Riding Metro North. Romanticizing myself.

Thursday morning.

5:23 a.m.

Short on sleep, by several hours.

Short on time, rushing to catch the second morning train.

I’m on the platform, train cars pass, the train slows. I peer into one passing car, then the next, and the next. Options are limited: standing or middle seat.

Aisle seat occupants have their heads down, sending the commuter signal of not here, you aren’t welcome to the middle seat. Keep moving down the aisle.

I tap him on the shoulder. The Suit is irritated that I’ll be crowding him by taking the middle seat. I set my bag on the floor. Grab my smartphone. Tuck my elbows in, avoiding all possible contact.

Mind flips through the day’s appointments. Unfinished projects. And then the previous day, and things I shouldn’t have said, things I should have done, things I shouldn’t have done. I shift in my seat, nudging the occupant at the window, who shifts nervously.

Morning code: No contact. Absolutely no talking.

I can’t get comfortable. I adjust myself in place, careful to avoid contact. I’m tired. I’m edging to claustrophobia, and assessing whether I want, whether I need to exit and stand in vestibule. Not yet DK. Not yet. Settle. Just settle.

I set my smartphone down. I close my eyes.

It’s Make Believe Boutique in her post Kaleidoscope Shift that lands with a share from Chelsea D.G. Bartlett. “We may not always have that perfect mindset that we all chase…it can be difficult…especially when you’re constantly driving yourself forward…so lately I’ve been tricking myself myself into it.  I call this ‘romanticizing my life.’ I use this technique when I’m struggling to see the beauty in a situation, to add a little romance to the everyday frustrations and low moments that sometimes come up in life. It’s a perspective shift, more than anything else, paired with words that will take something that is often just a concept and true it into something more solid. Something actionable. It’s less effective to simply say, ‘I need to slow down and re-frame what I’m experiencing,’ than it is to force yourself to notice actual details and commit them to written words. Instead of, ‘I’m stuck on the bus, too exhausted after work even to concentrate on my creative goals, and all I want is to be at home,’ romanticize your life.’ “The bus rocks me gently through the city lights. Glimmers of ideas for stories and projects spark and sputter in my mind. I know I’ll be home soon, and it will be warm.Continue reading “Riding Metro North. Romanticizing myself.”

Monday Morning Wake-Up Call

A sewer cleaner cleans road manholes near Jatrabari Dhaka in Bangladesh. For this one-day work, the cleaner gets about $8. (KM Asad, Human Press, wsj.com June 16, 2017)

Monday Morning Wake-Up Call

The Incan relay system could transport news 150 miles per day. The runners, stationed every 2 miles, would run at top speeds and blow a conch shell to tell the next runner they were arriving. The next runner would fall into step beside them, hear and memorize the message, and then run at top speed to the next messenger. The system was so fast they could carry fresh fish from the Pacific Ocean to the Incan king in the Andes valley of Cuzco – without the fish spoiling.

~ Fun Facts, First News


Notes: Photo: Inca Trail via G Adventures

Judgment Day


Six photographers.
1 man.

Each photographer is asked to photograph “Michael”.

Each photographer is shared a unique perspective on Michael.

One is told that Michael is a self-made millionaire.
Another, is told Michael has saved someone’s life.
Another, is told Michael is a commercial fisherman.
Another, is told that Michael is a Psychic.
Another, is told that Michael is an ex-inmate.
Another, is told that Michael is a former alcoholic.

Watch the outcome…

I’m an Occhiolic

aerial,hair

occhiolism

n. the awareness of the smallness of your perspective, by which you couldn’t possibly draw any meaningful conclusions at all, about the world or the past or the complexities of culture, because although your life is an epic and unrepeatable anecdote, it still only has a sample size of one, and may end up being the control for a much wilder experiment happening in the next room.


Credits: Word Definition -John Koenig: Dictionary of Obscure Sorrows. Photography: Rona Keller

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