Walking. Old Town Barcelona.

August, 2006.

Barcelona.

Family vacation, using accumulated points for airfare and hotel.

Complimentary breakfasts included chocolate croissants. Buttery flakes melting on tongue, chased by the Sweet, ever-so-smooth, French chocolate.

Our late morning destination was Old Town Barcelona, the Gothic Quarter.

Large blocks of cobblestone line the narrow passages, buildings overhead offering shade, a cool respite from the summer heat bearing down at mid-day.

Cobblers. Cheese shops. A bookstore with Bibles in the window. Small cafes. Shops selling beads, necklaces and over-priced souvenirs, Tourists lingering.

Our pace, My pace, was quick. Rush, to see, to get to, to do. Next. Next. Next.

19 years later, I’m flipping through images on the internet, trying to retrace those steps and replay that one hour of Life in Old Town. I’m frustrated, not finding the right images. Memories fray on the edges and now at the center, old photographs left out in the mid-day sun.

And regrets, always hauling the weight of Regrets, why I had not savored those steps (and let my Family do so), rather than greedily gulping them to get to the Next.

It was yet another Meg Rosoff awakening: “I can tell you that you will awake someday to find that your life has rushed by at a speed at once impossible and cruel. The most intense moments will seem to have occurred only yesterday and nothing will have erased the pain and pleasure, the impossible intensity of love and its dog-leaping happiness…”

I often awaken to this same moment in Barcelona, on quiet Sunday mornings like this one.  I’m walking Old Town. Slowly. I can hear my footsteps. Hear my breath.  Feel the slight autumn breeze on my forearms.  And I’m swamped with a yearning to replay the moment, and regain that intensity of that feeling.

I need to go back.

And do it right this time.


Photo: epepa.eu

Flying Over I-40 N. Moments, Sparkling. Moments, Not.

2006. July. (I think.) Barcelona. I’m sitting in a conference room in the basement level of an aging hotel. You know the hotel – the one where all of the investment was poured into the lobby, and you don’t need to search to find disappointment, it finds you, at every turnThis Barcelona could have been anywhere – a Days Inn within a cab ride of O’Hare in Chicago, or a budget hotel in Newark, or a refurbished hotel in downtown Philadelphia serving small, short tenor business meetings. Yet, it wasn’t. The room was windowless, the walls were free of art. There was dim overhead lighting, the florescent tubes emitting a low sizzle. There was a whiff of fresh blue paint, cheap plastic surgery fooling no one. Beneath its blue skin, the bones of the room emit traces of hand rolled tobacco from 50 years ago.  It’s an hour after the working lunch, Hour Six of a day long meeting, and stupor is settling in. There was no audio visual equipment. There were no extra notepads or pens. There was no coffee. No bottled water. In the center of the table, stood a one quart jug, fingerprints visible on its belly, and a slice of lemon, not dressed in its distinctive canary yellow, but a dull yellow mustard clinging to the wall of the jug as if it were licked and pressed like a postage stamp, desperately seeking escape. The jug sweats, the air is thick, the overhead aluminum ducts rattle with the firing and re-firing of the AC system that was built for a building half the size. Hard back chairs surround the table and line the walls, with the butt cheeks of thousands of prior occupants having grooved and flattened the frayed cushions. Butt to cushion to metal, do-over and over and over.  I can see the blue palette. I can smell the decaying Gyprock. I can feel the heaviness of the air. Yet, I can’t extract a single shred of why I was there and what was accomplished, not on this day, not on Day 2 which ran ten hours.  The Blue Room returns and returns and returns and returns. The question is: Why?

~ DK


Notes:

  • Inspired by: Saabye Christensen: “You store everything inside yourself and then one day, wherever you are, whatever the time, it appears just like that, just like I could smell wet lilac now, lilac after the rain, even though we were well into autumn.”
  • Image Credit: Marius Tamosauskas with Blue Room 1
  • Related Posts: Commuting Series.

There is no world for the penitent and regretful…

Paisatge - Joaquim Mir (Barcelona 1873-1940)


There is a season for everything, and we do not notice a given phenomenon except at that season, if, indeed, it can be called the same phenomenon at any other season. There is a time to watch the ripples on Ripple Lake, to look for arrowheads, to study the rocks and lichens, a time to walk on sandy deserts; and the observer of nature must improve these seasons as much as the farmer his. So boys fly kites and play ball or hawkie at particular times all over the State. A wise man will know what game to play to-day, and play it. We must not be governed by rigid rules, as by the almanac, but let the season rule us. The moods and thoughts of man are revolving just as steadily and incessantly as nature’s. Nothing must be postponed. Take time by the forelock. Now or never! You must live in the present, launch yourself on every wave, find your eternity in each moment. Fools stand on their island opportunities and look toward another land. There is no other land; there is no other life but this, or the like of this. Where the good husbandman is, there is the good soil. Take any other course, and life will be a succession of regrets. Let us see vessels sailing prosperously before the wind, and not simply stranded barks. There is no world for the penitent and regretful.

    ~ Henry David Thoreau (July 12, 1817 – May 6, 1862)


Thank you Rob Firchau @ The Hammock Papers for quote.  Thank you madamescherzo for the Joaquim Mir (Barcelona  1873-1940) painting titled Paisatge.

Like Father, Like Son? Not!

Darien High School held its awards ceremony last night.  The Art Department Photography Award was presented to two senior students who excelled in Photography – – and, guess who won!  So, his Proud Daddy has to show and tell.  Not sure where he picked up the skill, because his Dad wouldn’t know which end of the camera to point and shoot.  Here are five of my favorite shots:

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