How many moons have I been too busy to notice?


Notes:

  • Photograph of Hunter’s Moon: By Eric Kanigan, from our front yard on October 14, 2019
  • Inspired by: “How many moons have I been too busy to notice? Full moons, half moons, quarter moons facing those thousands of suns, watching them bringing the years up, one piece at a time. Even the dark phases of moon after moon, gray stoppers plugged into a starry sky, letting a little light leak out around the edges. By my reckoning, almost a thousand full moons have passed above me know, and I have been too busy and self-absorbed to be thankful for more than a few, though month after month they have patiently laid out my shadow, that velvety cloak that in the moonlit evenings waits for me.” ~ Ted Kooser, January. The Wheeling Year: A Poet’s Field Book (UNP – Nebraska, 2014).

Flying. On Sunday with Sparrow.

Sunday morning. 6:15 a.m. Driver is racing down I-95 in light traffic. What’s the rush?

Destination: JFK. On Sunday.

There is something unpleasant at its core about cutting your weekend in half, to fly across the country to get to a conference kick-off on Sunday evening. My weekend (Not). A large paddle wheeler, turning, turning, turning, wooden paddles slapping against the water, pausing briefly when the rhythm is broken by a swell.

There’ll be no sleeping in. No lounging in bed. No CBS Sunday Morning with Jane. There’ll be no Sunday morning papers. No pancake breakfast. No Netflix binge watching. No dozing off on the couch under the comforter, windows open, strands of cool breezes welcoming Autumn.

Thoughts alternate between irritation (did you really need to commit to attend this conference) to mild irritation (you could have left on Monday) to resignation (make the best of it pal, a commitment is a commitment).

I open my backpack, pull out my iPad, and find it’s 13% charged. No! No! No! I Swear I plugged this thing in last night. I walk around Gate 24, and then 25 and find an open power outlet at Gate 26. [Read more…]

Saturday Forecast

Rain always follows the cattle
sniffing the air and huddling
in fields with their heads to the lee.
You will know that the weather is changing
when your sheep leave the pasture
too slowly, and your dogs lie about
and look tired; when the cat
turns her back to the fire,
washing her face…

~ Ted Kooser, from “How to Foretell a Change in the Weather” in Kindest Regards: New and Selected Poems (Copper Canyon Press, May 8, 2018)

 


Notes: Photo by AMJ STREETS with Cat Wash

the world is alive with such innocent progress

In feathers the color of dusk, a swallow,
up under the shadowy eaves of the barn,
weaves now, with skillful beak and chitter,
one bright white feather into her nest
to guide her flight home in the darkness.
It has taken one hundred thousand years
for a bird to learn this one trick with a feather,
a simple thing. And the world is alive
with such innocent progress. But to what
safe place shall any of us return
in the last smoky nightfall,
when we in our madness have put the torch
to the hope in every nest and feather?

~ Ted Kooser, “Nightfall” in Kindest Regards: New and Selected Poems (Copper Canyon Press, May 8, 2018)


Image (edited): featherthenest.com

Selecting a Reader

First, I would have her be beautiful,
and walking carefully up on my poetry
at the loneliest moment of an afternoon,
her hair still damp at the neck
from washing it. She would be wearing
a raincoat, an old one, dirty
from not having money enough for the cleaners.
She will take out her glasses, and there
in the bookstore, she will thumb
over my poems, then put the book back
up on its shelf. She will say to herself,
“For that kind of money, I can get
my raincoat cleaned.” And she will.

~ Ted Kooser, “Selecting a Reader”, the opening poem in his new book: Kindest Regards: New and Selected Poems (Copper Canyon Press, May 8, 2018)


Notes:

  • Ted Kooser’s new collection went on sale at Amazon (only in Hardcover) this month for $28.69
  • Portrait of Ted Kooser via KUOW

with no one to tell

Today, from a distance, I saw you,
walking away, and without a sound
the glittering face of a glacier
slid into the sea. An ancient oak
fell in the Cumberlands, holding only
a handful of leaves, and an old woman
scattering corn to her chickens looked up
for an instant. At the other side
of the galaxy, a star thirty-five times
the size of our own sun exploded
and vanished, leaving a small green spot
on the astronomer’s retina
as he stood on the great open dome
of my heart with no one to tell.

— Ted Kooser, “After Years,” Solo: A Journal of Poetry, Spring 1996


Photo: Supernova remnant is the spectacular remains of an exploded star, located about 190,000 light-years away. The expanding multimillion degree remnant is about 30 light-years across and contains more than a billion times the oxygen contained in the Earth’s ocean and atmosphere…We see the remnant as it was about 190,000 years ago, around a thousand years after the explosion occurred. The star exploded outward at speeds in excess of 20 million kilometers per hour. (Image Credit – NASA via Anne’s Astronomy News)

Dawn in the north. His nose stalks the air.

coffee

I want to describe my life
in hushed tones
like a TV nature program.
Dawn in the north.
His nose stalks the air
for newborn coffee.

~ Jim Harrison & Ted Kooser, Braided Creek: A Conversation in Poetry

 


Notes: Photo via Your Eyes Blaze Out

Only a kettle’s whisper

blue-flame-kettle

A farmhouse window far back from the highway
speaks to the darkness in a small, sure voice.
Against this stillness, only a kettle’s whisper,
and against the starry cold, one small blue ring of flame.

~ Ted Kooser, “A Winter Morning” From Delights & Shadows


Notes:

 

Saturday Morning

fence, fence posts, posts,

Even through curtains,
the sun will assert itself enough to soften a candle,
its warmth insistent as a kiss till the candle bends back.
We all fall under the spell of the sun
and are all at the end bent and consumed.
See how a long row of fence posts
leans over a deeply cut road
as if they’d been pushed by the light.

~ Ted Kooser, November. The Wheeling Year: A Poet’s Field Book


Photo: Beechwood by Heiko Fritz

Lightly child, lightly

fingers-hand

Four in the morning, cold and still but for the buzz of my yard light as it talks to the one up the hill at my neighbor’s. Mine says it feels the earth spinning it out to the end of its post, like a drop of light that might at any instant shake off into the stars, but my neighbor’s says that’s nonsense, the typical thing you can expect to hear from a poet’s lamp: Nothing on earth can feel that centrifugal force. As for me, I know how light on their legs the fat mice are as they carry the dog food, nugget by nugget, feeling the warmth spin away from the earth, and how the trees are flushed at this time of the year with the effort of holding leaves. Oh, yes, there is a steady tug from the Milky Way, and I can feel my fingers lifting just a little away from these keys, not touching and then touching again, one tap and then another.

So light I am, so light is my heart when I am up early, trying to write.

~ Ted Kooser, September. The Wheeling Year: A Poet’s Field Book


Notes:

  • Photo: NoelleBuske – “Magia” (via Mennyfox55)
  • Prior “Lightly child, lightly” Posts? Connect here.
  • Post Title & Inspiration: Aldous Huxley: “It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them.”

 

We still have work ahead, as long as we can see.

moon-blue-moon-full-moon

Like mine, the moon’s eyelid is droopy.
It too is old and has been around.
We pass our time together without saying a word,
like brothers scything weeds long after dark.
His scythe has caught a little light,
but mine has not.
We still have work ahead, as long as we can see.

~ Ted Kooser, “August.The Wheeling Year: A Poet’s Field Book


Photo: r2–d2

 

Blue Moon. Heavy boots.

blue-moon

Heat lightning: at the horizon,
July in heavy boots paces the hot floor of the darkness.
A bulb in a wobbly lamp jiggles.
Or is that you, my friend,
approaching across the firefly hills,
swinging a sloshing pail of moonlight?

~ Ted Kooser, July. The Wheeling Year: A Poet’s Field Book


Photo: Blue Moon by Masahiro Hiroiki taken on July 31, 2015 in Nanbu-Cho, Tottori, Japan.

 

Courage. No. Excuse me. Real Courage.

girl-bus-alone

The most beautiful flowers of courage
are not seen in the showy,
loose petalled bouquets of our leaders,
enormous gardenias perfuming whole banquet rooms.
No, they are blossoms like this:
a child-sized young woman with a homely face,
alone on a seat on the city bus,
eyelashes thick with mascara,
lipstick smudged onto her small, determined mouth.

~ Ted Kooser, July. The Wheeling Year: A Poet’s Field Book


Image Source: Ziemowit Maj

Yellow, pure, and flawless

butter

There are few perfect things in this world, and one of them is your common everyday pound of butter, cool in its box, printed in blues and greens with pleasant images – a farm, a farmer, a cow at a fence – and divided into quarters wrapped in immaculate paper as neatly tucked and folded as a soldier’s bunk, each section as easy to slide in and out as if riding on soundless rollers, like drawers in a filing cabinet, two two-drawer cabinets placed side by side, the files packed in manila, clean and fresh, with evenly spaced dividers arranged by a tablespoon. To press it to your cheek and then, with a fingernail, to carefully lift the triangular folds at each end, one end at a time, and then, without tearing the paper, to open the final flap and find there butter, yellow, pure, and flawless, too good to be true.


Photo: Rose Water & Orange Blossoms

Gripping its shoulders with cool white hands

full-moon

We see only the moon’s fixed face, as you know. It never turns aside in pain, in anger or disgust. It is thus the good parent, holding the earth at arm’s length, gripping its shoulders with cool white hands, turning and turning around it as if it were saying good-bye, as if it were taking one last long look. But the moon with its homely, familiar face, has been wishing that we fare well every evening for millions of years, fully knowing that we would be there in the morning, ready to try.


Photo: Russell Tomlin (The Oregon Honey Moon) via This is Everything

 

Dipped a spoon into the plain water of an ordinary day, then lifted it, salty with tears, to my lips.

light-melancholy-sad-back

Oh, melancholy, how poor I would be without you drawing my attention to this or that. Yesterday it was the wild plum blossoms along the brief road to today, and today it’s this rain that will rain only once. Each grain of sand on each shingle lights for an instant, like a window across a black lake, and then the tiny shade is drawn, as time strikes the wet panes and glances away. Tomorrow, too, you will be waiting with something to show me. That time, for example, when you dipped a spoon into the plain water of an ordinary day, then lifted it, salty with tears, to my lips.

~ Ted Kooser, May. The Wheeling Year: A Poet’s Field Book


Photograph: Irina Munteanu (Dawning on Me) via eikadan

holding it at arm’s length, clutching its shoulders

photography,black and white

You’ve seen the way in which a woman chooses a dress from her closet, then stands before a mirror, holding it at arm’s length, clutching its shoulders as if it were a son she is sending to war, looking him up and down and then drawing him close and pressing him against her breast. And then she sees herself embracing him, and smiles, the two of them looking so perfect together, full of such hope, facing the future.

~ Ted Kooser, The Wheeling Year: A Poet’s Field Book


Photograph:  Drowned in Daydreams

For years we grasp and grasp

fist-bump-baby-father

In the baby’s fist is the first thing he owns, a little ball of air, but soon he tires of this and grabs another, then another after that. So early in life we learn about more, and having more. In more it seems we have eternity, and for years we grasp and grasp, until one day we find that we have less. And then life goes and goes, it floats away, and at the end we find our hand is empty, but for one small ball of air.

~ Ted Kooser, The Wheeling Year: A Poet’s Field Book


Photograph: John Mueller

Sunday Morning: Shrinks back farther into the empty sleeve of the church

church-old-abandoned-faith

Early in March,
in the shadow of the abandoned Assembly of God,
there’s a melting snowdrift shaped like a hand
whose five thin fingers reach
to soothe the grass on the neighboring lawn.
Each day this white hand shrinks back farther
into the empty sleeve of the church.

~ Ted Kooser, The Wheeling Year: A Poet’s Field Book 


Photograph: Ed Erglis (Minnesota)

 

Cold stove of 4:00 a.m., black iron

cast-iron-stove

Cold stove of 4:00 a.m., black iron, the lids in place on everyone but me, and down the chimney, through the damper’s pinch, the distant hoo-hoo-hooing of an owl. And soon, among the sticks of kindling in the box of words, the mouselike scritching of my pen.

~ Ted Kooser, February. The Wheeling Year: A Poet’s Field Book


Photo Credit: The Wild Free Spirit

%d bloggers like this: