Saturday Morning

I will cut adrift—

I will sit on pavements & drink coffee—

I will dream;

I will take my mind out of its iron cage & let it swim—this fine October.

— Virginia Woolf, from a diary entry c. Wednesday, October 15, 1927


Photo via 8tracks.com

Saturday Morning

Screen Shot 2018-10-06 at 8.41.09 AM

Whenever we lose track of our own obsessions,
our self-concerns, because we drift for a minute,
an hour even, of pure (almost pure)
response to that insouciant life:
cloud, bird, fox, the flow of light, the dancing
pilgrimage of water, vast stillness
of spellbound ephemerae on a lit windowpane,
animal voices, mineral hum, wind
conversing with rain, ocean with rock, stuttering
of fire to coal—then something tethered
in us…breaks free.
No one discovers
just where we’ve been, when we’re caught up again
into our own sphere (where we must
return, indeed, to evolve our destinies)
—but we have changed, a little.

~Denise Levertov, from “Sojourns in the Parallel World” in The Selected Poems of Denise Levertov


Notes: Poem from Make Believe Boutique; Photo by Coleman Guyon

Progress

We keep turning one thing into another and calling it progress. We keep machining the beauty off of things as they are, creating more and more things to hide in, as if that will let us live longer. We keep burrowing into everything but ourselves: churning trees into lumber, animals into meat, wind into electricity, vegetables into remedies, and silence into noise; turning the earth, continent by continent, into one giant anthill. We keep eating our way through the arms of the Universe, desperate for something large and quiet to hold us.

~ Mark Nepo, “Short Wisdom on a Long Planet” in Things That Join the Sea and the Sky: Field Notes on Living


Photo: monochrome vibe (via to escape from the commonplaces of existence)

Saturday Morning

But being lonely and being alone are not the same, and Bishop recognized from a young age that there was something special, even salvific, about the latter. “There is a peculiar quality about being alone, an atmosphere that no sounds or persons can ever give,” she wrote in the 1929 essay. “It is as if being with people were the Earth of the mind, the land with its hills and valleys, scent and music: but in being alone, the mind finds its Sea, the wide, quiet plane with different lights in the sky and different, more secret sounds.” I understood this sentiment well, the special beauty of the blue hours when you are, by choice, alone, and the candle of your self burns in a way it never quite can when you are with someone else…

Yet, as Bishop wrote in 1929, being alone…is unimpeachably special, sacrosanct. The art of being alone, especially in a world where our identities all too often feel coterminous with what we post on social media or achieve publicly and how people react thereto—and where desiring privacy can seem a cause for suspicion—feels increasingly hard to master. But it’s one of the most exquisite, and, to me, most necessary, arts to master, lest we lose too much of ourselves by forgetting—or never knowing—how to be beautifully alone, buoyed by the ocean-music of silence.

~ Gabrielle Bellot, from “Alone with Elizabeth Bishop,” The New York Review of Books (September 20, 2018)


Photo by Marta Bevacqua

Saturday Morning

late summer

Solitude isn’t loneliness.

Solitude is when the entire serene universe

seems to surround and hold you quietly.

Victoria Erickson


Notes: Quote via Counselling Blog. Photo by Marta Bevacqua

The still, quiet voice


“I have to listen to music while I write, and usually I play just one song at a time. I repeat it all day, often for weeks on end. Months, even. There’s one song that I replayed up to 30,000 times during the ten years I was writing The Incendiaries. I love that song and its powers; I can’t tell you its name, lest it stop helping me. By obsessively replaying a single song at a time, I can, if I’m lucky, set the pitch. It gives me a place to start. The ritual of it, the repetition, lulls and quiets my anxious, everyday self. The ego goes silent, which lets my writing self emerge, and begin to sing. Even now, months after I last edited The Incendiaries, to play the song I can’t name is to be pulled back toward my novel, into my made-up town of Noxhurst. The still, quiet voice. That’s what I used to listen for, back when I was deeply religious: the still, quiet voice of God. I’ve lost that kind of faith, but I do believe in fiction’s voice, and in spending the rest of my life, or so I hope, listening for it.”

— R.O. Kwon, author of The Incendiaries: A Novel in Poets & Writers, July 26, 2018


From a book Review of The Incendiaries by Ron Charles in The Washington Post on July 23, 2018: ‘The Incendiaries’ is the most buzzed-about debut of the summer, as it should be. “…Kwon, who was raised Roman Catholic and has said that she lost her faith in her teens, seems to understand with extraordinary sympathy just what that loss entails. And as her debut novel catches fire and burns toward its feverish conclusion, she offers a strikingly clear articulation of the fanatic’s mind-set: It’s not an excess of belief that drives some believers to violence; it’s a maddening lack of belief, which requires that radical action be substituted for faith. In a nation still so haunted by the divine promise, on the cusp of ever-more contentious debates about abortion and other intrinsically spiritual issues, ‘The Incendiaries’ arrives at precisely the right moment.”

Monday Morning Wake-Up Call

Let me begin again as a speck
of dust caught in the night winds
sweeping out to sea. Let me begin
this time knowing the world…
is grinding and sighing all night,
and dawn comes slowly…

Philip Levine, from “Let Me Begin Again,” 7 Years from Somewhere: Poems


Source: Mennyfox55

Lightly Child, Lightly

One of the Japanese words for mind is kokoro. The word koro is the onomatopoeia for “rolling along.” Something that rolls like a ball is koro koro koro. So kokoro is something that is always moving and changing, never stopped. There is no object or form that we can identify as mind. It is always changing. Though we are always looking for something to rely on, we cannot find it in something called mind.

~Shodo HaradaNot One Single Thing: A Commentary on the Platform Sutra


Notes:

  • Photo: via Your Eyes Blaze Out). Quote: Thank you Make Believe Boutique
  • Prior “Lightly child, lightly” Posts? Connect here.
  • Post Title & Inspiration: Aldous Huxley: “It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them.”

Lightly Child, Lightly

Time and again I was seeing that if I could handle the winds of the current storm, they would end up blowing in some great gift … Challenging situations create the force needed to bring about change. The problem is that we generally use all the stirred up energy intended to bring about change, to resist change. I was learning to sit quietly in the midst of the howling winds and wait to see what constructing action was being asked of me.

– Michael Singer, from The Surrender Project

 


Notes:

  • Photo: luci d’inverno with luce, luce lontana…(light, far light)
  • Prior “Lightly child, lightly” Posts? Connect here.
  • Post Title & Inspiration: Aldous Huxley: “It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them.”

Saturday Morning

– You know what I like to hear most?
– What?
– Solid quiet. Perfect unbroken quiet.

– Tennessee Williams, from “Cat on a Hot Tin Roof


Photo: Anna Heimkreiter Photography with Give It Time. Quote: Violent Waves of Emotion

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