Lie back daughter, let your head be tipped back in the cup of my hand.

Lie back daughter, let your head
be tipped back in the cup of my hand.
Gently, and I will hold you. Spread
your arms wide, lie out on the stream
and look high at the gulls…
You will dive
and swim soon enough where this tidewater
ebbs to the sea…
As you float now, where I held you
and let go, remember when fear
cramps your heart what I told you:
lie gently and wide to the light-year
stars, lie back, and the sea will hold you.

Philip Booth, from “First Lesson” in  Lifelines: Selected Poems 1950-1999


Notes: Photo by mary-annm. Poem via 3 Quarks Daily

Summer afternoon—summer afternoon

“Summer afternoon—summer afternoon,” Henry James wrote late in his life, repeating the phrase with evident relish, as if to squeeze the full pleasure out of it, “to me those have always been the two most beautiful words in the English language.” It’s easy to see his point, to follow him into the meadowland that those two words conjure effortlessly. Surely “summer afternoon” suggests a lovely aimlessness, with time as a friendly spirit guide, not a haunting, hectoring ghost. Lemonade, ice beading the glass, comes to mind, and a fat 19th-century novel that you’ll never actually finish but can drift into, and then let fall open on the grass, as you get lost (you’re in a hammock under a big shade tree) in a drift of clouds passing overhead, shaping and reshaping themselves. That’s “summer afternoon” for you. It gathers you up, paradoxically, when you give up hunting for it. Keep it simple: Walk the dog, let her sniff to her intelligent nose’s deep content—no rushing her along to get the job done. Pausing, gazing, staring idly—this is the odd discipline of leisure. Let it find you on a park bench, with a bag of stale bread for the ducks in the pond…A nap occurs somewhere in the midst of this summer afternoon, the kind where you don’t really fall asleep but glide around in your mind, surprised by a memory, a moment, a regret, maybe your mother’s hands, her rings swiveling, your father and his deep frown, or that bully in second grade you kicked in the groin, glad to hear him howl and stop teasing you. Now you’re smiling. Your mind floats among these drifting bits that suddenly seem intensely worthy of attention, valuable. Just pause over these lost details, the collection you didn’t even know you’d amassed.Maybe that’s the way to practice for the launch of a successful vacation—not with a plan for two weeks freighted with expectation but with a single afternoon at full and indulgent ease. Call it a summer afternoon, not quite vacation time. It leads you past the fretful workweek into this sweet shimmering season you’ve been waiting for all year long.

~ Patricia Hampl, from “All of Summer In a Single Afternoon” (wsj.com, June 21, 2018)


Photo by Ali de Niese titled Lemonade (“I have a great love and admiration for the paintings of the Dutch master Johannes Vermeer. I love the combination of yellow and blue with a touch of white which is used in some of his paintings (e.g. Girl With A Pearl Earring, The Milkmaid). I’ve tried to create my own version of a yellow and blue still life, ‘after but nowhere near Vermeer’, if you like.”

And how good it feels, the heat of the sun between the shoulder blades


Photo: Delano Hotel, South Beach. Post title: Mary Oliver

In it is summer, and midday, and immortality

“He was an art student, and he spent the day at the lake drawing a study of sky and clouds. Nothing else. The grown-ups had little to say after looking at his creation. But I liked the clouds, they were of the cumulus variety, my favorite, eternal wanderers, clean celestial mountains. They’d hung above Lake Hepojarvi for a while that day, and then left. The cardboard painting was placed on top of the sideboard; it soon fell into the crack between the sideboard and the wall. But then—a few years later—I found it; bending some wire into a poker, I pulled it out, along with a thick layer of dust, dead flies of years past, and a green leg from a plastic toy hippo. I took the cardboard picture and thus appropriated a singular day of eternity. In it is summer, and midday, and immortality. Certainly immortality.”

~ Tatyana Tolstaya, from “The Invisible Maiden” in “Aetherial Worlds: Stories” (Knopf, March 20, 2018)

 


Photo by William Eggleston via Time Lightbox

Saturday Afternoon


A man and a child resting in the rays of the sun on Friday in Kiev, Ukraine. (Sergei Supinsky, wsj.com April 6, 2018)

Saturday Noon

the hour of twelve noon
And so you feel
your hair caught up in the sun’s fingers
holding you free in the light and the wind.

~ Yiannis Ritsos, from “Summer,” in Repetitions, Testimonies, Parentheses


Notes: Poem via the distance between two doors. Photo: Alexander Kozhevnikov (via see more)

Saturday Morning

There is a wind blowing from the east, in from the sea, and it is laden with rain, pattering against the roof. It is as if a wall were standing open: the long, beautiful summer has ended, and everything rushes towards autumn. The leaves drop from the trees, the colours drift from green towards yellow and brown, the air smells of soil.

It feels good.

~ Karl Ove Knausgaard, from “Lime” in “Autumn


Photo: jerianie with foggy autumn mornings

how good it feels, the heat of the sun between the shoulder blades

I began to talk.
I talked about summer, and about time.
The pleasures of eating…
About this cup we call a life.
About happiness.
And how good it feels,
the heat of the sun between the shoulder blades.

– Mary Oliver, from “Toad” in New And Selected Poems, Volume Two


Notes: Photo – Elena Stepanova (via Seemoreandmore). Poem – via Everything Matters

Jane’s Summer Vacation (60 sec)


For direct link to CBS Sunday Morning video: Jane’s Summer Vacation

Saturday


Source: Marina VernicosSani Beach Holiday Resort, Greece

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