The Fixer

It doesn’t matter what time of day. My digestif after scrambled eggs at breakfast. A satisfying and necessary fulfiller after lunch. A smooth finisher after dinner. A soothing pre-bed, night time snack. And of course, that something-something between meals.

There it is.

Mint-Chocolate Chip Gelato.

I’m in line at the check-out counter at Palmer’s Market, gripping four (4) cylindrical containers of Talenti Gelato, two pints in each hand. The ice crystals cool the palm of my hand, and I wonder how long it took to ship this gelato from some quaint dairy farm in Southern Italy. A farm that’s been in the same family for hundreds of years. Farm-fresh from cow to these hard plastic cylinders to the freezer at Palmer’s Market, with all of the hand made manufacturing processes in-between. (Gelato, gelato, I find myself repeating gelato and liking it, especially the finish. My lips form an “o” like “o” isn’t this “o” so wonderful).

I move up in line, gently setting the gelatos down on the conveyor. They slide forward.

Continue reading “The Fixer”

Guess.What.Day.It.Is?


Notes:

There’s something you need to hear…

When I needed to escape the digital-utopian future, I’d head up into the hills. I was not, then, particularly attuned to the magic of trees. But it doesn’t take great sensitivity to be stunned into silence by redwoods — the sight, sound, and smell of those forests, which feel to so many people like holy places.

One day, up near Skyline Road, I came across a tree the width of a house and the length of a football field. I would learn later that this single living thing was almost as old as Christianity. It dwarfed every other trunk on that ridge. As I looked at it, I began to realize that all the trees I’d been walking through were in fact no more than a hundred years old. This one tree had escaped the clearcutting that had built and rebuilt San Francisco. And the forest that it came from must have been, compared to the one I was standing in, as the OED is to a pocket dictionary. When I went back down to Silicon Valley that evening, I had the seed for a story…

When a person says, “I live in the real world,” they generally mean that they live in the artificially created social world, the human-made world that is hurtling toward a brick wall of its own making. This is what I’d ask the critics of the literature of extra-human awe: Which is more childish, naïve, romantic, or mystical: the belief that we can get away with making Earth revolve around our personal appetites and fantasies, or the belief that a vast, multi-million-pronged project four and a half billion years old deserves a little reverent humility? …

Tree-consciousness is a religion of life, a kind of bio-pantheism. My characters are willing to entertain a telos in living things that scientific empiricism shies away from. Life wants something from us. The trees say to each of these people: There’s something you need to hear…

A friend came to visit me here in my home in the Smokies. Despite the winter turbulence that whipped the jet stream around like a jump rope, making for 80-degree days in February and polar-vortex March nights 20 degrees colder than average, spring was creeping back in. The first ephemerals were rising everywhere through last year’s leaf litter: hepatica, trailing arbutus, star chickweed, spring beauties. I stopped on the trail where we were walking and pointed out the crown of a maple infused in red, like a blurry watercolor.

My friend, who’d grown up surrounded by these trees, was astonished. “Maples have flowers?”

Yes. They’ve been flowering every spring, for the last hundred million years. They flowered in every year you’ve been alive. And with luck, they’ll flower for a few years yet to come.

~ Richard Powers, excerpts from Here’s to Unsuicide: An Interview with Richard Powers by Everett Hammer (Los Angeles Review of Books, April 8, 2018)

Powers new book: The Overstory: A Novel was published this month.


Photo: imgfave (via goodmemory)

Monday Morning Wake-Up Call

if only you could see
how heaven pulls earth into its arms
and how infinitely the heart expands to claim this world,
blue vapor without end.

~ Lisel Mueller, from “Monet Refuses the Operation” in Second Language


Notes: Photo: Blue Ridge Mountains by Richard Terpolilli.  Poem: Poetry Foundation

Sunday Morning

 

From the stillness around you a high glassy sound descends, like first light. Each new sound seems to breathe — emerging from and receding back into the stillness — and the glint of bells, like desert plants, here and there. Almost imperceptibly the music swells and continues falling in pitch. From somewhere above — like a gleam of metal, like sunlight emerging from behind a ridgeline — comes the sound of flutes. You are in a strange landscape. You don’t know how to read the weather or the light. You are unsure how long you will be here, or how challenging the journey may be. “This is beautiful,” you think. “But will anything ever happen?”

You resist. Yet the sound draws you in. You resolve to suspend your impatience, to listen as carefully as you can, as if watching a sunrise. You notice your breathing becoming slower. Falling, still falling…The music continues floating upward, growing more and more distant, until at last it dissolves into a deep and resonant stillness.

~ John Luther Adams, from “What It’s Like to Hear the Desert in Music” in   The New York Times, March 23, 2018)


Photo: saoud with Desert