Driving Nowhere Fast. At the DMV.

It’s 10:16 am, Saturday morning, and I’m sitting in the DMV.

My ticket #: A-160. Yes, #160. and that’s just the “A’s”.

I’m watching the attendant at the entrance. She’s conducting emergency room triage, with victims coming through the door in shock, experiencing some form of bloodless trauma.

It’s 79° F, a gorgeous Saturday in late September. And here we are, at the DMV. It’s Saturday for God’s sake, we can’t be here.

“Take a ticket,” she calls out, “grab a seat.” There’s many seats, most taken, a smattering of empties dispersed throughout the room, with a zero lot line between each.  Each incoming patron’s reaction is the same: they look around, inhale, walk slowly to a seat, shoehorn themselves in, and slump heavily into the hardback metal chair.

Now serving A (pause) 66 at Station 29″

The computer generated voice, a Male voice, calls your number over the loud speaker, calls it again, and then skips to the next. There are Categories A, B, C, D and E, which I’m sure tie to a unique DMV service, but I was unable to (and uninterested in) trying to crack the code.  My attention was on the “A’s”, and the numbers flashing on the overhead monitors.

Now serving A (pause) 68 at Station 22″

What is it with the DMV that elicits such dread? And why does such a simple process (should be) of license renewal strike such fear?

Now serving A (pause) 71 at Station 13″

There are no 1% privileges here. No Fast Passes. No Speed Passes. No TSA lines. No CLEAR. No appointments. No tips to jump the line.

You sit, and you wait.  And you wait, and you wait.

Now serving A (pause) 73 at Station 19″

Heads are down, Smartphones, Smartphones, Smartphones. Not A.D. or B.C. It’s B.S. Before Smartphones. How did we manage without smartphones. What occupied our time? What kept us from going out of our minds?

Continue reading “Driving Nowhere Fast. At the DMV.”

Sunday Morning

Junipers in the forests outside Warsaw.
I didn’t know that junipers like sand.
They stand, huddled, like secret, silent figures in hoods.
They walk behind us. I turn to look.
They stop in their tracks, like monks.

~ Anna Kamienska, from A Nest of Quiet: A Notebook, trans. Clare Cavanagh from Poetry Magazine, May 1, 2012


Photo: Marek7 with Forest in Kampinos National Park in on the north-west outskirts of Warsaw

That is the price of proximity: you don’t see it. Don’t know that it’s there. Then it is over.

The leaves of the chestnut tree have begun to fall onto the flagstone path in the garden, which is visible only here and there. The willow too has lost its leaves and needs pruning, it grows monstrously fast. The apple tree’s foliage has also thinned out, but from its boughs there are apples hanging, resembling little red lanterns amid all the naked branches. I ate one today, they are large, more red than green, and juicy, perhaps a little too sour, maybe they ought to be left for another week. I walked across the grass, long, soft and green, with the tart taste in my mouth, and thought about taste, the tastes of the various apple varieties, how old these tastes might be. When were they first crossbred? During the nineteenth century? The twentieth? Some tastes found in the world today are identical to tastes that existed two thousand years ago. The slightly unusual aroma, the out-of-the-ordinariness one can encounter in an apple from a private garden give me pleasure. I often think of my grandmother then, my father’s mother, the apples from their garden which we got every autumn, sometimes a whole crate, which lay in our cellar for weeks. Yes, and the smell in their cellar, of apples and plums. … It feels like I have started something new, something quite different, and that is this family. I think of it every day, that what matters is now, that the years we are living through now are when everything important happens. My previous life seems more and more distant. I am no longer preoccupied with my own childhood. Not interested in my student years, my twenties. All that seems far, far away. And I can imagine how it will be when what is happening now is over, when the children have moved out, the thought that these were the important years, this is when I was alive. Why didn’t I appreciate it while I had it? Because then, I sometimes think, I hadn’t had it yet. Only what slips through one’s fingers, only what is never expressed in words, has no thoughts, exists completely. That is the price of proximity: you don’t see it. Don’t know that it’s there. Then it is over, then you see it.

The yellow-red leaves lying wet and smooth on the flagstones between the houses. How the stone darkens when it rains, lightens as it dries.

~ Karl Ove Knausgaard, from “Autumn Leaves” in “Autumn


Photo: Apple Black and White by The-Definition via DeviatArt (via Newthom)

T.G.I.F.


Notes: Just Chillin’ by street photographer Tom Rothery on UPSP (via Newthom)

Lightly Child, Lightly.

May the poems be
the little snail’s trail. Everywhere I go,
every inch: quiet record of the foot’s silver prayer.

I lived once.
Thank you.
It was here.

Aracelis Girmay, “Ars Poetica,” Kingdom Animalia


Notes:

  • Photo:  Julie Renée Jones Rewrites Memory In ‘Umbra.’ Since 2001, photographer Julie Renée Jones has been capturing places somewhere in between reality and figments of imagination (via ignant).
  • Poem: via lifeinpoetry
  • Prior “Lightly child, lightly” Posts? Connect here.
  • Post Title & Inspiration: Aldous Huxley: “It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them.”
  • Related posts: May Sarton