Cancer, you’re not invited

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For most of my adult life I have answered the question “Occupation?” with one word: journalist. I still do, but now I am tempted to add a phrase.

Cancer patient…

Even in remission, cancer alters a patient’s perception of what’s normal. Morning, noon and night, asleep and awake, malignant cells are determined to alter or end your life…

Age alone puts me in my twilight years; and cancer only heightens that objective reality. Yet I am not consumed by the prospect of death. When it intermittently enters my consciousness it has an abstract quality. I can’t quite get a grip on how this life might end…

Whenever I engage in this kind of reflection I fault myself for not shifting into a lower gear. What happened to the sailing lessons, the calligraphy course, that short story I had hoped to publish? […]

Cancer fund-raising events? Yes, if the distance and demands are not onerous. But is it possible that NBC News coverage of the 75th anniversary of Pearl Harbor, two very long plane rides away, would not be at all affected by my absence? I think it is.

Maybe it would be better if I just gathered our five grandchildren and we watched the occasion on television as I answered their questions. Then we would all go for Chinese food and plan our next get together.

Cancer, you’re not invited.

Don’t miss full essay by Tom Brokaw @ Tom Brokaw: Learning to Live With Cancer

 

T.G.I.F.: It’s been a long week

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The work of French artist Fabien Morello, 35, involves creative combinations of dreams, experiences, and his early childhood imagination. He blurs the line between reality and fiction. Mérelle’s complex works are small and he pays close attention to detail, two qualities that can be seen in this particular work, entitled Pentateuque. The piece is a whimsical sculpture that depicts a man, balancing the weight of an elephant on his back. It is made out of resin, paint, hair and fabric, and stands only 30 x 27 x 12 inches. The three dimensional form is a replica of the artist’s original Pentateuch 2010 ink drawing, both of which visually interpret the phrase “carrying the weight of the world on your shoulders.”

Source: My Modern Met

Driving I-95 N. With 45s Spinning.

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Picture the old 45 spinning on the RCA, with its slight wobble.

It hits a notch and repeats, and repeats and repeats.

Karen, a blogger friend, from “Healing Grief” had all of the Nacre she could stand.  She gently lifted the arm and suggested a new groove:

Love what Milner suggests practising bead memories. I have a challenge for you Mr K. In your next bead experience, tell us what You feel and see just “being.” No driving, no running, no working, just here, now.”

Healing Grief. Advice from a Woman who has felt Grief. Incomprehensible loss.

Would I be standing as she is, if I was hit? Continue reading “Driving I-95 N. With 45s Spinning.”

Lightly child, lightly.

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day after day:

bright,

wretched,

endlessly fragile.

~ Rainer Maria Rilke, from The Poetry of Rilke; “Sonnets to Orpheus


Notes:

  • Quotes: luthienne. Photo: econoona
  • Prior “Lightly child, lightly” Posts? Connect here.
  • Post Title & Inspiration: Aldous Huxley: “It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them.”

 

 

Bubbles came up on the water. Then blood came up, and the water stilled.

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A writer named Lorne Ladner described it. Bubbles came up on the water. Then blood came up, and the water stilled. As the minutes elapsed, the people in the crowd exchanged glances; silent, helpless, they quit the stands. It took the Seminoles a week to find the man’s remains. At its best, the sensation of writing is that of any unmerited grace. It is handed to you, but only if you look for it. You search, you break your heart, your back, your brain, and then—and only then—it is handed to you. From the corner of your eye you see motion. Something is moving through the air and headed your way, on two white wings. It flies directly at you; you can read your name on it. If it were a baseball, you’d hit it out of the park. It is that one pitch in a thousand you see in slow motion; its wings beat slowly as a hawk’s. One line of a sonnet, the poet said—only one line of fourteen, but thank God for that one line—drops from the ceiling.

~ Annie Dillard, from “The Writing Life


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