Miracle. All of it.


… But right now, you and me here, put together entirely of atoms, sitting on this round rock with a core of liquid iron, held down by this force that seems to trouble you, called gravity. All the while spinning around the sun at 67,000 miles an hour and whizzing through the milkyway at 600,000 miles an hour in a universe that very well may be chasing its own tail at the speed of light. And admist all this frantic activity, fully cognisant of our own eminent demise – which is our own pretty way of saying we all know we’re gonna die. We reach out to one another. Sometimes for the sake of entity, sometimes for reasons you’re not old enough to understand yet. But a lot of the time we just reach out and expect nothing in return. Isn’t that strange? Isn’t that weird? Isn’t that weird enough?

— John Cusack [David Gordon] Martian Child (2007) Directed by Menno Meyjes. Screenplay by David Gerrold and based on his book The Martian Child: A Novel About a Single Father Adopting a Son.


  • Credits: Photo. Quote: Thank you Value of Soul-Making
  • Post Inspired by Albert Einstein’s quote: “There are only two ways to live your life. One is as though nothing is a miracle. The other is as though everything is a miracle.”
  • Related Live & Learn Posts: Miracle. All of it.

T.G.I.F.: It’s been a long week


Source: Your Eyes Blaze Out

Dear Klara / / Love Mom

So what is important.
To a person sitting in front of their computer I would say,
Be grateful for your warmth and comfort,
The earth provided it.
Be grateful for your fully belly and quenched thirst,
The earth provided it.
Be grateful for your family, friends, neighbors,
We’re all in this together, no matter how we choose to live.
Everything we have comes from the earth.

Ethereal Blue



“Photographer Steve Mandel recently ventured to Antarctica where he captured breathtaking images of glaciers. His frosty shots are a unique twist on landscape photography—instead of presenting one view of the icebergs, the California-based creative shot a split view in a single frame. Half of the picture shows the glacier above water, while the other part illustrates what lies beneath.

‘This was my first [time] shooting above and below shots,’ Mandel tells us in an email. ‘I was inspired by some images I had seen taken by a National Geographic photographer.’ He’s fascinated by the form, color, and physics of icebergs, and explains what makes them so special. ‘The top of the glacier is white because it is new snow, that over time, compresses. The beautiful blue color in the ice is older ice in which the air has been partially compressed out.’ This delicate balance produces images that often have an otherworldly feel to them, and with this series, Mandel has captured moments frozen in time.”

Don’t miss other Mandel’s other photos in the series at his website: Antarctic Ice

Don’t miss the interview with Steve Mandel: My Modern Met

Source: My Modern Met

Miracle. All of it.


If there is one god who shaped this ribbon of coast and mountains, who created and nurtures the community of living things that covers it, this god is Rain. About 215 days each year have measurable rain or snow. Yearly precipitation on the island totals nearly a hundred increase – eight feet – and perhaps half again that much on the high slopes. A single inch of rain disbursed over a square mile equals 17.4 million gallons of water. This means about 1.7 billion gallons falls each year on every square mile of the island. The upthrown land is wrapped almost constantly in clouds, and the stead wash of rain has shaped it with veins of coalescing water. Thousands of streams and rivers shed their burden into the Pacific, where it convenes as a mass of freshened current that flows along this entire coast. The rich forest exists here at the behest of rain, as do the muskegs and estuary meadows, and the whole array of rain-loving animals, from timber and slugs and click beetles to bears and bald eagles. I crawl outside the tent to feel the storm once more and take in this moment of its life. Standing in near-absolute darkness, I breathe the wind and try to perceive the power of the moment, to let the storm blow away these snares of thought and leave me the purer freedom of my senses. The storm has given me this day, this island born of rain.

~ Richard Nelson, The Island Within


  • Photo: Adele Oliver (Vancouver Island) via Elinka
  • Related Richard Nelson Posts on Live & Learn: Richard Nelson
  • Inspired by Albert Einstein’s quote: “There are only two ways to live your life. One is as though nothing is a miracle. The other is as though everything is a miracle.”
  • Related Live & Live Posts: Miracle. All of it.

Not a single feather trembles


Everything around it moves, as if just this one time and one time only, as if the message of Heraclitus has arrived here through some deep current, from the distance of an entire universe, in spite of all the senseless obstacles, because the water moves, it flows, it arrives, and cascades; now and then the silken breeze sways, the mountains quiver in the scourging heat, but this heat itself also moves, trembles, and vibrates in the land, as do the tall scattered grass-islands, the grass, blade by blade, in the riverbed; each individual shallow wave, as it falls, tumbles over the low weirs, and then, every inconceivable fleeting element of this subsiding wave, and all the individual glitterings of light flashing on the surface of this fleeting element, this surface suddenly emerging and just as quickly collapsing, with its drops of light dying down, scintillating, and then reeling in all directions, inexpressible in words; clouds are gathering; the restless, jarring blue sky high above; the sun is concentrated with horrific strength, yet still indescribable, extending onto the entire momentary creation, maddeningly brilliant, blindingly radiant.
There it is, in the middle of the Kamo, the water largely reaching up to its knees, hence the truly quite shallow weir, interspersed with small grassy enclaves, hence truly peculiar, if not the most bizarre river upon the globe, and the bird just stands, without a single movement, its body strained forward, waiting staggeringly long minutes for the day’s quarry, now already ten minutes, then a half-hour passes as well; in this waiting and attentiveness and motionlessness, time is cruelly long, and still it does not move, standing exactly the same, in exactly the same pose, not a single feather trembles, it stands, leaning forward, its beak bent at an acute angle over the mirror of the gurgling water; no one is looking, no one sees it, and if it’s not seen today then it is not seen for all eternity, the inexpressible beauty with which it stands shall remain concealed, the unique enchantment of its regal stillness shall remain unperceived: here with it, in the middle of the Kamo, in this motionlessness, in recognition that it is the one that gives meaning to everything around it, gives meaning to the spinning churning world of movement, to the dry parching heat, the vibrations, every whirling sound, scent, and picture, because it is a completely unique feature of this land, the unyielding artist of this landscape, who in its aesthetic of unparalleled motionlessness, as the fulfillment of unswerving artistic observation, rises once and for all above that to which it gives meaning, rises above it, above the frantic cavalcade of all the surrounding things, and introduces a kind of aimlessness — beautiful as well — above the local meaning permeating everything, as well as above that of its own actual activity, because what is the point of being beautiful, especially when it is just a white bird standing and waiting for something.

~ László Krasznahorkai, “Kamo-Hunter” from Seiobo There Below


Brown is creeping up on us, take my word for it


Autumnal – nothing to do with leaves. It is to do with a certain brownness at the edges of the day… Brown is creeping up on us, take my word for it… Russets and tangerine shades of old gold flushing the very outside edge of the senses… deep shining ochres, burnt umber and parchments of baked earth — reflecting on itself and through itself, filtering the light. At such times, perhaps, coincidentally, the leaves might fall, somewhere, by repute. Yesterday was blue, like smoke.

~ Tom Stoppard




The light or lack of light is running you. You are the animal, moving and being moved.


Sometimes the natural world takes your power, as it does deep in February, when every fiber of your being wants to hibernate. Sometimes it bestows you with power you never imagined you could possess, as it does during the peak of summer, when you don’t need much sleep, and you feel like you’re riding along with all of the motions of the universe. Sometimes it terrifies you with its awesome brutality, as when you are driving alone on a mountain pass and encounter a blustery springtime blizzard. Just as there are receptors in the brain for drugs—like THC and psilocybin—I like to think we have receptors for nature as well. We may believe we are run by our thoughts and anxieties, our urges and our choices, but come to a place like Montana and you will be reminded that the moon is running you. The sun is running you. The light or lack of light is running you. You are the full moon. You are the rushing river. You are the animal, moving and being moved.

Amanda Fortini, The Great Surrender

Image via Your Eyes Blaze Out


Sunday Morning


…I turned
and the earth hushed.
While I leaned into silence
a morning too vast to fathom
filled with light.


~ David Lee, Dawn Psalm, Pine Valley from So Quietly The Earth

Credits: Poem Source – Rod McIver. Photo: Kyle Thompson via PetaPixel

Sunday Morning

Many have made the climb to Delicate Arch, so many that the erosion of human feet is visible on the soft sandstone, a dim meandering, path leading upward for a mile and a half into a queer region of knobs, domes, turrets and coves, all sculptured from a single solid mass of rock.  What do the pilgrims see? The trail climbs and winds past isolate pinyons and solitary junipers to a vale of stone where nothing has happened for a thousand years, to judge from the quietude of the place, the sense of waiting that seems to hover in the air. […]

If Delicate Arch has any significance it lies, I will venture, in the power of the odd and unexpected to startle the senses and surprise the mind out of their ruts of habit, to compel us into a reawakened awareness of the wonderful – that which is full of wonder.

A weird, lovely, fantastic object out of nature like Delicate Arch has the curious ability to remind us – like rock and sunlight and wind and wilderness – that out there is a different world, older and greater and deeper by far than ours, a world which surrounds and sustains the little world of men as sea and sky surround and sustain a ship. The shock of the real. For a little while we are again able to see, as the child sees, a world of marvels. For a few moments we discover that nothing can be  taken for granted, for if this ring of stone is marvelous then all which shaped it is marvelous, and our journey here on earth, able to see and touch and hear in the midst of tangible and mysterious things-in-themselves, is the most strange and daring of all adventures.

~ Edward Abbey, Desert Solitaire


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