Sunday Morning

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While she cooked she’d looked out the window and the daffodils were blooming around the birdbath, and Henry was home, and the house was quiet, and she felt her own luck. There was Henry home and Charlie and Tommy and her house with the bird feeder and summer vacation soon and she felt her own luck at having this quiet moment, this life, this day.

~ Sharon Guskin, The Forgetting Time: A Novel


Photo: Elif Sanem Karakoc

 

Walking Cross-Town. With Al.

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Jorie Graham: “The slow overture of rain, each drop breaking without breaking into the next, describes the unrelenting, syncopated mind.” (from “Mind,” Hybrids of Plants and of Ghosts.)

6:30 am.
The train pulls into Grand Central, and clears. I sit. And wait.
The conductor walks up the aisle gathering tickets.
I cue up a Paul Simon playlist and walk.
The platform is empty. Stragglers amble toward the exits.
I nod to the armed guard, and slip through the open door onto 42nd, passing a conga line of yellow cabs. Not today gentlemen, not today. We’re walking Cross-Town.

Good morning America.
Dawn in Manhattan.
Sun Power lights up the skyscrapers, they lean in from the shadows to warm.
A wisp of a breeze cools, a welcome cut of the ever-present humidity, and a respite from the simmering trash and the marinating urine.

The electronic horse walks.
There’s a skip in the step this morning, loaded with a full night’s sleep, and boosted by Sun’s Solar Power.  Beast and Beast. One up Top. One on the ground. Duo is Un-freak-ing-stoppable. Continue reading “Walking Cross-Town. With Al.”

Saturday Morning

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There are all kinds of silences and each of them means a different thing. There is the silence that comes with morning in a forest, and this is different from the silence of a sleeping city. There is silence after a rainstorm, and before a rainstorm, and these are not the same. There is the silence of emptiness, the silence of fear, the silence of doubt. There is a certain silence that can emanate from a lifeless object as from a chair lately used, or from a piano with old dust upon its keys, or from anything that has answered to the need of a man, for pleasure or for work. This kind of silence can speak. Its voice may be melancholy, but it is not always so; for the chair may have been left by a laughing child or the last notes of the piano may have been raucous and gay. Whatever the mood or the circumstance, the essence of its quality may linger in the silence that follows. It is a soundless echo.

― Beryl Markham, West with the Night


Source: Quote – The Vale of Soul-Making. Photo: Sweet Senderipity