Lori shared it. I can’t let it go. A cover of Chris Stapleton’s “Tennessee Whiskey.”
And a Youtube comment from J. Scott Hamilton that followed: “your voice tells us you’re a great singer. Your daughter’s smile tells us you’re a better dad.”
I can't sleep…
Lori shared it. I can’t let it go. A cover of Chris Stapleton’s “Tennessee Whiskey.”
And a Youtube comment from J. Scott Hamilton that followed: “your voice tells us you’re a great singer. Your daughter’s smile tells us you’re a better dad.”

When I first came out to the country
I knew nothing. I watched
as people planted, harvested, picked
the berries, explained
the weather, tended the ducks and horses.
When I first came out to the country
my mind emptied and I
liked it that way. My mind was like a sky
without clouds, a summer sky
with several birds flapping across a field
on the eastern horizon.
I liked the slowness of things. The empty
town, the lake stillness,
the man I met who seemed contented, who
sat and talked in the dusk
about why he had chosen this long ago.
I did better dreaming then. the colors
were clear. I found something
important in myself: capacity for renewal.
And at night, the sky so intense.
Clear incredible stars! Almost another earth…
~ Lou Lipsitz, from “Blackberry Authorities” in Seeking the Hook
Notes:
50° F, mid-January. Shameful, I know, but if this is global warming, fill me up, give me more, take me Home to Spring.
I wait for the light to turn and look up squinting, the Sun beams warm the bones, the soul.
I cross Madison and head up 48th.
The City that never sleeps is in peripatetic flight – cabs zigzagging, buses spewing exhaust, delivery trucks unloading the day’s provisions, couriers on bikes, commuters with one foot on gas, one hand on horn, street sweepers with rotating brushes raising dust, garbage trucks with their putrid stench, shopkeepers lifting their steel grates, street vendors setting out their apples, bananas and bagels – – and thoughts.
Walking these same concrete streets in a New Year. No cake, no candles, no party hats at 10 years. Here walks an off-center screw, never quite center, never just right – and yet the hand re-grips, shredding those fine threads, tightening and tightening cross-thread. Must find Proof. Continue reading “Walking Cross-Town. Under the Rainbow.”
[…]
Stillness. I would say to them
About living in the country, peace
Can deafen one, beauty surprise
No longer.
There is only the thud
Of the slow foot up the long lane
At morning and back at night.
~ R.S. Thomas, The Country
Credits: Photo of Lake District in England: James Reebanks. Poem Source: James Reebanks: The Shepherd’s Life
Jane Kenyon and I were married for twenty-three years. For two decades we inhabited the double solitude of my family farmhouse in New Hampshire, writing poems, loving the countryside. She was forty-seven when she died. If anyone had asked us, “Which year was the best, of your lives together?” we could have agreed on an answer: “the one we remember least.” […] The best moment of our lives was one quiet repeated day of work in our house. Not everyone understood. Visitors, especially from New York, would spend a weekend with us and say as they left: “It’s really pretty here” (“in Vermont,” many added) “with your house, the pond, the hills, but … but … but … what do you do?”
What we did: we got up early in the morning. I brought Jane coffee in bed. She walked the dog as I started writing, then climbed the stairs to work at her own desk on her own poems. We had lunch. We lay down together. We rose and worked at secondary things. I read aloud to Jane; we played scoreless ping-pong; we read the mail; we worked again. We ate supper, talked, read books sitting across from each other in the living room, and went to sleep. If we were lucky the phone didn’t ring all day… Three hundred and thirty days a year we inhabited this old house and the same day’s adventurous routine.
~ Donald Hall, The Third Thing from The Poetry Magazine. Continue reading “Which year was the best?”