get up ya bowsies /  and clean out your cells

What time of day do you write?

There’s an Irish song written by Brendan Behan that goes: In the early mornin’ /  the screws were bawling /  get up ya bowsies /  and clean out your cells. Well, that’s how I feel in the early morning: Get up, ya bowsie. I want to get up before the small mundanities and the stupidities and the prison guards of the Internet. Clean out my cell. Or my cells. Get the words down on paper. A perfect day for me begins in the dark before anyone else has woken, say 4:30 or 5 am. Two hours or so of this. In the quiet. And then, when the house begins to stir, the rest of my life will too. But for a small parcel of early morning hours, I feel entirely free. And then I go out and walk the dog.

~ Colum McCann, from “Colum McCann on Ulysses, Mary Lavin, and Drinking with John Berger” (Literary Hub, February 25, 2020)


Notes: Thank you Sawsan for sharing.

Secrets of Success: Focus & Balance.

    

    


Don’t miss video here: Little Owl.  Source: HuffPost (via Your Eyes Blaze Out)

The still, quiet voice


“I have to listen to music while I write, and usually I play just one song at a time. I repeat it all day, often for weeks on end. Months, even. There’s one song that I replayed up to 30,000 times during the ten years I was writing The Incendiaries. I love that song and its powers; I can’t tell you its name, lest it stop helping me. By obsessively replaying a single song at a time, I can, if I’m lucky, set the pitch. It gives me a place to start. The ritual of it, the repetition, lulls and quiets my anxious, everyday self. The ego goes silent, which lets my writing self emerge, and begin to sing. Even now, months after I last edited The Incendiaries, to play the song I can’t name is to be pulled back toward my novel, into my made-up town of Noxhurst. The still, quiet voice. That’s what I used to listen for, back when I was deeply religious: the still, quiet voice of God. I’ve lost that kind of faith, but I do believe in fiction’s voice, and in spending the rest of my life, or so I hope, listening for it.”

— R.O. Kwon, author of The Incendiaries: A Novel in Poets & Writers, July 26, 2018


From a book Review of The Incendiaries by Ron Charles in The Washington Post on July 23, 2018: ‘The Incendiaries’ is the most buzzed-about debut of the summer, as it should be. “…Kwon, who was raised Roman Catholic and has said that she lost her faith in her teens, seems to understand with extraordinary sympathy just what that loss entails. And as her debut novel catches fire and burns toward its feverish conclusion, she offers a strikingly clear articulation of the fanatic’s mind-set: It’s not an excess of belief that drives some believers to violence; it’s a maddening lack of belief, which requires that radical action be substituted for faith. In a nation still so haunted by the divine promise, on the cusp of ever-more contentious debates about abortion and other intrinsically spiritual issues, ‘The Incendiaries’ arrives at precisely the right moment.”

Guilty

Turning, one evening, from my phone to a book, I set myself the task of reading a single chapter in one sitting. Simple. But I couldn’t. There was nothing wrong with my eyes. No stroke or disease clouded my way. Yet – if I’m being honest – the failure was also not a surprise.

Paragraphs swirled; sentences snapped like twigs; and sentiments bled out. The usual, these days. I drag my vision across the page and process little. Half an hour later, I throw down the book and watch some Netflix…

So, it’s been unnerving to realize: I have forgotten how to read – really read – and I’ve been refusing to talk about it out of pride…

Online life makes me into a different kind of reader – a cynical one. I scrounge, now, for the useful fact; I zero in on the shareable link. My attention – and thus my experience – fractures. Online reading is about clicks, and comments, and points. When I take that mindset and try to apply it to a beaten-up paperback, my mind bucks.

Author Nicholas Carr writes that, “digital technologies are training us to be more conscious of and more antagonistic toward delays of all sorts.” We become, “more intolerant of moments of time that pass without the arrival of new stimuli.” So, I throw down the old book, craving mental Tabasco sauce. And yet not every emotion can be reduced to an emoji, and not every thought can be conveyed via tweet.

~ Michael Harris, “I have forgotten how to read.” For a long time Michael Harris convinced himself that a childhood spent immersed in old-fashioned books would insulate him from our new media climate – that he could keep on reading in the old way because his mind was formed in pre-internet days. He was wrong.

Read on: “I Have Forgotten How to Read.” (The Globe and Mail, Feb 9, 2018)

 

 

the simplicity, flexibility and tactility of the page

moleskine

“Sometimes, I just want to get rid of all the technology and sit down in a quiet space with a pen and paper,” she says. “There are so many apps out there and I feel like no one app gives me everything that I need. I’ve tried and really given them a go, doing those to-do lists of having your priorities or brain storming using lots of different apps … [but] when I get a pen and paper, or when I’m using my old-fashioned diary and pen, it just feels more flexible to me. I can always pull it out. I can focus.”

Angela Ceberano is anything but a technophobe. A digital native with a strong social-media presence, she splits her time between traditional and new media, and between Australia and San Francisco.  For certain tasks, she just prefers the simplicity, flexibility and tactility of the page.  But instead of spreadsheets and fancy smartphone apps, the Melbourne, Australia-based founder of public relations firm Flourish PR, uses notepads, an old-fashioned diary, coloured pens and a stack of magazines.

~ Alison Birrane, from Why paper is the real ‘killer app’


Photo of Moleskine Notebook by extrasist0le

My loyalty is to the inner vision, whenever and howsoever it may arrive

mary-oliver-upstream

It is a silver morning like any other. I am at my desk. Then the phone rings, or someone raps at the door. I am deep in the machinery of my wits. Reluctantly I rise, I answer the phone or I open the door. And the thought which I had in hand, or almost in hand, is gone. Creative work needs solitude. It needs concentration, without interruptions. It needs the whole sky to fly in, and no eye watching until it comes to that certainty which it aspires to, but does not necessarily have at once. Privacy, then. A place apart — to pace, to chew pencils, to scribble and erase and scribble again.

But just as often, if not more often, the interruption comes not from another but from the self itself, or some other self within the self, that whistles and pounds upon the door panels and tosses itself, splashing, into the pond of meditation. And what does it have to say? That you must phone the dentist, that you are out of mustard, that your uncle Stanley’s birthday is two weeks hence. You react, of course. Then you return to your work, only to find that the imps of idea have fled back into the mist. […]

It is six A.M., and I am working. I am absentminded, reckless, heedless of social obligations, etc. It is as it must be. The tire goes flat, the tooth falls out, there will be a hundred meals without mustard. The poem gets written. I have wrestled with the angel and I am stained with light and I have no shame. Neither do I have guilt. My responsibility is not to the ordinary, or the timely. It does not include mustard, or teeth. It does not extend to the lost button, or the beans in the pot. My loyalty is to the inner vision, whenever and howsoever it may arrive. If I have a meeting with you at three o’clock, rejoice if I am late. Rejoice even more if I do not arrive at all.

~ Mary Oliver, from “Of Power and Time” in Upstream, Selected Essays (Penguin Press, October 2016)


Notes:

Growing more itchy and agitated by the day

Sven Birkerts

“Sven Birkerts is an anxious man. By turns he is frightened, terrified, alarmed, filled with dread. On one occasion he shudders in his core; mostly he is just plain worried. What concerns him, a concern he is eager to transmit to us, is the rapid spread of computer, Internet and telephone technologies and more specifically what those technologies are doing to our minds. Forever glued to screens of one kind or another, clicking compulsively on the links others provide for us, we are losing the ability to concentrate, growing more itchy and agitated by the day, allowing our consciousness to be fragmented and dispersed.”

~ Tim Parks. Read his full NY Times review of Sven Birkerts new book here: “Changing the Subject: Art and Attention in the Internet Age.”


Amazon’s Book Summary: “After two decades of rampant change, Birkerts has allowed a degree of everyday digital technology into his life. He refuses to use a smartphone, but communicates via e-mail and spends some time reading online. In Changing the Subject, he examines the changes that he observes in himself and others–the distraction when reading on the screen; the loss of personal agency through reliance on GPS and one-stop information resources; an increasing acceptance of “hive” behaviors. “An unprecedented shift is underway,” he argues, and “this transformation is dramatically accelerated and more psychologically formative than any previous technological innovation.” He finds solace in engagement with art, particularly literature, and he brilliantly describes the countering energy available to us through acts of sustained attention, even as he worries that our increasingly mediated existences are not conducive to creativity. It is impossible to read Changing the Subject without coming away with a renewed sense of what is lost by our wholesale acceptance of digital innovation and what is regained when we immerse ourselves in a good book.”

But your attention is focused, your vision becomes crystal clear

YoungDeokSeo3-sculpture-face

As soon as the stressful event occurs, it triggers the release of the cascade of hypothalamic, pituitary, and adrenal hormones — the brain’s stress response. It also triggers the adrenal glands to release epinephrine, or adrenaline, and the sympathetic nerves to squirt out the adrenaline-like chemical norepinephrine all over the body: nerves that wire the heart, and gut, and skin. So, the heart is driven to beat faster, the fine hairs of your skin stand up, you sweat, you may feel nausea or the urge to defecate. But your attention is focused, your vision becomes crystal clear, a surge of power helps you run — these same chemicals released from nerves make blood flow to your muscles, preparing you to sprint.

~ Esther M. Sternberg, The Balance Within: The Science Connecting Health and Emotions

 


Notes:

Look at me when I talking to you

read-book-woman-portrait-black-and-white

“I’ve been finding it harder and harder to concentrate on words, sentences, paragraphs. Let alone chapters. Chapters often have page after page of paragraphs. It just seems such an awful lot of words to concentrate on, on their own, without something else happening. […]

When the people at the New Yorker can’t concentrate long enough to listen to a song all the way through, how are books to survive? […]

It makes me feel vaguely dirty, reading my phone with my daughter doing something wonderful right next to me, like I’m sneaking a cigarette. Or a crack pipe. […]

One time I was reading on my phone while my older daughter, the four-year-old, was trying to talk to me. I didn’t quite hear what she had said, and in any case… She grabbed my face in her two hands, pulled me towards her. “Look at me,” she said, “when I’m talking to you.” She is right. I should. […]

Spending time with friends, or family, I often feel a soul-deep throb coming from that perfectly engineered wafer of stainless steel and glass and rare earth metals in my pocket. Touch me. Look at me. You might find something marvelous. […]”

Hugh McGuire, Why Can’t We Read Anymore?

Don’t miss how McGuire changes and his explanation on why books are important.  Full post here.


Photo Source: Choi Moi

What a gift: being able to disappear without going anywhere at all.

Jones-Saeed-headshot

The process of writing poems felt like a reprieve. Concentrating so intensely on one word and then another and another took me away; so far away, in fact, that sometimes after I finished a poem, I’d sit up at my desk, a bit dizzy. It’d been a blur. What a gift: being able to disappear without going anywhere at all.

~ Saeed Jones, A Poet’s Boyhood at the Burning Crossroads


Saeed Jones was born in Memphis, TN and raised in Lewisville, Texas. He received his MFA in Creative Writing at Rutgers University – Newark. He earned his bachelor’s degree at Western Kentucky University where he won the Jim Wayne Miller Award for Poetry. Recently, his poems “Body & Kentucky Bourbon” and “After the First Shot” were nominated for Pushcart Prizes. His chapbook When the Only Light is Fire is available from Sibling Rivalry Press. He has studied with writers like Tom Hunley, Dale Rigby, Rigoberto Gonzalez, Rachel Hadas, and Tayari Jones. He currently lives and writes in New York City. (Source: For Southern Boy Who Consider Poetry)


Notes: photo credit.  Quote – Boston Poetry Slam

It’s like pulling into our own train station after a long trip

book-reading-murakami

When you love something like reading — or drawing or music or nature — it surrounds you with a sense of connection to something great. If you are lucky enough to know this, then your search for meaning involves whatever that Something is. It’s an alchemical blend of affinity and focus that takes us to a place within that feels as close as we ever get to “home.” It’s like pulling into our own train station after a long trip — joy, relief, a pleasant exhaustion.

~ Anne Lamott, Stitches. A Handbook on Meaning, Hope & Repair


Image: iwetaczech

Saturday Morning: I don’t believe in aging. I believe in forever altering one’s aspect to the sun.

sunrise, morning, sunset

Odder still how possessed I am with the feeling that now, aged 50, I’m just poised to shoot forth quite free straight and undeflected my bolts whatever they are. Therefore all this flitter flutter of weekly newspapers interests me not at all. These are the soul’s changes. I don’t believe in aging. I believe in forever altering one’s aspect to the sun. Hence my optimism. And to alter now, cleanly and sanely, I want to shuffle off this loose living randomness: people; reviews; fame; all the glittering scales; and be withdrawn, and concentrated.

~ Virginia Woolf, A Writer’s Diary


Credits: Quote – Brainpickings: Virginia Woolf on the Paradox of the Soul and the Consolatios of Aging. Photograph: j’aime juste la photo

Monday Mantra(s): Flow & Focus

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Source: Huffington Post (Baby owl was 1 week old when he was admitted to the New Zealand Bird Rescue Hospital.)

The “Meez” & 20 Words To The Promised Land.

anthony-bourdain

If you’re working in the kitchen of Anthony Bourdain, legendary chef and famed television personality, you don’t dare so much to boil hot water without attending to a ritual called: mise-en-place.

What is the first thing YOU do when you arrive at your desk?

What 20 word question can you ask yourself to distinguish between tasks that simply feel urgent from those that are truly important?

Find the answers here: How to Spend the First 10 Minutes of Your Day


Photograph: Savorsa.com

Monday Morning Wake-up Call: On your mark, get set…

funny-gif-cat-moving-body-cool

 


Source: themetapicture.com

All glory

glory-start-begin
?  hmmmmmmm?!?!?!
+ the dogged perseverance to keep going
+ laser-like focus and undivided attention
+ the resolute tenacity to overcome
+ the sticktoitiveness to Finish
= Glory!



The Problem

drawing-heart-Shaz-Aslam

The problem (if there was one) was simply a problem with the question. He wants to paint a bird, needs to, and the problem is why. Why paint a bird? Why do anything at all? Not how, because hows are easy, series or sequence, one foot after the other, but existentially why bother, what does it solve? Be the tree, solve for bird. What does that mean? It’s a problem of focus, it’s a problem of diligence, it’s supposed to be a grackle but it sort of got away from him. But why not let the colors do what they want, which is blend, which is kind of neighborly, if you think about it. Blackbird, he says. So be it. Indexed and normative. Who gets to measure the distance between experience and its representation? Who controls the lines of inquiry? He does, but he’s not very good at it. And just because you want to paint a bird, do actually paint a bird, it doesn’t mean you’ve accomplished anything. Maybe if it was pretty, it would mean something. Maybe if it was beautiful it would be true. But it’s not, not beautiful, not true, not even realistic, more like a man in a birdsuit, blue shoulders instead of feathers, because he isn’t looking at a bird, real bird, as he paints, he is looking at his heart, which is impossible, unless his heart is a metaphor for his heart, as everything is a metaphor for itself, so that looking at the page is like looking out the window at a bird in your chest with a song in its throat that you don’t want to hear but you paint anyway because the hand is a voice that can sing what the voice will not and the hand wants to do something useful. Sometimes, at night, in bed, before I fall asleep, I think about a poem I might write, someday, about my heart, says the heart. Answer: be the heart. Answer: be the hand. Answer: be the bird. Answer: be the sky.

~ Richard Silken

 


Credits: Poem – Fables of Reconstruction. Drawing by Shaz AslamRichard Silken Bio

Do I or Do I Not Want To Do? (How to Decide)?

baz-luhrmann
Luhrmann doesn’t want to give in to the pressure to repeat himself. During the making of “Gatsby,” he said, he felt challenged and alive, “not panicked that somehow the universe was leaving me behind.” That is the way he needs to feel about his next project, whatever it is. “I’d love to have done James Bond,” he said. “I’d love to just go and do a rom-com or a jeans-and-T-shirt film, because that would be fun.” But he can’t. “It is both maddening and also has a degree of exultation about it, but I’m addicted to doing not that which I really want to do, but that which I feel must be done.” His job now, he said, is “to draw some kind of lines. I have a big inner life. My struggle is how to organize it. How to aim the gun.”

~ Amy Wallace on Baz Luhrmann, Do I or Do I Not Want To Do? (How to Decide)?


Mark Anthony “Baz” Luhrmann, 51, is an Australian film director, screenwriter and producer best known for The Red Curtain Trilogy, comprising his films Strictly BallroomRomeo + Juliet, and Moulin Rouge!. In 2008, his film Australia was released, starring Hugh Jackman and Nicole Kidman. His version of The Great Gatsby was released in 2013.  On 26 January 1997, he wed Catherine Martin, a production designer; the couple has two children.  (Source: Wiki)


We doing this?

Focus, important,efficiency,productive,


More insight here: 99U.


Life is Wondrous

gif,wine glass

gif,cute,puppy,wine glass


 

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