country a place where we are told from a very early age, that the inner life, the imagination, the magic of art and culture, is something that is the sole Preserve of the wealthy, or the privileged. Where does that come from? …it breaks my heart.

— James O’Brien, from “This idea that there’s something posh about culture really upsets me” (LBC, Friday November 11, 2022)

Mozart. People compare you to Mozart. What do you think of that?

It takes Alma Deutscher just four notes and forty seconds to improvise an impressive short piano sonata right before 60 Minutes cameras. That alone is remarkable – but she’s also just 12 years old…Alma, a musical prodigy who, by the age of 10, had composed a full-length opera. She’s also a virtuoso on the violin and piano, where the music flows from her fingers as effortlessly as the breath from her body.

Scott Pelley: There is another composer who had an opera premiere in Vienna at the age of 11. Mozart. People compare you to Mozart. What do you think of that?

Alma Deutscher:  I know that they mean it to be very nice to compare me to Mozart.

Scott Pelley: It could be worse.

Alma Deutscher: Of course, I love Mozart and I would have loved him to be my teacher. But I think I would prefer to be the first Alma than to be the second Mozart.

~ Scott Pelley, Watch a prodigy create – from four notes in a hat (CBS 60 Minutes, November 5, 2017)


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So beautiful it can’t be expressed in words. And makes your heart ache because of it.


We rollin’ with Mozart for the 2nd consecutive night.  Tonight…Mozart’s “The Marriage of Figaro—“Canozonetta Sull’aria.” This favorite scene from one of my favorite movies narrated by my favorite Voice (Morgan Freeman). Hang on until the end of the clip and be sure to watch the movie.  Found on Amazon here.

VOLUME UP.


Inspired by Schonwieder