Haka is a traditional ancestral war cry, dance, challenge or act of support from the Māori people of New Zealand. This Haka was performed at Benjamin & Aaliyah Armstrong’s wedding.
Wow. Moved.
I can't sleep…
Haka is a traditional ancestral war cry, dance, challenge or act of support from the Māori people of New Zealand. This Haka was performed at Benjamin & Aaliyah Armstrong’s wedding.
Wow. Moved.
Jane Kenyon and I were married for twenty-three years. For two decades we inhabited the double solitude of my family farmhouse in New Hampshire, writing poems, loving the countryside. She was forty-seven when she died. If anyone had asked us, “Which year was the best, of your lives together?” we could have agreed on an answer: “the one we remember least.” […] The best moment of our lives was one quiet repeated day of work in our house. Not everyone understood. Visitors, especially from New York, would spend a weekend with us and say as they left: “It’s really pretty here” (“in Vermont,” many added) “with your house, the pond, the hills, but … but … but … what do you do?”
What we did: we got up early in the morning. I brought Jane coffee in bed. She walked the dog as I started writing, then climbed the stairs to work at her own desk on her own poems. We had lunch. We lay down together. We rose and worked at secondary things. I read aloud to Jane; we played scoreless ping-pong; we read the mail; we worked again. We ate supper, talked, read books sitting across from each other in the living room, and went to sleep. If we were lucky the phone didn’t ring all day… Three hundred and thirty days a year we inhabited this old house and the same day’s adventurous routine.
~ Donald Hall, The Third Thing from The Poetry Magazine. Continue reading “Which year was the best?”
Yet in a way, I wish for everything back that ever was, everything that once seems like forever and yet vanished. I wish for my own girlhood bedroom with its dark brown desk, the monkey with real fur from the 1964 World’s Fair, the pile of coloring books under my bed. I wish for my grandparents, both long gone, and Saturday night suppers at their kitchen table, in a house whose smell of bath powder and pipe smoke I will remember always. I wish for a chance to relive an afternoon with my brother, when I was mean and made him cry by grinding a cookie into the dirt beneath the swing set at our very first house. I wish for my horse, sold thirty-odd years ago, and the dim corner of her stall in a barn long since demolished, her sweet breath on my neck as I brushed her flanks and daydreamed about a boy named Joel who might want to kiss me. I wish for my college apartment, the hot plate and electric skillet that my up my first kitchen, the fall morning I lay in bed their reading To the Lighthouse, shaping the words in my mouth, reluctant to let them go. I wish for my husband as he was twenty-five years ago, the first time he ran his fingers through my hair and asked if I would see him again; and for my own younger self, in love with the idea of marriage and so certain of our togetherness. I wish for the first bedroom we ever shared, in the back corner of his Cambridge apartment, wind whistling through the old window sashes as we pressed close, sleeping naked together no matter hold cold it was. I wish for my two sons at every age they’ve ever been, for each of them as newborns at my breast in warm, darkened bedrooms; as stout toddlers, shy kindergartners, exuberant little boys filling every space, every moment of my existence with their own. I wish for Easter morning and Christmas mornings and birthday mornings and all the hundreds of ordinary weekday mornings — cereal poured into bowls, fingernails clipped, quick kisses and good-byes for now.
Standing here on an empty hilltop in New Hampshire…I allow, just for a moment, the past to push hard against the walls of my heart. Being alive, it seems, means learning to bear the weight of the passing of all things. It means finding a way to lightly hold all the places we’ve loved and left anyway, all the moments and days and years that have already been lived and lost to memory, even as we live on in the here and now, knowing full well that this moment, too, has already gone. It means, always, allowing for the hard truth of endings. It means, too, keeping faith in beginnings.”
~ Katrina Kenison, The Gift of an Ordinary Day: A Mother’s Memoir
Notes:
Saying “I love you” is easy. It’s three little words. What’s hard is going beyond that, going deeper than that. Expressing how you really feel. That’s why Hallmark asked real-life couples to answer simple questions about their partner without using the word “love” and captured their comments on video. We found that by removing that one little word, couples revealed how they truly felt and were better prepared to put their heart to paper. Watch what happens when you go beyond “I love you.”
Don’t miss other heartwarming stories at Hallmark: Put Your Heart to Paper
Thank you Rachel
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