Lightly Child, Lightly.

Let me seek then,
the gift of silence and solitude,
where everything I touch is turned into a prayer:
where the sky is my prayer,
the birds are my prayer,if
the wind in the trees is my prayer…

Thomas Merton, Thoughts in Solitude


Notes:

  • Quote: Thank you Beth @ Alive on All Channels. Photograph Gif: via Nini Poppins
  • Prior “Lightly child, lightly” Posts? Connect here.
  • Post Title & Inspiration: Aldous Huxley: “It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them.”

Lightly Child, Lightly.

I would have them be like the branch of the olive tree.
That one which bides its time.
Then they will feel within them,
like the swirling gust which tests the tree,
the impulse of God’s breath.

~ Antoine de Saint-Exupéry, from The Wisdom of the Sands


Notes:

  • Poem: via distance between two doors. Photo: via Your Eyes Blaze Out
  • Prior “Lightly child, lightly” Posts? Connect here.
  • Post Title & Inspiration: Aldous Huxley: “It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them.”

Sunday Morning

I have news for you—
there are people who get up in the morning and cross a room
open a window to let the sweet breeze in
and let it touch them all over their faces and bodies.

Tony Hoagland, from “I Have News For You” in Unincorporated Persons in the Late Honda Dynasty: Poems


Notes: Photo: Dark Mornings. Poem: Thank you Beth @ Alive on all Channels

Ursula K. Le Guin, 1929-2018

Things don’t have purposes, as if the universe were a machine, where every part has a useful function. What’s the function of a galaxy? I don’t know if our life has a purpose and I don’t see that it matters. What does matter is that we’re a part. Like a thread in a cloth or a grass-blade in a field. It is and we are. What we do is like wind blowing on the grass.

Ursula K. Le Guin, The Lathe of Heaven


Notes: Quote – Thank you Beth @ Alive on all Channels. Photo: Scientific American

Saturday Morning

It’s a gift, this cloudless … morning
warm enough to walk without a jacket
along your favorite path. The rhythmic shushing
of your feet through fallen leaves should be
enough to quiet the mind…

The rising wind pulls you out of it,
and you look up to see a cloud of leaves
wheeling in sunlight, flickering against the blue
and lifting above the treetops, as if the whole day
were sighing, Let it go, let it go,
for this moment at least, let it all go
.

~ Jeffrey Harrison, from Enough

 


Notes: Poem from Poets.org.  Photo: niaz uddin (Eastern Sierra Mountains)

 

Sunday Morning (38 sec)

Bison at the American Prairie Reserve in northeastern Montana.

For international viewers, find link to video here: CBS Sunday Morning, Nature: Bison

 

It’s been a long day

wind

I don’t know. Things don’t have purposes, as if the universe were a machine, where every part has a useful function. What’s the function of a galaxy? I don’t know if our life has a purpose and I don’t see that it matters. What does matter is that we’re a part. Like a thread in a cloth or a grass-blade in a field. It is and we are. What we do is like wind blowing on the grass.

Ursula K. Le Guin, The Lathe of Heaven: A Novel


Notes:

Yes, ’n’ how many times can a man turn his head / and pretend that he just doesn’t see?

Growing up in Harpswell, Maine, I was always conscious of the wind. The Atlantic Ocean was our front yard, and our house was completely exposed. Even playing in the woods as a child, I thought the wind was trying to tell me something.  I first heard Bob Dylan’s Blowin’ in the Wind in 1973, during my last year in high school. Someone played it for me. Even though the song had come out 10 years earlier, when I was 7, I never owned the record as a young person. I didn’t have the money, and I didn’t have anything to play the record on.

As a child, I sensed the wind had a restless, secretive quality. The song’s argument that the answers to life’s vexing questions are blowing around in the wind and that you just have to listen to hear them resonated with me.

From the start, I knew that “Blowin’ in the Wind” was a protest song, that the wind was a metaphor for a rising countercultural movement in the ’60s. But for years, I heard the song solely as a lyric.

Now I experience the song differently when I hear it on my iPhone and put the lyric in today’s context. After Dylan’s acoustic guitar opens the song, his voice is remarkably melodic and softly insistent.

As he sings, the line that catches my ear reminds me not to overlook what’s right in front of us:

“Yes, ’n’ how many times can a man turn his head / and pretend that he just doesn’t see?”

Many of us walk past people living on the sidewalk asking for money and either ignore them or never see them. That’s what makes the song so special: The words constantly take on fresh meaning.

But much depends on where you hear them. In 1978, I went to my first Dylan concert in Augusta, Maine. He performed “Blowin’ in the Wind,” but it wasn’t quite the same as hearing his original recording.  There were too many people there for the song to be personal, and the song’s intent was brought down to an earthly level. Like the wind, the song is best experienced alone.

~ Elizabeth StroutElizabeth Strout on ‘Blowin’ in the Wind’, As a writer grows up, a Dylan song changes meaning. (wsj.com, July 11, 2017).  Elizabeth Strout, 61, is the Pulitzer Prize-winning author of six novels, including her latest, “Anything Is Possible” and her Pulitzer Prize winning novel Olive Kitteridge.


Notes:

  • Photo of Elizabeth Strout
  • Inspired by: True singing is a different breath, about nothing. A gust inside the god. A wind.” By Rainer Maria Rilke, “Sonnet I.III,” in Duino Elegies & The Sonnets To Orpheus.

Lightly child, lightly.

I saw none of that;
the only birds were tiny and caged,
beating their wings against the bars,
chattering like distant voices in dreams.
I’ve forgotten how I got there. I know
I knelt to a cold stream to wash my face
and wakened to music, an odd beat,
a melody I’d heard before. I followed
the sound over a rise to the open field
where the sun poured down its grace
on the long grass, the animals, the men
and women. The wind kept prodding
at my back as though determined
to push me away from where I was,
fearful, perhaps, I would come to rest.

~ Philip Levine, from In Another Country (The New Yorker, February 11, 2013)


Notes:

  • Photo: via Your Eyes Blaze Out
  • Prior “Lightly child, lightly” Posts? Connect here.
  • Post Title & Inspiration: Aldous Huxley: “It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them.”

Saturday Morning

…Under bamboos that sing to the wind
and wall the cathedral sky,
my body surges…
A rush of balsam wind boils the clouds,
roils my shirt, my skin,
enfleshing the living breath, deep and long.
Like weeding the garden: hands become weeds,
become shovel, become time.
Body becomes rhythm, becomes power;
becomes wind, becomes Mind.

A cotton cloud of ibises float after.

—Betsy Lagana Bluangtook


Notes: Poem – Thank you Beth at Alive on All Channels. Photo – Bamboo by kristof casteren

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