Lightly Child, Lightly.

May the poems be
the little snail’s trail. Everywhere I go,
every inch: quiet record of the foot’s silver prayer.

I lived once.
Thank you.
It was here.

Aracelis Girmay, “Ars Poetica,” Kingdom Animalia


Notes:

  • Photo:  Julie Renée Jones Rewrites Memory In ‘Umbra.’ Since 2001, photographer Julie Renée Jones has been capturing places somewhere in between reality and figments of imagination (via ignant).
  • Poem: via lifeinpoetry
  • Prior “Lightly child, lightly” Posts? Connect here.
  • Post Title & Inspiration: Aldous Huxley: “It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them.”
  • Related posts: May Sarton

 

8:45 a.m.

9-11-torri2.jpg

8:45 a.m., September 11, 2001: A hijacked passenger jet, American Airlines Flight 11 out of Boston, Massachusetts, crashes into the north tower of the World Trade Center, tearing a gaping hole in the building and setting it afire.


Notes:

  • DK Notable: …And at 8:45 am today, September 11, 2017, I’m 34,000 feet up on Delta 5898. A few minutes earlier, the pilot comes on the intercom: “There’s heavy turbulence above us and below us but we’ve seemed to tuck in a quiet sleeve here in between – let’s hope this continues. Please buckle up.”
  • Quote: Chronology of Terror, CNN.com
  • Art: (via menteattuale)
  • Related Post: Flying Over I-40. With Repose.

Edward Hopper. Third Grade Report Card.

This image was drawn on the back of Edward Hopper’s third grade report card dated October 23, 1891, when Hopper was nine years old. Edward Hopper (1882-1967), Little Boy Looking at the Sea, n.d., ink on paper, 4.5 x 3.5 in.


Notes:

How to describe the way these two waves of reality, the world and dreams, meet, do battle

Gosia-janik

How to describe the way these two waves of reality, the world and dreams, meet, do battle, fail to reach agreement, conclude short-lived treaties that are immediately broken, how at dawn they stare at one another incomprehendingly, begin to build bridges again by evening, and then once more turn furiously upon each other, with a passion mixing love and hate, and afterward, drift to sleep by the side of a highway leading nowhere, on an embankment where weeds grow with their heady scent.

~ Adam Zagajewski, Slight Exaggeration: An Essay (April 4, 2017)


Notes:

And I could never understand how these two forces, the light element of music and history’s heavy breath, coexisted.

Only what isn’t real. Sometimes I thought you could only really love what isn’t real: poems, paintings, the sounds of a piano drifting from the music academy, where a pianist, no longer young, a maestro, a stranger from another town, showed students how to play Chopin’s Fourth Ballade. Love only what isn’t real, but reality always resurfaced, in the shape of a trivial question about what to make for dinner (the ham’s gone, we’re out of tea), or in the form of menacing history: war’s broken out, mass demonstrations have paralyzed the city, inflation has imperceptibly changed the appearance of shops and streets (though it left Beethoven’s sonatas unscathed). And I could never understand how these two forces, the light element of music and history’s heavy breath, coexisted. I’ve tried to write about it more than once, but even the most dedicated readers have delicately hinted that they’ve had enough, let’s move on to something new, since these two worlds still cannot be reconciled or fused, they remain completely indifferent to my questions, they mock my inquiries, my worries, they likewise dismiss the protests of my scattered readers.

~ Adam Zagajewski, Slight Exaggeration: An Essay (April 4, 2017)


Notes:

Flying Over I-40 N. Moments, Sparkling. Moments, Not.

2006. July. (I think.) Barcelona. I’m sitting in a conference room in the basement level of an aging hotel. You know the hotel – the one where all of the investment was poured into the lobby, and you don’t need to search to find disappointment, it finds you, at every turnThis Barcelona could have been anywhere – a Days Inn within a cab ride of O’Hare in Chicago, or a budget hotel in Newark, or a refurbished hotel in downtown Philadelphia serving small, short tenor business meetings. Yet, it wasn’t. The room was windowless, the walls were free of art. There was dim overhead lighting, the florescent tubes emitting a low sizzle. There was a whiff of fresh blue paint, cheap plastic surgery fooling no one. Beneath its blue skin, the bones of the room emit traces of hand rolled tobacco from 50 years ago.  It’s an hour after the working lunch, Hour Six of a day long meeting, and stupor is settling in. There was no audio visual equipment. There were no extra notepads or pens. There was no coffee. No bottled water. In the center of the table, stood a one quart jug, fingerprints visible on its belly, and a slice of lemon, not dressed in its distinctive canary yellow, but a dull yellow mustard clinging to the wall of the jug as if it were licked and pressed like a postage stamp, desperately seeking escape. The jug sweats, the air is thick, the overhead aluminum ducts rattle with the firing and re-firing of the AC system that was built for a building half the size. Hard back chairs surround the table and line the walls, with the butt cheeks of thousands of prior occupants having grooved and flattened the frayed cushions. Butt to cushion to metal, do-over and over and over.  I can see the blue palette. I can smell the decaying Gyprock. I can feel the heaviness of the air. Yet, I can’t extract a single shred of why I was there and what was accomplished, not on this day, not on Day 2 which ran ten hours.  The Blue Room returns and returns and returns and returns. The question is: Why?

~ DK


Notes:

  • Inspired by: Saabye Christensen: “You store everything inside yourself and then one day, wherever you are, whatever the time, it appears just like that, just like I could smell wet lilac now, lilac after the rain, even though we were well into autumn.”
  • Image Credit: Marius Tamosauskas with Blue Room 1
  • Related Posts: Commuting Series.

Riding Metro North. With Sunbeam.

You think you might give me a run for it, but you can’t touch me. You can’t come close, not remotely close to my Superiority. Top 1% of the 1% in…

Mood Swings. 

Close your eyes and think bungee jumper, in an infinite loop, who’s boinging up and down in a zone which pulls up short of Bliss and a whisker from Abyss. Not too hot, but hot enough to pinch, and not too cold, but cold enough to feel frost bite, and once in a while tasting Despair, but never lallygagging in Euphoria.

It’s the 5:40 am train. I have the entire seat to myself on Metro North to NYC.

We’re operating on 4.5 hours of sleep, and hauling the wet slushy snow of accumulated sleep deprivation from the prior three days.  Eyes heavy. Shoulders heavy. Words from the morning papers slur together.  I set down the smartphone.

Tired. Sick and tired of being tired, and bored writing about tired. Tired³. [Read more…]

We all eat in pursuit of memories.

Amy-thielen

We all eat in pursuit of memories. The finely diced chives on my tongue are also the moments I snipped them from the grass in late spring as a child and put them in morning omelettes with my dad. A dry unsweet cookie is the sound of my great-aunt’s gravelly voice cautioning against the perilous use of sugar. Eating a bowl of ice cream is the slow methodical churn of my grandmother’s ice-cream maker that set the tempo for a Sunday afternoon.

Such sensory evocations, and the emotional tug they exert in one’s everyday life, are never far from the mind of Amy Thielen in “Give a Girl a Knife.” The memoir charts the beautiful winding path that led the author from rural Minnesota to high-stakes Michelin-starred restaurants in New York—in search of what she thought was culinary sophistication—and then back to Minnesota, and a cabin in the woods built by her artist husband. Along the way the author learned to cook Austrian, Chinese, French and even her native Minnesotan dishes.

~ Georgia Pellegrini, from Her Place at the Heartland Table in a book review of Amy Thielen‘s new book: “Give a Girl a Knife: A Memoir


Photo: Amy Thielen.com

Saturday Morning

I see no pressing reason to get out of bed.
The lights are off
and it is raining
and the covers are the cave I dreamed of when I was a child.

Barry Hannah, from Ray: A Novel


Notes: Photo: Dormír via Mennyfox55. Quote: Memory’s Landscape

feel the steady pull toward your center of gravity

From Greek, Zeno is derived from Zeno’s Paradox, which asks how a person can walk from one point to another if they must first carry out a series of ever-shrinking steps, + Mnemosyne, the personification of memory in Ancient Greek mythology. How can we live our lives while each passing year feels shorter than the year before?

[…]

But soon you feel the circle begin to tighten, and you realize it’s a spiral, and you’re already halfway through. As more of your day repeats itself, you begin to cast off deadweight, and feel the steady pull toward your center of gravity, the ballast of memories you hold onto, until it all seems to move under its own inertia. So even when you sit still, it feels like you’re running somewhere. And even if tomorrow you will run a little faster, and stretch your arms a little farther, you’ll still feel the seconds slipping away as you drift around the bend.

Life is short. And life is long. But not in that order.

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