Watch it!

…”‘His latest role, as Paul Hunham in “The Holdovers” — a solitary and cantankerous New England boarding-school teacher saddled with babysitting duty over Christmas break — adds a number of memorable monologues to the actor’s oeuvre. But Giamatti also imbues the character with a deep well of melancholy and thinly disguised tenderness, traits that tend to reveal themselves in wordless, physical gestures: a crumpling of the chin, a narrowing of one eye.

“There are close-ups where you can see not only his transition from one thought to the next, but all of the little micro-thoughts that happen in between,” said Alexander Payne, the director of “The Holdovers,” who reteamed with Giamatti nearly 20 years after “Sideways.” “You could hire him to play the Hunchback of Notre Dame and he’d do a great job with it.” …

Tuesday Morning Wake-Up Call… (after long weekend)


Volume up.

If only we could celebrate and thank all of our teachers with similar enthusiasm. Bravo Boys.

New Zealand High School Boys Honor Retiring Teacher With Moving Haka. Guidance Counsellor John Adams was a teacher for 30 years. (Story here)

It all began with her

Bob Greene, excerpts from I Actually Thanked A TeacherNow 88, she gave me a refresher in the lesson I’d learned in first grade: how to read the word ‘look.’ (wsj.com, April 12, 2017):

…My first-grade teacher was named Patricia Ruoff…I still recall the day she helped me learn the first word I could ever read…and she showed me what the shape of the four letters on the first page meant, and what they sounded like. That one word: “Look.”

I went home so thrilled that day. I knew how to read a word. “Look.” When the day had begun I hadn’t known it, and now I did. Such a magical feeling, accompanied by the sure knowledge that other words would soon follow. […]

it became important to me to find that teacher. It took some doing—it turns out she has been twice widowed, and thus has had two different last names since back then—but I reached a woman on the telephone who I thought might be her.

“I’m sorry if I have the wrong number,” I said. “But I’m looking for a Patricia Ruoff, who once was a schoolteacher.”

“Yes,” the voice said. “You have the right person.”

“You taught me to read,” I said.

I told her my name.

“Oh, Bobby,” she said. […] Continue reading “It all began with her”

Imagine an infant lying in its cradle, discovering its voice, purring and murmuring MMM to itself

leonard-bernstein

Bernstein reminded me that the word “education” is related to the Latin educere—“ to bring forth what is within”— and then added: “Though I can’t prove it, deep in my heart I know that every person is born with the love of learning. Without exception. Every infant studies its toes and fingers, and a child’s discovery of his or her voice must be one of the most extraordinary of life’s moments. I’ve suggested that there must be proto-syllables existing at the beginnings of all languages— like ma (or some variant of it), which, in almost every tongue, means mother— mater, madre, mère, mutter, mat, Ima, shi-ma, mama. Imagine an infant lying in its cradle, discovering its voice, purring and murmuring MMM to itself… […]

Whether teaching children or adults, Bernstein understood that loving and learning are inextricably linked, that real knowledge is a concomitant of the desire to know, and that music itself— a meeting of living creator and creative listener— is one of the most efficacious vehicles for teaching. As a conductor, Bernstein experienced the relationship between himself and his orchestra as that of a lover and his beloved. As he remarked at the conclusion of his 1955 Omnibus television broadcast “The Art of Conducting”:

“The conductor must not only make his orchestra play; he must make them want to play…. It is not so much imposing his will on them like a dictator; it is more like projecting his feelings around him so that they reach the last man in the second violin section. And when this happens— when one hundred men share his feelings, exactly, simultaneously, responding as one to each rise and fall of the music, to each point of arrival and departure, to each little inner pulse— then there is a human identity of feeling that has no equal elsewhere. It is the closest thing I know to love itself.”

~ Jonathan Cott, Dinner with Lenny: The Last Long Interview with Leonard Bernstein


Notes: Original Source – Brainpickings

MMM*: Their hope is so bright I can almost see it.

hope-faith-light-bright-sun-woman-portrait

My students still don’t know what they will never be. Their hope is so bright I can almost see it. I used to value the truth of whether this student or that one would achieve the desired thing. I don’t value that truth anymore as much as I value their unrest hope. I don’t care that one in two hundred of them will ever become what they feel they must become. I care only that I am able to witness their faith in what’s coming next.

~ Sarah Manguso, Ongoingness: The End of a Diary


Notes: MMM* = Monday Morning Mantra. Photograph: in-constancy. Related Manguso posts: Manguso @ Live & Learn