Monday Morning Wake-Up Call

The present, we assume, is eternally before us, one of the few things in life from which we cannot be parted. It overwhelms us in the painful first moments of entry into the world, when it is still too new to be managed or negotiated, remains by our side during childhood and adolescence, in those years before the weight of memory and expectation, and so it is sad and a little unsettling to see that we become, as we grow older, much less capable of touching, grazing, or even glimpsing it, that the closest we seem to get to the present are those brief moments we stop to consider the spaces our bodies are occupying, the intimate warmth of the sheets in which we wake, the scratched surface of the window on a train taking us somewhere else, as if the only way we can hold time still is by trying physically to prevent the objects around us from moving. The present, we realize, eludes us more and more as the years go by, showing itself for fleeting moments before losing us in the world’s incessant movement, fleeing the second we look away and leaving scarcely a trace of its passing, or this at least is how it usually seems in retrospect, when in the next brief moment of consciousness, the next occasion we are able to hold things still, we realize how much time has passed since we were last aware of ourselves, when we realize how many days, weeks, and months have slipped by without our consent. Events take place, moods ebb and flow, people and situations come and go, but looking back during these rare junctures in which we are, for whatever reason, lifted up from the circular daydream of everyday life, we are slightly surprised to find ourselves in the places we are, as though we were absent while everything was happening, as though we were somewhere else during the time that is usually referred to as our life. Waking up each morning we follow by circuitous routes the thread of habit, out of our homes, into the world, and back to our beds at night, move unseeingly through familiar paths, one day giving way to another and one week to the next, so that when in the midst of this daydream something happens and the thread is finally cut, when, in a moment of strong desire or unexpected loss, the rhythms of life are interrupted, we look around and are quietly surprised to see that the world is vaster than we thought, as if we’d been tricked or cheated out of all that time, time that in retrospect appears to have contained nothing of substance, no change and no duration, time that has come and gone but left us somehow untouched.

—  Anuk Arudpragasam, A Passage North: A Novel (Hogarth (July 13, 2021)

Walking. With Small Details.

Wednesday morning. 5:56 a.m. Temp, mid-70’s. Muggy.

484 consecutive days. Like in a Row. Morning walk at Daybreak @ Cove Island Park.

Now, do you see that ripple in the water, actually a number of ripples, in the bottom quarter of the photo? They’re the equivalent of Rainbow Smelt in Lake Superior. (I think.) 15 years living here, I’ve never noticed these schools of fish. And now, they’re seemingly everywhere. Water rippling, spinning, bubbling. My eyes darting left and right in search of other schools.

I can’t explain it.

They’ve become important.

Anuk Arudpragasam, from A Passage North: “Suddenly the small details that are glossed over in your usual accounting of life took on an almost cosmic significance, as though your fate could be determined by whether or not you remembered to draw water before it became dark, by whether you hurried to catch the bus or decided to take your time, by whether or not you said yes or no to any of the countless trivial decisions that come only in retrospect, once the event has occurred and nothing can be changed, to take on greater significance.”

Thursday Morning.  I’m between calls. Susan shouts out asking for me to come down stairs. Hurry!

I come barreling down the stairs.

(Sciatica and all, this body can still move when it needs to.)

She’s sobbing. Good God. What happened? [Read more…]

Sunday Morning

No opera, no gilded columns, no wine-dark seats…
no altos, no basses
and violins sobbing as one; no opera house,
no museum, no actual theatre, no civic center–
and what else? Only the huge doors of clouds
with the setting disc through which we leave and enter…
No masterpieces in huge frames to worship,
on such banalities has life been spent
in brightness, and yet there are the days
when every street corner rounds itself into
a sunlit surprise, a painting or a phrase,
canoes drawn up by the market, the harbour’s blue…
So much to do still, all of it praise.

~ Derek Walcott, from “No Opera” in White Egrets


Notes:

  • Poem Source – Cha Journal Blog. Image: Via Mennyfox55
  • Excerpt from “‘White Egrets” book review by Tom Payne in The Telegraph: “But some poems startle with their directness and truth; the images connect, and the ebbing tide leaves some real treasure on the beach. Among a handful of pearls is a love letter to his home, modest as Ithaca, with resonances of the poet’s life.”

Lightly child, lightly

Don’t you wish they would stop,
all the thoughts swirling around in your head,
bees in a hive, dancers tapping their way across the stage.
I should rake the leaves in the carport, buy Christmas lights.
Was there really life on Mars? What will I cook for dinner?
I walk up the driveway, put out the garbage bins…
Does the car need oil, again? There’s a hole in the ozone
the size of Texas, and everything seems to be speeding up.

Come, let’s stand by the window and look out
at the light on the field. Let’s watch how
the clouds cover the sun, and almost nothing
stirs in the grass.

~ Danusha Lameris, from “Thinking” from The Moons of August


Notes:

  • Poem – Thank you Karl @ Mindfulbalance.  Photo: Moon gazing at Max Patch, North Carolina by Paolo Nacpil
  • Post Title & Inspiration: Aldous Huxley: “It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them.”

Lightly child, lightly

The curtain

In the August quietude and the silence

Of the tranquil morning,

Moves gently in the wandering air . . .

Beautiful moment.

Juan Ramón Jiménez, from “Lightness” in The Selected Writings of Juan Ramon


Notes:

  • Poem – via violentwavesofemotion.  Photo: takemeaway
  • Post Title & Inspiration: Aldous Huxley: “It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them.”

Lightly child, lightly


Often I imagine the earth
through the eyes of the atoms we’re made of—
atoms, peculiar
atoms everywhere—
no me, no you, no opinions,
no beginning, no middle, no end,
soaring together like those
ancient Chinese birds
hatched miraculously with only one wing,
helping each other fly home.

~ Dan Gerber, “Often I Imagine the Earth” in Sailing through Cassiopeia


Notes:

  • Poem – thank you The Hammock Papers.  Photo: Curtis Moffat Study, Woman Sleeping (CA. 1920) via see more
  • Post Title & Inspiration: Aldous Huxley: “It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them.”

Lightly child, lightly

i will wade out

till my thighs are steeped in burning flowers
I will take the sun in my mouth
and leap into the ripe air

Alive
with closed eyes
to dash against darkness
in the sleeping curves of my body

~ e. e. cummings, from “Crepuscule” in Dreams in the Mirror: A Biography of E.E. Cummings by Richard S. Kennedy


Notes:

  • Poem – thank you Beth @ Alive on All Channels.  Photo credit.
  • Post Title & Inspiration: Aldous Huxley: “It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them.”

It’s been a long day

“I surrender,” I said, first under my breath. Then again, a little louder, “I surrender.” I saw a bird, and another one. Objectively, I was in a beautiful place. Objectively, my body had been strong enough to take me out here. It was the subjectivity, the comparison with where I thought I should be, that hurt. “I surrender.” I didn’t need an answer. I just needed to breathe. To, once again, find meaning in the simplest moments.

~ Eva Hagberg Fisher, How to Be Loved: A Memoir of Lifesaving Friendship. (HMH Books. February 4, 2019)


Notes: Photo by Alexandra C. Axelina via EyeEM (via Mennyfox55).  Related Posts: It’s been a long day

Saturday Morning

Sometimes he thinks of her, of them. Of what could have been.
Sometimes it’s all he thinks about…
He can feel the weight of their lives in a single step forward.
And he is enchanted by the beauty of small things:
hot coffee,
wind through an open window,
the tapping of rain,
a passing bicycle…

— Simon Van Booy, Everything Beautiful Began After


Notes: Quote via see more. Photo: Milka Awgul

Lightly Child, Lightly

Waking up in the morning
I vow with all beings
to be ready for sparks…

I vow with all beings
to let the pain and surprise
slow me down to this step,
this step.

~Robert Aitken, from “Zen Vows for Daily Life

 


Notes:

  • Photo:  (via MennyFox55). Poem: Thank you Make Believe Boutique
  • Prior “Lightly child, lightly” Posts? Connect here.
  • Post Title & Inspiration: Aldous Huxley: “It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them.”

Lightly Child, Lightly

But mostly I live here in the capricious present
Writing down one thing, then the next.
Autumn passes like empty freight cars—

Some doors open, some doors closed—
Light flickers and flashes through the cracks.
The trees are a thousand species of fires.

Eric Pankey, from “Southern Elegy,” Trace: Poems


Notes:

Lightly Child, Lightly

The god of dirt
came up to me many times and said
so many wise and delectable things, I lay
on the grass listening
to his dog voice,
crow voice,
frog voice; now,
he said, and now,

and never once mentioned forever

~ Mary Oliver, from “One or Two Things” in New and Selected Poems:  Volume One


Notes:

  • Photo:  Teresa Meyers (via MennyFox55). Poem: Thank you Beth @ Alive on All Channels
  • Prior “Lightly child, lightly” Posts? Connect here.
  • Post Title & Inspiration: Aldous Huxley: “It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them.”

Lightly Child, Lightly

I discovered that in the early part of the morning a mist hovered in the hollows of the estate and the grass was wet with dew. There was a smell in the air of bonfires, the land already preparing for autumn…The morning welcomed me and I felt lighter, more confident, walking with my head up, ready for anything.

– Claire Fuller, Bitter Orange (Tin House Books, October 9, 2018)


Notes:

  • Photo: Ed Stockard.
  • Prior “Lightly child, lightly” Posts? Connect here.
  • Post Title & Inspiration: Aldous Huxley: “It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them.”

Lightly Child, Lightly

Some moments become enchanting with the addition of words,

others are completely killed if you try to describe them.

It’s the difference between a tiny bird flittering above your open palm

and a closed fist crushing wings.

~ The Chesterfield


Notes:

  • Photo: Bill Leslie with Groovy Times. Quote via Your Eyes Blaze Out. Photo_wanderlog_Yllas via Your Eyes Blaze Out.
  • Prior “Lightly child, lightly” Posts? Connect here.
  • Post Title & Inspiration: Aldous Huxley: “It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them.”

Riding Amtrak 2151-2172: Baltimore.

Five days gone. 4 memories remain. Freeman Dyson’s memory: Unreliable. Selecting. Rearranging. Forgetting. Embroidering. Inventing.

Scene 1: 

My assistant. So grateful to have an assistant. So grateful for her. Two introverts in well plowed furrows. “Are you sure, you want to go there and back same day? 7 hours on train, in 10 hours?” I look up. She knows the answer. There. Back. Exhaustion traded for sleep, sleep in my own bed.  Book it.

I’m waiting on the platform for Amtrak 2151 leaving at 7:54 am to Baltimore. It was for Dickens, and it was for me:  “One of those March days when the sun shines hot and the wind blows cold: when it is summer in the light, and winter in the shade.”

Scene 2:

She boarded at Penn Station. Student. Maybe 20. She’s determined, bangin’ away on an old model MacBook Air. Wireless white earpods pumping in music, she’s bobbing her head. The cover of her notepad: Johns Hopkins University, Baltimore. Biomed? Engineering? Medicine? She snaps the laptop lid shut, turns her head to the window, leans back, closes her eyes and lets the morning sun warm her face. Confident. Ivy leaguer. At peace.

It’s Thursday, three days later, and I’m deep into Irvin Yalom’s Becoming Myself: A Psychiatrist’s Memoir. I wouldn’t be caught dead seeking therapy, but this, ‘this’ memoir is well within bounds.  I’m back on the train, Ms. Johns Hopkins sitting across from me, and me, I’m so Irvin Yalom, so wanting to repeat that trip: [Read more…]

with no one to tell

Today, from a distance, I saw you,
walking away, and without a sound
the glittering face of a glacier
slid into the sea. An ancient oak
fell in the Cumberlands, holding only
a handful of leaves, and an old woman
scattering corn to her chickens looked up
for an instant. At the other side
of the galaxy, a star thirty-five times
the size of our own sun exploded
and vanished, leaving a small green spot
on the astronomer’s retina
as he stood on the great open dome
of my heart with no one to tell.

— Ted Kooser, “After Years,” Solo: A Journal of Poetry, Spring 1996


Photo: Supernova remnant is the spectacular remains of an exploded star, located about 190,000 light-years away. The expanding multimillion degree remnant is about 30 light-years across and contains more than a billion times the oxygen contained in the Earth’s ocean and atmosphere…We see the remnant as it was about 190,000 years ago, around a thousand years after the explosion occurred. The star exploded outward at speeds in excess of 20 million kilometers per hour. (Image Credit – NASA via Anne’s Astronomy News)

Sunday Morning

It is a kind of love, is it not?
How the cup holds the tea,
How the chair stands sturdy and foursquare,
How the floor receives the bottoms of shoes
Or toes. How soles of feet know
Where they’re supposed to be.
I’ve been thinking about the patience
Of ordinary things, how clothes
Wait respectfully in closets
And soap dries quietly in the dish,
And towels drink the wet
From the skin of the back.
And the lovely repetition of stairs.
And what is more generous than a window?

Pat Schneider, The Patience of Ordinary Things, “Another River: New and Selected Poems


Notes: Poem – Thank you Beth @ Alive on All Channels. Photo: Colorinstantfilm

Flying over I-40 N. With Cotton.

  • 2:38 a.m.  Alarm set for 3:30, Body set to go, Now.
  • 2:40 a.m.  Check Sleep App: 4 hr. 30 min. Could be worse.
  • 3:50 a.m.  “Good morning Mr. Kanigan. You’re off early.” No sh*t.
  • 4:00 a.m.  No car. Check calendar. I’m 30 minutes early. Wow. Nicely done.
  • 4:15 a.m.  I Shazam R&B tune coming thru hotel pipes. Leela James. Swept away.
  • 4:50 a.m.  DFW airport doors open. Insomniacs, airport workers and DK stream in.
  • 5:50 a.m.  Walk concourses. (Yes, Plural.) Fitbit Counter: 4,033.
  • 6:05 a.m.  Board AA# 1150 to NY LGA.
  • 6:25 a.m.  “We’ll be cruising at 31,000 ft.  Flight time: 3 hours. Expect a smooth flight.”
  • 6:37 a.m.  Eye lids heavy. Leela on loop crooning thru the earbuds.
  • 6:40 a.m.  Drifting to Bradbury‘s “country where the hills are fog and the rivers are mist.”

I’m flicking thru Netflix and spot him. Ray Liotta (Fields of Dreams / Goodfellas) in a 2016 movie titled Sticky Notes.  Papa Bear writes this on a Sticky Note to his daughter:

Whoever feels it deepest wins.”

I look out the window, and here we are…31,000 ft up and floating on fluffy, mountainous sized cotton balls.

Cotton balls. White. Cotton. Balls.

  • New cotton briefs. Stretch fabric. Contoured to snuggle it/them
  • New, cotton socks. Toes wiggle, happy.
  • Soft cotton twill Chinos, hugging the legs and thighs.
  • A velvety cotton, v-neck t-shirt wraps the chest and back.
  • A cotton button down shirt, hundreds of stitches, fitting just so…smooth.

“Whoever feels it deepest wins.”

Feels it deepest.

Wins.


Notes: Image: Perception is reality, Andrey Kasay

Flying Over I-40 N. Moments, Sparkling. Moments, Not.

2006. July. (I think.) Barcelona. I’m sitting in a conference room in the basement level of an aging hotel. You know the hotel – the one where all of the investment was poured into the lobby, and you don’t need to search to find disappointment, it finds you, at every turnThis Barcelona could have been anywhere – a Days Inn within a cab ride of O’Hare in Chicago, or a budget hotel in Newark, or a refurbished hotel in downtown Philadelphia serving small, short tenor business meetings. Yet, it wasn’t. The room was windowless, the walls were free of art. There was dim overhead lighting, the florescent tubes emitting a low sizzle. There was a whiff of fresh blue paint, cheap plastic surgery fooling no one. Beneath its blue skin, the bones of the room emit traces of hand rolled tobacco from 50 years ago.  It’s an hour after the working lunch, Hour Six of a day long meeting, and stupor is settling in. There was no audio visual equipment. There were no extra notepads or pens. There was no coffee. No bottled water. In the center of the table, stood a one quart jug, fingerprints visible on its belly, and a slice of lemon, not dressed in its distinctive canary yellow, but a dull yellow mustard clinging to the wall of the jug as if it were licked and pressed like a postage stamp, desperately seeking escape. The jug sweats, the air is thick, the overhead aluminum ducts rattle with the firing and re-firing of the AC system that was built for a building half the size. Hard back chairs surround the table and line the walls, with the butt cheeks of thousands of prior occupants having grooved and flattened the frayed cushions. Butt to cushion to metal, do-over and over and over.  I can see the blue palette. I can smell the decaying Gyprock. I can feel the heaviness of the air. Yet, I can’t extract a single shred of why I was there and what was accomplished, not on this day, not on Day 2 which ran ten hours.  The Blue Room returns and returns and returns and returns. The question is: Why?

~ DK


Notes:

  • Inspired by: Saabye Christensen: “You store everything inside yourself and then one day, wherever you are, whatever the time, it appears just like that, just like I could smell wet lilac now, lilac after the rain, even though we were well into autumn.”
  • Image Credit: Marius Tamosauskas with Blue Room 1
  • Related Posts: Commuting Series.

What is the most important thing that happened yesterday?’

marion-milner-diary

Eternity’s Sunrise explores Marion Milner’s way of keeping a diary. Recording small private moments, she builds up a store of ‘bead memories’. A carved duck, a sprig of asphodel, moments captured in her travels in Greece, Kashmir and Israel, circus clowns, a painting – each makes up a ‘bead’ that has a warmth or glow which comes in response to asking the simple question: What is the most important thing that happened yesterday?’

~ Introduction to Marion Milner‘s, Eternity’s Sunrise: A Way of Keeping a Diary

 

 

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