Tell me about your sorrow

A somewhat obscure text, about 2,000 years old, has been my unlikely teacher and guide for the past many years, and my north star these last several months, as so many of us have felt like we’re drowning in an ocean of sorrow and helplessness.

Buried deep within the Mishnah, a Jewish legal compendium from around the third century, is an ancient practice reflecting a deep understanding of the human psyche and spirit: When your heart is broken, when the specter of death visits your family, when you feel lost and alone and inclined to retreat, you show up. You entrust your pain to the community.

The text, Middot 2:2, describes a pilgrimage ritual from the time of the Second Temple. Several times each year, hundreds of thousands of Jews would ascend to Jerusalem, the center of Jewish religious and political life. They would climb the steps of the Temple Mount and enter its enormous plaza, turning to the right en masse, circling counterclockwise.

Meanwhile, the brokenhearted, the mourners (and here I would also include the lonely and the sick), would make this same ritual walk but they would turn to the left and circle in the opposite direction: every step against the current.

And each person who encountered someone in pain would look into their eyes and inquire: “What happened to you? Why does your heart ache?”

Continue reading “Tell me about your sorrow”

You ask me am I crazy for playing the cello in a war zone

One night, I dreamed that I was meeting my friend, a poet named Mariana, in Sarajevo, the city of love. I woke up confused. Sarajevo, a symbol of love? Wasn’t Sarajevo the site of one of the bloodiest civil wars of the late twentieth century? Then I remembered. Vedran Smailović. The cellist of Sarajevo…

You ask me am I crazy for playing the cello in a war zone, he says. Why don’t you ask THEM if they’re crazy for shelling Sarajevo?

His gesture reverberates throughout the city, over the airwaves. Soon, it’ll find expression in a novel, a film. But before that, during the darkest days of the siege, Smailović will inspire other musicians to take to the streets with their own instruments. They don’t play martial music, to rouse the troops against the snipers, or pop tunes, to lift the people’s spirits. They play the Albinoni. The destroyers attack with guns and bombs, and the musicians respond with the most bittersweet music they know.

We’re not combatants, call the violinists; we’re not victims, either, add the violas. We’re just humans, sing the cellos, just humans: flawed and beautiful and aching for love.

Susan Cain, “Bittersweet: How Sorrow and Longing Make Us Whole” (Crown, April 5, 2022)


Image: Manny Becerra via Unsplash

Lightly Child, Lightly.

Why does this light force me back
to my childhood? I wore a yellow
summer dress, and the skirt
made a perfect circle.
Turning and turning
until it flared to the limit
was irresistible . . . . The grass and trees,
my outstretched arms, and the skirt
whirled in the ochre light
of any early June evening.
And I knew then
that I would live,
and go on living: what sorrow it was;
and still what sorrow ignites
but does not consume
my heart.

Jane Kenyon, from “The Evening Sun” in Collected Poems


Notes:

  • Post Title & Inspiration: Aldous Huxley: “It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them.”
  • Photo Credit

I don’t know. I passed through it once, but I’ve never really been there.


Important to stick with this short film until the finish…


onism – n. the frustration of being stuck in just one body, that inhabits only one place at a time, which is like standing in front of the departures screen at an airport, flickering over with strange place names like other people’s passwords, each representing one more thing you’ll never get to see before you die-and all because, as the arrow on the map helpfully points out, you are here.

Full Transcript below…
Continue reading “I don’t know. I passed through it once, but I’ve never really been there.”

I’m an Occhiolic

aerial,hair

occhiolism

n. the awareness of the smallness of your perspective, by which you couldn’t possibly draw any meaningful conclusions at all, about the world or the past or the complexities of culture, because although your life is an epic and unrepeatable anecdote, it still only has a sample size of one, and may end up being the control for a much wilder experiment happening in the next room.


Credits: Word Definition -John Koenig: Dictionary of Obscure Sorrows. Photography: Rona Keller

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