Anemoia: So clear and still you can see your own reflection.


anemoia – n. nostalgia for a time you’ve never known

Imagine stepping through the frame into a sepia-tinted haze, where you could sit on the side of the road and watch the locals passing by. Who lived and died before any of us arrived here, who sleep in some of the same houses we do, who look up at the same moon, who breathe the same air, feel the same blood in their veins—and live in a completely different world.

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avenoir


avenoir – n. the desire that memory could flow backward

We take it for granted that life moves forward. But you move as a rower moves, facing backwards—you can see where you’ve been, but not where you’re going. And your boat is steered by a younger version of you. It’s hard not to wonder what life would be like facing the other way…


Source: John Koenig: The Dictionary of Obscure Sorrows

Again this morning, in a cold wind

bridge-cables-red-Golden-Gate-Bridge

Again this morning, in a cold wind from the future, I walked all the way to the end of the long bridge of my life, having a look at its cables, its rods and rivets, its perforated metal flooring through which I could see whitecaps slamming the pylons. Then I turned and came back, inspecting it all from the other direction, fretting about every hex nut and bolt though they seem sound enough to hold things together. I ought to give the long bridge of my life a little rest, but every day it seems I’m walking from past to possibility and back to past with my brush and aluminum paint, hiding the rust, the deepening cracks, dabbing a shine here and there.

~ Ted Kooser, November. The Wheeling Year: A Poet’s Field Book


Notes:

  • Note to self: Now. 4:23 am. 21º F. Wind, cold. 13 mph from the West.
  • Credits: Photograph – peopleus.

Just like that…

woman,stare,wonder,ponder,

“What was, is;
What might have been, might be.
What’s kept. What’s lost. A snap decision.”

– Adrienne Rich, from Later Poems Selected And New


Poem Source: Soaked In Soul. Photograph: “Enigma”; Kenny Sweeney

Mistakes made by the selves we had to be

white,photography,arms crossed

Do you have hope for the future? someone asked Robert Frost, toward the end.

Yes, and even for the past, he replied, that it will turn out to have been all right for what it was, something we can accept, mistakes made by the selves we had to be, not able to be, perhaps, what we wished, or what looking back half the time it seems we could so easily have been, or ought…

The future, yes, and even for the past, that it will become something we can bear.

And I too, and my children, so I hope, will recall as not too heavy the tug of those albatrosses I sadly placed upon their tender necks.

Hope for the past, yes, old Frost, your words provide that courage, and it brings strange peace that itself passes into past, easier to bear because you said it, rather casually, as snow went on falling in Vermont years ago.

~ David Ray, “Thanks, Robert Frost.”

 


David Ray, 82, was born in Sapulpa, Oklahoma. Ray comes from a broken home that was thrown into upheaval when his father left the family by hopping on the back of a watermelon truck headed to California. After his mother’s next failed marriage ended in the suicide of Ray’s stepfather, he and his sister Mary Ellen were placed into foster care—a system that wasn’t kind to young children in the late 1930s and early 1940s. Ray’s classic “Mulberries of Mingo” steeps from memories of he and his sister being thrown out of a foster families home at dinner time – to fend for themselves eating the mulberries from a neighbor’s tree. The years that followed were dark and tragic as he and his sister were separated to face their separate nightmares of abuse. He is a distinguished award winner, and has lectured and read at over 100 Universities in England, Canada and the U.S. Graduating from the University of Chicago, BA, MA. Ray’s poetry varies from short, three to four lines pieces, to longer 30 lines poems. His work is also often autobiographical, providing unique context and insight to scenes of childhood, love, fear, sex, and travel. “Communication is important to him, and he has the courage, working with a genre in which simplicity is suspect, to say plainly what he means.” He and his wife, poet and essayist Judy Ray, live in Tucson, Arizona.

Studs Terkel: “David Ray’s poetry has always been radiant even though personal tragedy has suffused it.” Continue reading “Mistakes made by the selves we had to be” →