How reassuring! How desperate!

HiroharuMatsumoto_photography-02-alone-loneliness

I boarded a flight at Kennedy Airport in New York. There were HSBC ads in the jet bridge. I flew for 24 hours to the bottom of the world. There were HSBC ads in the jet bridge…

I left a country, the United States, in the midst of an election campaign. I arrived in a country, Australia, in the midst of an election campaign…

I had a cappuccino before I left. There was a cute heart shape traced in the foam. Next to the Sydney Opera House, familiar from photographs, I had a cappuccino. There was a cute heart shape traced in the foam…

From my window in Brooklyn Heights I watch joggers at water’s edge, some with dogs or infants in strollers…From my Sydney hotel window I gaze at an urban landscape similarly transformed. I watch joggers at water’s edge. They wear the same gear. They use the same devices. They are into wellness in the same way.

I lose myself in the silvery play of moonlight on water. Where on earth am I? I have traveled a long way through time zones over a vast ocean to find myself in the same place. My Twitter feed looks the same. My Facebook friends have not changed. My little universe with all its little excitements and aggravations is still at my fingertips. My bills are maddeningly accessible. Through an immense displacement nothing has been left behind. Even in another hemisphere I contemplate my life from the same angle. People argue about climate change and same-sex marriage and jobs and immigration, as if the world is now a place where everyone discusses the same thing…

In his great poem “The City,” C.P. Cavafy wrote that: “As you’ve wasted your life here, in this small corner, you’ve destroyed it everywhere else in the world.” We never escape our own skins, nor our lives lived to this point, however far we go in search of escape. But today’s trap, fashioned through technology, is of a different nature. The homogenization of experience is also an insidious invitation to conform.

Experience, like journalism, withers without immersion in place. At some level, the truly lived moment involves the ability to get lost — lost in a conversation, or in the back alleys or Naples, or in silence, or in the scents and inflections of a new city. There is no greater thrill than being lost in this way because self is left behind, a form of liberation.

Yet a world is taking form that wants you never to be lost, never to feel displaced, never to be unanchored, never to be unable to photograph yourself, never to stand in awe before mystery, never to exit your safety zone (or only in managed fashion), never to leave your life behind: a world where you travel for 24 hours to your point of departure.

How reassuring! How desperate!…

So I am somewhere else after all. Surely I am. I wake at night, sleep by day, and find myself altogether lost in translation.

~ Roger Cohen, excerpts from Australia or Anywhere


Photo: Hiro Harumatsumoto via Ignant.de

Ho Ho Ho!

christmas-tree-sales-chart
X-Mas Tree Sales Up. Mall Sales Not.

wsj.com: Will Christmas Trees Light Up Retail:

“The gap between Christmas-tree and store sales may be a sign that the shift in spending away from brick-and-mortar retailers and toward online shopping, and experiences over things, has intensified this year. Put simply, people would rather spend money at Amazon, or on meals and vacations, than on stuff at the store. That may explain why Christmas-tree sellers aren’t getting hurt by the changed environment.

For many people getting a tree, hauling it home and trimming it counts more as buying an experience more than it counts as buying a thing.”


 

A good trade.

lotto-ticket-spain

In mid-November I flew to Madrid. […] In Cartagena we made a pit stop at a restaurant called Juanita. […] I was sitting at the bar, having lukewarm coffee and a bowl of marinated beans warmed in possibly the first microwave ever made, when I realized some guy had sidled up to me.

He opened a well-worn oxblood wallet to reveal a solitary lottery ticket with the number 46172. I didn’t get the feeling it was a winning number, but in the end I paid six euros for it, which was a lot for a lottery ticket. Then he sat down next to me, ordered a beer and a plate of cold meatballs, and paid for them with my euros. We ate together in silence. Then he got up, looked me straight in the face, and grinned, saying buena suerte. I smiled back and wished him luck as well.

It occurred to me that my ticket may be worthless, but I didn’t care. I was willingly drawn into the whole scene, like a random character in a B. Traven novel. Lucky or not, I went along with the part I was targeted to play: the pigeon who gets off a bus at a pit stop on the road to Cartagena, hit on to invest in a suspiciously limp lottery ticket. The way I look at it is that fate touches me and some rumpled straggler has a repast of meatballs and warm beer. He is happy, I feel at one with the world— a good trade.

~ Patti Smith, ‘Her Name was Sandy’ from the M Train

Notes:

avenoir


avenoir – n. the desire that memory could flow backward

We take it for granted that life moves forward. But you move as a rower moves, facing backwards—you can see where you’ve been, but not where you’re going. And your boat is steered by a younger version of you. It’s hard not to wonder what life would be like facing the other way…


Source: John Koenig: The Dictionary of Obscure Sorrows

Stop. And…

beginning-purpose-meaning


Source: RudyOldeSchulte

Live

life-frustrado-Hossein-Zare


From My Modern Met:

Hossein Zare, is an Iranian photographer. He is an absolute master at creating spectacular photos that depict otherworldly and surreal scenes. Through a combination of photography and digital manipulation in Photoshop, Zare creates powerful images that look as if they come from dreamscapes, with recurring motifs such as ladders that stretch endlessly into the clouds, expansive and barren fields, sprawling cities, and a lone figure wandering through these strange landscapes in search of something.

More of his work can be found here: Hossein Zare


The dramatics are often unbelievably soft

dandelion

In truth, the dramatics of a life-determining experience are often unbelievably soft. It has so little akin to the bang, the flash, or the volcanic eruption that, at the moment it is made, the experience is often not even noticed. When it deploys its revolutionary effect and plunges a life into a brand-new light giving it a brand-new melody, it does that silently and in this wonderful silence resides its special nobility.

~ Pascal Mercier, Night Train to Lisbon: A Novel

 


Image Credit: Pino Stranieri.  Quote Source: Pascal Mercier, Night Train to Lisbon on Amazon.

Better to be dusty than polished

woman,face,hands,neck

We get a little further from perfection,
each year on the road,
I guess that’s what they call character,
I guess that’s just the way it goes,
better to be dusty than polished,
like some store window mannequin,
why don’t you touch me where i’m rusty,
let me stain your hands.

– Ani DiFranco

 


Photograph: Eric Rose. Poem: Fables of the Reconstruction. Ani DiFranco Bio: Wiki

We have eyes yet see not. Ears that hear not. And hearts that neither feel nor understand.


I think a lot about the contrast between banality and wonder.  Between disengagement and radiant ecstacy.  Between being unaffected by the hear and now and being absolutely ravished emotionally by it. And I think one of the problems for human beings is mental habits. One we create a comfort zone, we rarely step outside of that comfort zone.  But the consequence of that is a phenomenon known as hedonic adaptation. Overstimulation to the same kind of thing, the same stimuli, again and again and again, renders said stimuli invisible.  Your brain has already mapped it in its own head and you know longer literarily have to be engaged in it.  We have eyes yet see not. Ears that hear not. And hearts that neither feel nor understand.  There is a great book called “The Wondering Brain” that says that one of ways that we elicit wonder is by scrambling the self temporarily so that the world can seep in. Henry Miller says that even grass when given proper attention becomes an infinitely magnificent world in itself.  Darwin said attention if sudden and close graduates into surprise, and this into astonishment, and this into stupefied amazement. That’s what rapture is. That’s what illumination is. That’s what infinite comprehending awe that human beings love so much. And so how do we do that?  How do we mess with our perceptual apparatus in order to have the kind of emotional and aesthetic experience from life that we render most meaningful.  Because we all know that those moments are there. Those are those moments that would make the final cut. Only in these moments we experience a fresh, the hardly bearable, ecstasy of direct energy exploding on our nerve endings. This is the rhapsodic, ecstatic, bursting forth of awe that expands our perceptual parameters beyond our previous limits. And we literally have to reconfigure our mental models of the world in order to assimilate the beauty of that download. That is what it means to be inspired. The Greek root of the term means to breathe in. To take it in. We fit the Universe through our brains and it comes out in the form of nothing less than poetry. We have a responsibilities to awe.

~ Jason Silva


Source: SwissMiss

1 Year. And Counting…

One year ago this weekend, I ventured out into the blogosphere.  In this Happy Anniversary to Me Post, here’s a few of my observations and reflections over the past year:

STATS: 882 posts. 215,946 views. 14,202 comments. (Can these be real?)

INSANITY. Doing The Same Thing Over and Over and Expecting a Different Result. My “Tags” have reproduced like rabbits. 1,946 Tags. (WHAT. AM. I. DOING. HERE? I have Tag addiction. I tried to create a Page and they all wouldn’t fit. Tags have become the drawer that you keep stuffing the “really important stuff” that you’re going to need later – the drawer is now impossible to open and close. And I have no idea how to unwind this monstrosity.)

I Just Don’t Get It. My “Categories.” I have 11 categories. I mark most posts with many categories. (So, exactly how are you helping your followers find a post if they all have the same categories?)

NAGGING at me.  Months ago, Joe C. had told me that I had my Blog Name (Lead.Learn.Live) backwards.  He believed it should be re-ordered “Live.Learn.Lead.” (As each day passes, I think he’s right.  Yet, I can’t do it.  I can’t change it.  I just can’t. NO. NO. NO.) [Read more…]

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