Monday Morning Wake-Up Call: Stalk it!

annie-dillard

We can live any way we want. People take vows of poverty, chastity, and obedience – even of silence – by choice. The thing is to stalk your calling in a certain skilled and supple way, to locate the most tender and live spot and plug into that pulse. This is yielding, not fighting.

I think it would be well, and proper, and obedient, and pure, to grasp your one necessity and not let it go, to dangle from it limp wherever it takes you. Then even death, where you’re going no matter how you live, cannot you part. Seize it and let it seize you up aloft even, till your eyes burn out and drop; let your musky flesh fall off in shreds, and let your very bones unhinge and scatter, loosened over fields, over fields and woods, lightly, thoughtless, from any height at all, from as high as eagles.

– Annie Dillard, Living Like Weasels


Notes:

Bubbles came up on the water. Then blood came up, and the water stilled.

annie-dillard

A writer named Lorne Ladner described it. Bubbles came up on the water. Then blood came up, and the water stilled. As the minutes elapsed, the people in the crowd exchanged glances; silent, helpless, they quit the stands. It took the Seminoles a week to find the man’s remains. At its best, the sensation of writing is that of any unmerited grace. It is handed to you, but only if you look for it. You search, you break your heart, your back, your brain, and then—and only then—it is handed to you. From the corner of your eye you see motion. Something is moving through the air and headed your way, on two white wings. It flies directly at you; you can read your name on it. If it were a baseball, you’d hit it out of the park. It is that one pitch in a thousand you see in slow motion; its wings beat slowly as a hawk’s. One line of a sonnet, the poet said—only one line of fourteen, but thank God for that one line—drops from the ceiling.

~ Annie Dillard, from “The Writing Life


Notes:

Lightly child, lightly

art-bird-lightly-ribbon-wings

I cannot cause light;
the most I can do is try to put myself in the path of its beam.
It is possible, in deep space, to sail on solar wind.
Light, be it particle or wave, has force:
you rig a giant sail and go.
The secret of seeing is to sail on solar wind.
Hone and spread your spirit till you yourself are a sail,
whetted, translucent, broadside to the merest puff.

~ Annie Dillard, Pilgrim at Tinker Creek


Notes:

  • Poem: Thank you Beth for your ongoing inspirations: Alive on All Channels
  • Art: Silvia Angelova (Bulgaria) (via The Sensual Starfish).
  • Prior “Lightly child, lightly” Posts? Connect here.
  • Related posts: Annie Dillard
  • Post Title & Inspiration: Aldous Huxley: “It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them.”

What made me look up?

among-trees-photography

Michael Goldman wrote in a poem,

“When the Muse comes
She doesn’t tell you to write; /
She says get up for a minute,
I’ve something to show you,
stand here.”

What made me look up at that roadside tree?

~ Annie Dillard, The Present, Pilgrim at Tinker Creek


Image: AMCH-Photography

Sunday Morning: Spring

tree-forest-tall-up-sky

So. I have been thinking about the change of seasons. I don’t want to miss spring this year. I want to distinguish the last winter frost from the out-of-season one, the frost of spring. I want to be there on the spot the moment the grass turns green…But it occurred to me that I could no more catch spring by the tip of the tail than I could untie the apparent knot in the snakeskin; there are no edges to grasp. Both are continuous loops. […]

I don’t want the same season twice in a row; I don’t want to know I’m getting last week’s weather, used weather, weather broadcast up and down the coast, old-hat weather. But there’s always unseasonable weather. What we think of the weather and behavior of life on the planet at any given season is really all a matter of statistical probabilities; at any given point, anything might happen. There is a bit of every season in each season. Green plants— deciduous green leaves— grow everywhere, all winter long, and small shoots come up pale and new in every season. Leaves die on the tree in May, turn brown, and fall into the creek. The calendar, the weather, and the behavior of wild creatures have the slimmest of connections. Everything overlaps smoothly for only a few weeks each season, and then it all tangles up again. The temperature, of course, lags far behind the calendar seasons, since the earth absorbs and releases heat slowly, like a leviathan breathing. Migrating birds head south in what appears to be dire panic, leaving mild weather and fields full of insects and seeds; they reappear as if in all eagerness in January, and poke about morosely in the snow. Several years ago our October woods would have made a dismal colored photograph for a sadist’s calendar: a killing frost came before the leaves had even begun to brown; they drooped from every tree like crepe, blackened and limp. It’s all a chancy, jumbled affair at best, as things seem to be below the stars. Time is the continuous loop, the snakeskin with scales endlessly overlapping without beginning or end, or time is an ascending spiral if you will, like a child’s toy Slinky. Of course we have no idea which arc on the loop is our time, let alone where the loop itself is, so to speak, or down whose lofty flight of stairs the Slinky so uncannily walks.

~ Annie Dillard, Untying the Knot. Pilgrim at Tinker Creek 


Photo: jaimejustelaphoto