The Greatest

People without arms using touchscreen phones. A deaf mother whose watch lets her know that her baby is crying. A blind man whose phone tells him not just that a door is in front of him, but what it says on the door. These are the days of miracles and wonders.

Steven Aquino, writing at Forbes:

Of course Apple wants you to use their products, but so too does Amazon and Google and Microsoft and others. There exists a deeper message: the point is not whether Apple is subliminally advertising to people; the salient point is Apple is overtly advertising a disabled person’s basic humanity.

What this short film expresses so clearly is that these accessibility feature don’t merely allow people with serious disabilities to use Apple devices, but to thrive with them.

—  John Gruber, ‘The Greatest – Short Film From Apple Celebrating Accessibility Features‘ (Thursday, December 1, 2022)

VOLUME UP!

Miracle. All of it.

The Great Cold Snap of 2019 has given us a ton of terms we didn’t know we needed: Frost quakes. Snow squalls. Steam fog. Now we can add another one to the list: ghost apples.  Andrew Sietsema was pruning apple trees in an icy orchard in western Michigan when he came across some.  “I guess it was just cold enough that the ice covering the apple hadn’t melted yet, but it was warm enough that the apple inside turned to complete mush (apples have a lower freezing point than water),” Sietsema told CNN.  “And when I pruned a tree it would be shaken in the process, and the mush would slip out of the bottom of the ‘ghost apple.'”…

~ Doug Criss & Gianluca Mezzofiore, Another byproduct of this extreme cold: ghost apples (CNN, February 8, 2019)


  • Related Posts: Miracle. All of it.
  • Inspiration: Inspired by Albert Einstein’s quote: “There are only two ways to live your life. One is as though nothing is a miracle. The other is as though everything is a miracle.”

Share Your Gifts


New Apple holiday film tells a story of a girl who is bursting with ideas but is afraid to share them.  Music: Billie Eilish with come out and play

That is the price of proximity: you don’t see it. Don’t know that it’s there. Then it is over.

The leaves of the chestnut tree have begun to fall onto the flagstone path in the garden, which is visible only here and there. The willow too has lost its leaves and needs pruning, it grows monstrously fast. The apple tree’s foliage has also thinned out, but from its boughs there are apples hanging, resembling little red lanterns amid all the naked branches. I ate one today, they are large, more red than green, and juicy, perhaps a little too sour, maybe they ought to be left for another week. I walked across the grass, long, soft and green, with the tart taste in my mouth, and thought about taste, the tastes of the various apple varieties, how old these tastes might be. When were they first crossbred? During the nineteenth century? The twentieth? Some tastes found in the world today are identical to tastes that existed two thousand years ago. The slightly unusual aroma, the out-of-the-ordinariness one can encounter in an apple from a private garden give me pleasure. I often think of my grandmother then, my father’s mother, the apples from their garden which we got every autumn, sometimes a whole crate, which lay in our cellar for weeks. Yes, and the smell in their cellar, of apples and plums. … It feels like I have started something new, something quite different, and that is this family. I think of it every day, that what matters is now, that the years we are living through now are when everything important happens. My previous life seems more and more distant. I am no longer preoccupied with my own childhood. Not interested in my student years, my twenties. All that seems far, far away. And I can imagine how it will be when what is happening now is over, when the children have moved out, the thought that these were the important years, this is when I was alive. Why didn’t I appreciate it while I had it? Because then, I sometimes think, I hadn’t had it yet. Only what slips through one’s fingers, only what is never expressed in words, has no thoughts, exists completely. That is the price of proximity: you don’t see it. Don’t know that it’s there. Then it is over, then you see it.

The yellow-red leaves lying wet and smooth on the flagstones between the houses. How the stone darkens when it rains, lightens as it dries.

~ Karl Ove Knausgaard, from “Autumn Leaves” in “Autumn


Photo: Apple Black and White by The-Definition via DeviatArt (via Newthom)

About right…


Artist: Santiago Vecinoa Concept Artist / Illustrator from Montevideo, Uruguay (via Your Eyes Blaze Out)