A good trade.

lotto-ticket-spain

In mid-November I flew to Madrid. […] In Cartagena we made a pit stop at a restaurant called Juanita. […] I was sitting at the bar, having lukewarm coffee and a bowl of marinated beans warmed in possibly the first microwave ever made, when I realized some guy had sidled up to me.

He opened a well-worn oxblood wallet to reveal a solitary lottery ticket with the number 46172. I didn’t get the feeling it was a winning number, but in the end I paid six euros for it, which was a lot for a lottery ticket. Then he sat down next to me, ordered a beer and a plate of cold meatballs, and paid for them with my euros. We ate together in silence. Then he got up, looked me straight in the face, and grinned, saying buena suerte. I smiled back and wished him luck as well.

It occurred to me that my ticket may be worthless, but I didn’t care. I was willingly drawn into the whole scene, like a random character in a B. Traven novel. Lucky or not, I went along with the part I was targeted to play: the pigeon who gets off a bus at a pit stop on the road to Cartagena, hit on to invest in a suspiciously limp lottery ticket. The way I look at it is that fate touches me and some rumpled straggler has a repast of meatballs and warm beer. He is happy, I feel at one with the world— a good trade.

~ Patti Smith, ‘Her Name was Sandy’ from the M Train

Notes:

avenoir


avenoir – n. the desire that memory could flow backward

We take it for granted that life moves forward. But you move as a rower moves, facing backwards—you can see where you’ve been, but not where you’re going. And your boat is steered by a younger version of you. It’s hard not to wonder what life would be like facing the other way…


Source: John Koenig: The Dictionary of Obscure Sorrows

Stop. And…

beginning-purpose-meaning


Source: RudyOldeSchulte

Live

life-frustrado-Hossein-Zare


From My Modern Met:

Hossein Zare, is an Iranian photographer. He is an absolute master at creating spectacular photos that depict otherworldly and surreal scenes. Through a combination of photography and digital manipulation in Photoshop, Zare creates powerful images that look as if they come from dreamscapes, with recurring motifs such as ladders that stretch endlessly into the clouds, expansive and barren fields, sprawling cities, and a lone figure wandering through these strange landscapes in search of something.

More of his work can be found here: Hossein Zare


The dramatics are often unbelievably soft

dandelion

In truth, the dramatics of a life-determining experience are often unbelievably soft. It has so little akin to the bang, the flash, or the volcanic eruption that, at the moment it is made, the experience is often not even noticed. When it deploys its revolutionary effect and plunges a life into a brand-new light giving it a brand-new melody, it does that silently and in this wonderful silence resides its special nobility.

~ Pascal Mercier, Night Train to Lisbon: A Novel

 


Image Credit: Pino Stranieri.  Quote Source: Pascal Mercier, Night Train to Lisbon on Amazon.