Lightly Child, Lightly. (Ataraxia)

Sitting on that height, facing the brightening light, this is what I understood, not as a proposition of words, but as if it had taken full occupancy of my mind in a moment, as an image might occupy it, or a mathematical proof. Afterwards, when I translated what I had experienced, what I wrote had none of the force of what had happened. A long life and a short life are the same, because the present is the only life we have – the same for everyone. It was like a description of music. As the light poured into my eyes, exciting their nerves, causing reactions in the brain, the reactions gave rise to something beyond any contentment – a submission, blissful. The moment of the present becomes instantly the past, I wrote. The present was almost-nothing; I was almost-nothing – a momentary arrangement of energy. And when the time came for the arrangement of energy that went by my name to collapse, and become a different arrangement, barely anything would be changed. A slight readjustment of a few lives, for a while. Some after-life in the memory of a small number of people, for some of whom I was already nothing but a memory. Into the great indifference, I wrote, but the words caused a chill, a shiver, which I had not experienced in those minutes at the ruins. Everything is becoming – nothing rests, I added, on the next line. A less discomfiting formulation. At the ruins, I witnessed transition in everything: the slow movement of the clouds, the slower rising of the sun, the agitation of the sea. I witnessed it and felt it: with each breath, each heartbeat, I was changing, a changing thing among other things that were changing. More: as I gazed at that uncertain horizon, across the glowing water and the glowing leaves, the elements of the scene lost their separation. All categories and names were lost in the totality of it, dissolved in the light. This was how the episode achieved its climax, in an overwhelming acceptance. An Amen of sorts. That was what I wrote. ‘Ataraxia’ is a word I might have used, had it been at my disposal then.

An awareness of discomfort brought me back to myself – I had to stand up. One leg had become numb. True contemplatives are made of tougher stuff, I was soon telling myself, on the descent. As I picked my way down the crumbling path, I was starting to make phrases. A long life and a short life are the same was composed before I reached the car. As was Life – the intermission. And the ten-minute mystic. There has been nothing like it since. Not even ten minutes.

Standard reality reasserted itself promptly.

Jonathan Buckley, One Boat: A Novel (W.W. Norton & Company, November 4, 2025)


Notes:

  • Book Reviews Cafe: “Review: One Boat by Jonathan Buckley
  • Post Title & Inspiration: Aldous Huxley: “It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them.

Monday Morning Wake-Up Call

Neuroscientists tell us that awareness of beauty in one’s environment for a long time, reduces stress, can have physiological benefits, perhaps even longevity,” he explained. “And I realized that there’s not a day of my life that I didn’t see something beautiful.” He said some days he’s captivated by the way a stream of sunlight hits the wood paneling. Other days, he said, he sits enthralled watching the leaves dance in the wind through the windows. After more than seven decades, he’s convinced. “That’s my explanation. That’s the secret.”

— Vanessa Romo, who interviewed Roland Reisley (101 years old at the time) about his experience living for over 70 years in the “Reisley House, a home in the Usonia Historic District of Pleasantville, NY, designed for him by Frank Lloyd Wright. for over 70 years in 101 years of age who live in his house. (July 16, 2025, NPR Interview)


DK Photo taken at 11:18 a.m. on Nov 29 2024 as the late morning light streamed into our living room. One of those Roland Reisley moments I’ll never forget.

Sunday Morning…

What does he remember best? Ah yes – a Sunday morning when he’s trying to have a lie-in, he needs sleep, all the sleep he can get, he’s been out on the fjord all night. He wakes from a dream, his boat is going down, the wheelhouse slowly filling with seawater; he’s at the bottom of the sea, he’s underwater, lying there helpless on his back, his face turned to the surface. Then he’s suddenly wide awake, one ear full of liquid, both girls sitting on top of him. Eli and Guro have brought a bottle of water into the bed; they giggle when they see his reaction. There is no happiness like this, a Sunday morning, with the early sun hanging above the mountains on the other side of the fjord, a light that settles over the bedclothes, over the floor, over his girls. He hears their breath, their laughter.

Frode Grytten, The Ferryman and His Wife. Translated from Norwegian to English by Alison McCullough. (Algonquin Books, November 18, 2025)


Notes:

  • Recommended.
  • Book Review by Eileen Garvin: Read This: The Ferryman and His Wife by Frode Grytten
  • Post Title & Inspiration: Aldous Huxley: “It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them.

Lightly Child, Lightly.

Are you okay, Dad? she asked.
Yes, he said. Will there be someone there to meet you?
Yes, Dad, there will.
Do you have money on you?
Yes, Dad.
Got your passport?
Yes, Dad.
Umbrella?
Yes, Dad.
Contraception?
Yes, Dad.
Do you love me? Yes, Dad.

Frode Grytten, The Ferryman and His Wife. Translated from Norwegian to English by Alison McCullough. (Algonquin Books, November 18, 2025)


Notes:

  • Recommended.
  • Book Review by Eileen Garvin: Read This: The Ferryman and His Wife by Frode Grytten
  • Post Title & Inspiration: Aldous Huxley: “It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them.

Lightly Child, Lightly.

Q: You’d been disillusioned with acting for the better part of 15 years. What was the depression about?

SP: or a long time I gauged the value that a film would have on a good script, a good cast, a good director and a subject that I would want to go see a movie about. Those things were enough for a while. You get older, and you get more aware of the sacrifices. It’s about time, which we don’t get more of. It’s not enough to work with people you respect and like. You want the same thing you find in family. You want to be with people you love, and it wasn’t since Gus Van Sant’s movie “Milk” that I’d had that feeling. So I kept taking these jobs that I thought were good jobs about good subjects with good directors and I was missing my family, my dog, and I said, What the [expletive] am I doing here? I felt like, maybe I’m done with all this. […]

Q: We talked about how in the recent past you struggled with motivation about acting, and also how you can feel a lot of anger at the world. So what gets you up in the morning these days?

SP: I’m not averse to feeling extremely frustrated with the world. “The world”: We know what we’re saying, I think; I don’t want to be grandiose, or I don’t know how not to be. But I don’t even know if I would call what Russia and Putin are up to right now something that I engage in a lot of rage about. I don’t need rage to get me to a clarity of knowing how evil and obscene it is. The frustration is with those who are not willing to be sober enough to recognize our sacred duty to support the defense of Ukraine. But I don’t even call that anger so much. [Penn points to one eye] I wake up every day with this eye clear about the threat to the environment, the anguish people are going through, attempts to figure out how I can be of any value-added. [Penn points to his other eye] And this one is driving me from the time I wake up, and all I see is that this is still a magic trick of a beautiful cosmos and I am gonna [expletive] enjoy it every day — and I do. Sorry to those who would have me do otherwise, but I am feeling great.

Sean Penn, from Interview by David Marchese: Sean Penn Let Himself Get Away With Things for 15 Years. Not Anymore.” (NY Times, Sept 27, 2025)


Notes:

  • Post Title & Inspiration: Aldous Huxley: “It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them.