I can’t say that I execute every day, but I do believe this. Yes I do.
Good Morning!
Source: swiss-miss
I can't sleep…
I can’t say that I execute every day, but I do believe this. Yes I do.
Good Morning!
Source: swiss-miss
This one made me think. (And I averted my eyes away from the double negative as I re-read this 3x.)
If you are curious about Yoko Ono’s Cleaning Piece I, II and IV (I was), you’ll find them @ Ibloghappiness.
Source: thisisnthappiness
Michael’s in my head again. Jabbing. Jabbing. Jabbing. Gracefully dancing and landing punches like Sugar Ray. With similar effectiveness. Each one leaving a mark. Punch line popping: You are RUDE.
If you want to pay someone a quiet compliment, give them some serious attention when they are speaking.
We’re back to work after a wonderful two week siesta with the family. No travel. No stress. Just watching movies, eating and napping sprinkled with a well intentioned but woefully under-executed exercise regimen. Time to shift gears to work-mode. A post I came across during my vacation by Eric Barker @ “Barking Up The Wrong Tree” reminded me of an earlier conversation with a bright (very), ivy league educated, younger colleague. He posed these following questions:
You have achieved modest success in your career, what key learnings can you share? (Modest? Do I ooze underachievement?)
I’m sure you have made mistakes along the way? Would you mind sharing? (Why not start with the wins? Is it that obvious that this captain has weathered too many rough seas?)
Have you made repeated mistakes in the same area and why? (Cringing. How does he know? Do all ex-collegiate hockey players have a reputation of diving into the same scrum and looking for trouble?)
What tips would you share with someone just starting their career? (In contrast to me, that is, one who is just finishing or finished?)
Why am I afraid to dance, I who love music and rhythm and song and laughter?
Why am I afraid to live, I who love life
and the beauty of flesh and the living colors of earth and sea and sky?
Why am I afraid to love, I who love?
Why am I afraid, I who am not afraid?
Why must I pretend to scorn in order to pity?
Why must I hide myself in self-contempt in order to understand?
Why must I be so ashamed of my strength, so proud of my weakness?
Why must I live in a cage like a criminal, defying and hating, I who love peace and friendship?
Why was I born without a skin? Oh God, that I must wear armor in order to touch or be touched.”
~ Eugene O’Neill, The Great God Brown and Other Plays
Eugene O’Neill (1888-1953), was an American playwright who won the 1936 Nobel Prize in Literature “for the power, honesty and deep-felt emotions of his dramatic works, which embody an original concept of tragedy.” His plays involve characters who inhabit the fringes of society, engaging in depraved behavior, where they struggle to maintain their hopes and aspirations but ultimately slide into disillusionment and despair. O’Neill wrote only one comedy (Ah, Wilderness!): all his other plays involve some degree of tragedy and personal pessimism.
Source: Thank you Whiskey River for quote. Wiki and goodreads for bio. Black and White for image.